7/10 Jennifer J. Chow
7/17 What We're Reading Now! WWK Bloggers
7/24 Kait Carson
7/31 Write Your Way Out of This! WWK Bloggers
7/3 M K Morgan
Warren Bull's short story, "Just Another Day at the Office" appears in the anthology, Red, White, and Blue available this month by Whortleberry Press. Congratulations, Warren!
E. B. Davis's "The Pearl Necklace" will appear in the new SinC Guppy anthology The Fish That Got Away to be released in July by Wildside Press. The anthology was edited by Linda Rodriguez. It will be released on June 21st.
Paula Gail Benson's monologue "Beloved Husband," from the perspective of Norton Baskin the second husband of Marjorie Kinan Rawlings (who wrote The Yearling and Cross Creek), appears in the Red Penguin Collection's An Empty Stage (released March 28, 2021).
Martha Reed's "Death by GPS" will appear in the Spring 2021 issue of Suspense Magazine, which will be released in the second week of April. Congratulations, Martha!
Susan Van Kirk has a new audiobook, A Death at Tippitt Pond, that will be released this month. Marry in Haste will be released in May by Harlequin Worldwide Mystery, as will Death Takes No Bribes in September. Congratulations, Susan.
Congratulations to Martha Reed. Her short story, "The Honor Thief" was chosen for the 2021 Bouchercon Anthology, This Time For Sure. Hank Phillippi Ryan will edit the volume, which will be released in August at the time of the convention.
Margaret S. Hamilton's short story, "Killer Weeds," appears in the January 20 edition of Texas Gardener's Seeds: From Our Garden to Yours. Congratulations, Margaret, who, if you follow Facebook know, is a superb gardener herself!
Congratulations to Paula Gail Benson whose "Reputation or Soul" has been chosen for Malice Domestic 16: Mystery Most Diabolical anthology to be released this spring.
KM Rockwood's "Stay Safe--Very Safe" appears in this year's 2020 BOULD anthology. Congratulations, KM!
Annette Dashofy signed with agent Dawn Dowdle of the Blue Ridge Literary Agency. Congratulations, Annette!
Thursday, January 31, 2013
Wednesday, January 30, 2013
Tuesday, January 29, 2013
Monday, January 28, 2013
|Can you spot what is wrong is this cabinet design?|
Sunday, January 27, 2013
Saturday, January 26, 2013
Friday, January 25, 2013
Thursday, January 24, 2013
Wednesday, January 23, 2013
I got married back in July and had been planning for the occasion for over a year. Somewhere about six months before the wedding, I decided that my creative juices were primarily focused on the big "party," and the thought of being creative elsewhere seemed too taxing to my brain.
To be perfectly honest, that's also about the time that a particularly nasty bit of rewriting needed doing. Some feedback I'd gotten suggested that I didn't have enough red herrings in my mystery, which I agreed with. Unfortunately, this meant revising several scenes throughout the book and finding ways to throw my future readers off the scent of the true culprit. I had started on the necessary changes, but soon discovered that it would take much more planning and thought than I'd originally hoped. The hiatus for the wedding planning was a handy excuse.
Then after the wedding I had to plan out the honeymoon, which wasn't until the end of October. And then, of course, came the holidays. But fear not, I began revisions on the book at Chapter 1 shortly after we returned from Greece, so I didn't procrastinate too much longer, but I still dreaded that murky middle where the Red Herrings and the True Culprit threads wove closer together. Several doubts plagued me at that time: How would I have my protagonist hunt down and eliminate the Red Herrings? When was it okay to let the audience see the True Culprit?
I'm a huge fan of the movie "Murder By Death," so, in deference, I didn't want to wait until the last minute to "introduce" the villain, but I also didn't want to make it so obvious that my readers would grow bored with the story after page 50; hence the need for the Red Herring. Each chapter I got to led me closer and closer to this tangled mess I'd left behind over a year before, and with each chapter done, I felt a looming sense of dread. Would I be able to pull this off?
A couple weeks ago, I finally got to the chapter where the real and perceived villains meshed, and I froze for a good 30 minutes, trying to think my way through it. Eventually I just started typing and was successful in moving the story forward, but I now have to go back and polish it, not to mention the remaining chapters that still need to be rewritten. There's still a lot of trepidation inside of me; especially since it's been so long since I'd been involved in this story. I have to reconnect with my characters again, and remember how each one reacts to the situations they're in.
I'm sure every author had these same issues with their first full-length novel. At least I hope so. Because believing that Sue Grafton had to work through this gives me hope that I'll eventually figure it out, too.