If you are interested in blogging or want to promote your book, please contact E. B. Davis at writerswhokill@gmail.com.


Here are our September WWK interviews:

September 5: Marilyn Levinson/Allison Brooke, Read and Gone

September 12: Libby Klein, Midnight Snacks Are Murder

September 19: Annette Dashofy, Cry Wolf

September 26: Judy Penz Sheluk


Our September Saturday Guest Blogger Schedule: 9/1--Peter Hayes, 9/8--Wendy Tyson, 9/29--Catherine Bruns. Margaret S. Hamilton blogs on 9/15, and Kait Carson blogs on 9/22.


Congratulations to our writers for the following publications:

KM Rockwood's new short story, "Map to Oblivion," has been included the anthology Shhhh...Murder! edited by Andrew MacRae and published by Darkhouse Books. It was released on Sept. 12.

Annette Dashofy's Uneasy Prey was released in March. It is the sixth Zoe Chambers Mystery. The seventh, Cry Wolf, will be released on September 18th. Look for E. B. Davis's interview with Annette on September 19th.

Carla Damron's quirky short story, "Subplot", was published in the Spring edition of The Offbeat Literary Journal. You can find it here: http://offbeat.msu.edu/volume-18-spring-2018/


Tina Whittle's sixth Tai Randolph mystery, Necessary Ends, debuts on April 3, 2018. Look for it here. Tina was nominated for a Derringer Award for her novelette, "Trouble Like A Freight Train Coming."

James M. Jackson's Empty Promises, the next in the Seamus McCree mystery series (5th), was published on April 3, 2018. Purchase links are here. He's working on Seamus McCree #6 (False Bottom)


Dark Sister, a poetry collection, is Linda Rodriguez's tenth published book. It's available for sale here:


Shari Randall's "Pets" will be included in Chesapeake Crimes: Fur, Feathers, and Felonies anthology, which will be published in 2018. In the same anthology "Rasputin," KM Rockwood's short story, will also be published. Her short story "Goldie" will be published in the Busted anthology, which will be released by Level Best Books on April 25th.


Shari Randall's second Lobster Shack Mystery, Against the Claw, will be available in July 31, 2018.

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Tuesday, July 3, 2018

Advocacy and the Written Word by Carla Damron


Two weeks ago, I had the incredible honor of presenting at a national social work conference. My subject: Advocacy and the Written Word. Almost two thousand social workers attended the three-day event, and I was stunned when several hundred sat in on my session (they may have gotten lost on the way to something else!).

I’ve talked before about my two careers: writer and social worker, and how they have MUCH in common. For example:
1)      Neither pays very well
2)     Both offer intrinsic rewards like making a difference in someone else’s life
3)     Did I mention that they don’t pay well?

For this presentation, I talked about how the careers have become intermingled. I can’t write without being a social worker. Even if I don’t intend for it to happen, social issues sneak into my novels and social stories. And as a social worker/advocate, I’ve learned the value of clear self-expression when I post a blog, testify at a statehouse hearing or write an op-ed for the local newspaper.  Expressing my thoughts in a concise, clear, and passionate way helps me be heard.

I hope I helped the social workers who came to my session see what they have to offer readers. Because of our work with vulnerable populations, either as case managers or advocates, we see, close hand, the impact of political decisions. Whether it’s the threat of gutting Social Security, unfair utility hikes, or the tightening of voter laws, we work closely with and feel the consequences to those most impacted. Social workers can share what we’ve learned and what we care about through op-ed submissions, blogs, memoirs, poems, short stories or even novels.

I began my presentation with examples of writing that has, in fact, changed the world. Take this example:

Men who look upon themselves born to reign, and others to obey, soon grow insolent; selected from the rest of mankind their minds are early poisoned by importance; and the world they act in differs so materially from the world at large that … when they succeed to the government are frequently the most ignorant and unfit of any throughout the dominions.”

You might think this pertains to some recent or current leader, but it actually appeared in Thomas Paine’s Common Sense, which helped launch the Revolutionary War. This excerpt from a memoir also greatly impacted our country:

“You are loosed from your moorings, and are free; I am fast in my chains, and am a slave! You move merrily before the gentle gale, and I sadly before the bloody whip! You are freedom's swift-winged angels, that fly round the world; I am confined in bands of iron! O that I were free!” --Narrative of the Life of Frederick Douglass

Douglass introduced the country, if not the world, to a first-hand account of life in slavery which moved people to reject this abhorrent practice.

Our view of war was greatly impacted by Erich Maria Remarque’s All Quiet on the Western Front:

  But now, for the first time, I see you are a man like me. I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. …Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony--Forgive me, comrade; how could you be my enemy?”


I’m particularly fascinated by ways fiction like this has shaken our consciousness. Fiction may scream, or it may whisper. It might deliver its point with nuance and subtlety, or with drama and drums banging. Most of all, it can reach a person through both the head and the heart.


Fiction can punch holes in our mental walls.
Through these holes we get a glimpse of the other.
--Elif Shehak



While my op-ed about mental illness might increase the reader’s awareness of the subject, if I write a novel about what it’s like to live with voices pounding inside your head every day then I may help the reader develop true empathy for those struggling with mental disorders. If my readers feel what it’s like to wake up on a park bench on a cold, wet morning, they may understand homelessness in a more profound way.

I’ve said before that the best review I ever received was from a reader who wrote “I just finished your novel and made a donation to my local homeless shelter.”

It doesn’t get any better than that.

Have you ever felt greater empathy after reading a work of fiction or memoir? Have you found yourself wanting to create empathy in you readers? 

10 comments:

Annette said...

Great post, Carla. While my primary goal with my writing is to entertain, I do love to include a thread dealing with some issue, sometimes local, sometimes bigger. I especially like different characters having different points of view on topics to show a variety of opinions. And I'm a big advocate for the elderly and their caregivers, which comes through in a number of my books.

So, yes. Creating empathy, making our readers think and feel in addition to entertaining them is huge.

Margaret Turkevich said...

I write about women...lonely, abused, victimized, or on the run.

Judy Alter said...

The quotes are powerful and well chosen, and you address of my constant niggling worries--is writing mysteries frivolous? Am I contributing to the overall Good. You reassure me.

Carla Damron said...

It's good to write about what we feel passionate about. Lots of material there!!

Warren Bull said...

Lovely post. We can explore the lives of the poor and downtrodden through reading and increase our understanding.

Gloria Alden said...

Love this post, Carla. I blogged about Frederick Douglas awhile back. I try to include in my books things that I feel strongly about. For instance, I introduced a gay couple in one of my books and they continue in others. I've also introduced other things like characters in a nursing home who are sad or lonely. A character who was in the service and lost part of his leg and is suffering from PSD. He's a returning character everyone likes. A young person who turned out to be a murderer and his sad story of how that happened. A wife who was abused, too. As for me, I tear up easily when I read something sad in books, newspaper, or movies. I really enjoyed your books that I read.

Anonymous said...

Thank you for the work you do. Extremely sorry about the low pay, because -- you are priceless.

Carla Damron said...

Thanks, y'all, for the wonderful feedback!!

KM Rockwood said...

I like to address social issues in my fiction. I don't think you can write without doing that, whether you intend to or not.

I just finished reading a mystery by Charles Finch, set in early Victorian times. Although it does not specifically address the great social ills of this period, they can be glimpsed in the condescension and cavalier attitudes of the aristocracy toward the vast majority of the population.

Jim Jackson said...

Authors who take me to new places, or better, old places but show them to me in a new light, open my vision. So, too with emotions and feelings. However, some authors make the mistake of deciding their point is so important that they must tell us what it is. Those end up in my DNF pile, or with two-star reviews. It’s a fine line to walk, but being on the right side of it is extremely worthwhile.