Martha Reed's "Death by GPS" will appear in the Spring 2021 issue of Suspense Magazine, which will be released in the second week of April. Congratulations, Martha!
Susan Van Kirk has a new audiobook, A Death at Tippitt Pond, that will be released this month. Marry in Haste will be released in May by Harlequin Worldwide Mystery, as will Death Takes No Bribes in September. Congratulations, Susan.
Congratulations to Martha Reed. Her short story, "The Honor Thief" was chosen for the 2021 Bouchercon Anthology, This Time For Sure. Hank Phillippi Ryan will edit the volume, which will be released in August at the time of the convention.
Margaret S. Hamilton's short story, "Killer Weeds," appears in the January 20 edition of Texas Gardener's Seeds: From Our Garden to Yours. Congratulations, Margaret, who, if you follow Facebook know, is a superb gardener herself!
Congratulations to Jennifer J. Chow for garnering a 2021 Lefty Nomination for Best Humorous Mystery Novel. We're crossing our fingers for Jennifer!
Congratulations to Paula Gail Benson whose "Reputation or Soul" has been chosen for Malice Domestic 16: Mystery Most Diabolical anthology to be released this spring.
KM Rockwood's "Stay Safe--Very Safe" appears in this year's 2020 BOULD anthology. Congratulations, KM!
Margaret S. Hamilton's "Dealing at the Dump" appears in Cozy Villages of Death Fall 2020.
Margaret S. Hamilton's "Black Market Baby" and Debra H. Goldstein's "Forensic Magic" appear in Masthead: Best New England Crime Stories Fall 2020.
Jennifer J. Chow's Mimi Lee Reads Between the Lines (interview on WWK on 11/11) released on November 10.
Annette Dashofy signed with agent Dawn Dowdle of the Blue Ridge Literary Agency. Congratulations, Annette!-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Friday, August 31, 2018
Thursday, August 30, 2018
|I was checking these weird pods on the plants.|
|It was a little scary.|
|I'm sitting next to the crime scene chair.|
|Mary and Kira by one of the many redwoods.|
Wednesday, August 29, 2018
Tuesday, August 28, 2018
|Image courtesy of Roke from Wikimedia Commons|
She meant lies and other nefarious fabrications, not flights of fancy. The word “story” could mean either in her mind, and she frowned on both. Anything that wasn’t factual was suspect because non-facts had no foundation and therefore couldn’t be trusted. Stories were like gathering clouds—dangerous in their potential.
My husband would agree with her definition if not her assessment. He’s an engineer, suspicious of the frayed edge that all stories have, the place where facts start unraveling. He says that fact and truth are the same thing. He says that if he started writing equations based on my ideas of truth, planes would fall from the sky.
It’s a point.
And yet my brain can’t make sense of all the facts around me. Information overload sets in, so my brain begins editing my reality into something I can comprehend, erasing this, focusing on that. It connects my present experience to the other experiences folded and tucked in my gray matter, and by doing so, creates a chronology, a sense of past and future, effect and consequence. The human brain is wired for stories, and it programs our consciousness accordingly.
Not facts. Stories.
Memory is useful not for what it records, but for what it erases. For the vast majority of us, it is not photographic. It takes out the extraneous—however factual—and leaves us with essence—however slanted. And our recollection is slanted; it must be. No true and perfectly accurate memory exists. Certain details, by necessity, weren’t captured in the first place, and every subsequent time your consciousness touches the memory, it further alters it, even as the flawed memory is carved deeper into your brain.
“Every time we remember, the neuronal structure of the memory, no matter how constant it may feel, is delicately transformed. If you prevent the memory from changing, it ceases to exist. So the purely objective memory . . . is the one memory lost to you forever.”
* * *
Tina Whittle writes the Tai Randolph mysteries for Poisoned Pen Press. The sixth book in this Atlanta-based series—Necessary Ends—is available now. Tina is a proud member of Sisters in Crime and serves as both a chapter officer and national board member. Visit her website to follow her on social media, sign up for her newsletter, or read additional scenes and short stories: www.tinawhittle.com.