Martha Reed's "Death by GPS" will appear in the Spring 2021 issue of Suspense Magazine, which will be released in the second week of April. Congratulations, Martha!
Susan Van Kirk has a new audiobook, A Death at Tippitt Pond, that will be released this month. Marry in Haste will be released in May by Harlequin Worldwide Mystery, as will Death Takes No Bribes in September. Congratulations, Susan.
Congratulations to Martha Reed. Her short story, "The Honor Thief" was chosen for the 2021 Bouchercon Anthology, This Time For Sure. Hank Phillippi Ryan will edit the volume, which will be released in August at the time of the convention.
Margaret S. Hamilton's short story, "Killer Weeds," appears in the January 20 edition of Texas Gardener's Seeds: From Our Garden to Yours. Congratulations, Margaret, who, if you follow Facebook know, is a superb gardener herself!
Congratulations to Jennifer J. Chow for garnering a 2021 Lefty Nomination for Best Humorous Mystery Novel. We're crossing our fingers for Jennifer!
Congratulations to Paula Gail Benson whose "Reputation or Soul" has been chosen for Malice Domestic 16: Mystery Most Diabolical anthology to be released this spring.
KM Rockwood's "Stay Safe--Very Safe" appears in this year's 2020 BOULD anthology. Congratulations, KM!
Margaret S. Hamilton's "Dealing at the Dump" appears in Cozy Villages of Death Fall 2020.
Margaret S. Hamilton's "Black Market Baby" and Debra H. Goldstein's "Forensic Magic" appear in Masthead: Best New England Crime Stories Fall 2020.
Jennifer J. Chow's Mimi Lee Reads Between the Lines (interview on WWK on 11/11) released on November 10.
Annette Dashofy signed with agent Dawn Dowdle of the Blue Ridge Literary Agency. Congratulations, Annette!-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Monday, February 29, 2016
Sunday, February 28, 2016
Still, we encouraged him to make an official visit on the off chance that he, as a prospective student, might not like what he saw. The visit was everything a parent could hope for: Demonstrations of beloved traditions, a walking tour of campus, meetings with his future professors, opportunities to explore extra-curricular activities. At the end of the day, he believed he'd made the right choice.
What I didn't expect was my reaction to the visit, on two fronts.
Will he get enough to eat?
As a mom, I have different priorities and different responsibilities and different questions for my alma mater.
Second, I didn't expect to get sideswiped by nostalgia. Our walking tour of campus took us through the journalism school building, where I practically lived for my last two years at the university. I've only been back inside once or twice since graduation 30 years ago, and the changes were unsettling. They moved the student newspaper newsroom, the center of my life for half my college career? I felt my heart break a little. I guess I expected time to stand still, even though I haven't?
These two unexpected reactions, part of the roller coaster of my emotions as my kiddo grows up and prepares to leave home, got me to thinking about a problem I'm having with one of the characters in the manuscript I'm working on now. She started off strong but lost her voice halfway through the story. The problem, I think, is that she's not layered enough. She has only one role at the moment, not the multiple roles (alumna, employee, mom) that give characters depth and inspire the strong, sometimes conflicting, emotions that motivate them and make the story sing for readers.
I have more work ahead to write her well. As I tackle revisions, my goal is to get to know her better as a whole person who has diverse interests, a lifetime of experiences, and, maybe, unexpected reactions to the fictional world around her.
Saturday, February 27, 2016
Friday, February 26, 2016
Thursday, February 25, 2016
Wednesday, February 24, 2016
Tell us about your journey to publication. Was it a bumpy ride?
Tuesday, February 23, 2016
I am a writer; therefore, I am a collector of stories. I pick them up the way that magpies pluck trinkets from the side of the road. They are seashells on the beach, haphazard treasures left behind by the outgoing tide. They are rivers running from the highlands to the silty deltas. And they are everywhere.
This is because stories are organic. They are as natural and dynamic and symbiotic as the redwood forest. Like all creatures, they have lives of their own, and there's a lot to be gained by viewing them through the lens of biology and anthropology and neurology. Don't believe me? Here are some interesting tidbits about the science of storytelling that I hope will convince you.
1. Stories have DNA. Durham University anthropologist Dr. Jamie Tehrani recently analyzed fairy tales – you know, those popularized by the Brothers Grimm – using techniques borrowed from evolutionary biology. The study employed phylogenetic comparative methods (don't ask me what that means) to investigate the connections between populations and their cultural phenomena, isolating key elements and exploring those "genetic" roots. They discovered that these stories were born 4,000 to 6,000 years ago, some going as far back as the Bronze Age: You can read more about the study at BBC News.
2. Stories rewire the human brain. Psychologists David Comer Kidd and Emanuele Castano have demonstrated that reading literary fiction – stories of some depth and complexity that they dubbed "writerly" – enhances a person's ability to detect and understand the emotions of others. And what is more, this empathetic effect lingers long after the subjects finish reading. In other words, simply reading certain types of fiction – and the authors have been insistent that this could include genre fiction, such as mysteries – creates real world, measurable effects in the human brain. You can read more about this in The Guardian.
3. Reality is really just a story with different authors. Cops have known this for quite some time – eyewitness testimony is one of the least reliable pieces of evidence. That's because even though we have this idea that the brain makes careful distinctions between reality and fiction, and that anyone who mixes up the two is either lying or delusional, the truth is much more interesting…and subjective.
It seems that the memory-making part of our brain is entangled with the story-making part of our brain. As Jonathan Gottschall explains in The Storymaking Animal, once we start delving into memories, we find that they're substantially fictionalized: "Some of the most confident memories that are residing in our brain just didn’t happen the way we think they happened," Gottschall explains. In other words, we're all editing the plot of our lives in ways both big and small, every day. You can read more about Gottschall's work in this PBS interview
So there you have it – weirdness at the intersection of science and art. What about you? Told any good stories lately?