If you are interested in blogging or want to promote your book, please contact E. B. Davis at writerswhokill@gmail.com.

June Interviews

6/3 Gretchen Archer, Double Trouble
6/10 Kaye George, Deadly Sweet Tooth
6/17 Annette Dashofy, Til Death
6/24 Adam Meyer

Saturday Guest Bloggers

6/6 Mary Keliikoa
6/13 William Ade
6/20 Liz Milliron

WWK Bloggers:

6/27 Kait Carson
6/30 WWK Writers--What We're Reading Now


Susan Van Kirk's Three May Keep A Secret has been republished by Harlequinn's Worldwide Mystery. The WWK interview about the book can be accessed here. We're so glad another publisher picked up this series.

KM Rockwood's "Burning Desire," and Paula Gail Benson's "Living One's Own Truth," have been published in the anthology Heartbreaks & Half-truths. Congratulations to all of the WWK writers.

Please join Margaret S. Hamilton's Kings River Life podcast of her short story "Busted at the Book Sale" here. Congratulations, Margaret!

WWK is proud of our four Agatha nominees. Kaye George for Best Short Story--not her first time to be nominated, Connie Berry and Grace Topping for Best First Mystery Novel, and Annette Dashofy for Best Contemporary Novel--her fifth nomination! All are winners but without Agatha Teapots. Onto 20121!

Look for Kaye George and Margaret S. Hamilton's short stories in the new Mid-Century Murder by Darkhouse Books. Kaye's story is "Life and Death on the Road" and Margaret's story is titled "4BR/3.5BA Contemporary."

Grace Topping's second novel in Laura Bishop staging series, Staging Wars, was released by Henery Press on April 28th. Look for the interview here from April 29th.

Kaye George's second novel in the Vintage Sweets mystery series, Deadly Sweet Tooth, was released on June 2. Look for the interview here on June 10.

Annette Dashofy's 10th Zoe Chambers mystery, Til Death, will be released on June 16th. Look for the interview here on June 17.

Shari Randall will be writing again for St. Martin's, perhaps under a pseudonym. We look forward to reading Shari's Ice Cream Shop Mystery series debuting next year. Congratulations, Shari!


Friday, January 18, 2019

Plotting not Plodding by Warren Bull

Plotting not Plodding by Warren Bull

Image by Jesse Ramirez on Upsplash

I plan to attend a general audition, fondly known as a “cattle call,” which will allow many singers and actors to strut their stuff to several theater companies at the same time. To ready myself for the event I joined Portland Area Theater Association. I need to have a “headshot” and a resume that fits specific requirements.  The theater organization put out the notice below:
Audition Requirements – Read Carefully
Each actor will have 2 MINUTES to perform up to 2 contrasting contemporary pieces. Alternatively, you can use your 2 minutes to perform a monologue and a song. 
Your 2 minutes start AFTER you slate.[Slate means you describe the song, the character who sings it ,and show the song is from] If you are singing, you must slate after you give your music to the accompanist
A single chair will be available on the audition stage.
DO NOT bring any hard copies of your headshot or résumé.
DO NOT bring props, costumes or instruments. 
Remember to dress for a job interview!

Your audition time is an appointment – please call or email if you cannot attend. 

See, no sweat. Just chose no more than one hundred and twenty seconds of two contrasting and contemporary songs. And perform them with a pianist who is basically sight-reading, i.e., playing music he or she is looking at for the first time.
Like a television commercial — get in, get out and while in do something that will stand out in a positive way compared to the herd of singers who proceed and follow you.
Think of a story arc presenting the tale of me as a singer.
The first task is the selection. Of all the contemporary musical theater songs, which ones should I choose? That depends on how I am presenting myself. When people who cast parts in shows see me, what kind of character do I want them to see in me? Physically I am an old, fat, balding man.  Vocally I am a baritone. So, for example, if someone is casting Oliver, I don’t want to perform songs sung by the characters of Oliver or Nancy because I will not be considered for those parts no matter how well I sing. However, Fagin fits my appearance and my range.  
The second task is to find contrast. If I sing something upbeat and showy where I can, “chew the scenery” first, then I will want to follow up with something melodic and lyrical perhaps a ballad or a lament. 
An upbeat song I’ve had good results with is Love Potion Number Nine.  That is loud and comedic.  I can start with a four measure introduction and then the lyrics She Jumped down…That chunk of the song allows me to have a comedic, dramatic and overblown ending. 
I have a number of ballads in my reparatory but I would like to try something new. Characters that I fit include Arvide Abernathy, Sarah Brown’s grandfather in Guys and Dolls, Fagin, the grandfatherly crook who sends boys out to pick pockets in Oliver, and Henry Higgins, the crusty old bachelor who teaches a Cockney flower girl to speak like a Duchess in My Fair Lady. Abernathy has one song, a lovely simple ballad. Fagin has a couple of comedic songs. Higgins has several songs. I’ve Grown Accustomed to Her Face inMy Fair Lady has enough information for a story plus an opportunity to show emotional change during the first few bars of the song. I’m going to attempt that. 
Two minutes. One hundred twenty seconds. What could possibly go wrong? 


Margaret S. Hamilton said...

Very interesting piece, Warren. Best wishes for your continued and future vocal successes!

Annette said...

Wow! Good luck, Warren! Those rules are enough to scare me away. Which considering how "well" I sing, is a good thing!

Tina said...

You are MUCH braver than I -- best of luck to you! And thanks for the good advice.

Gloria Alden said...

Warren, that is awesome. Make sure someone video tapes you so you can send it to us so we can see and hear your performance. Gloria

Kait said...

Warren, you amaze me. I am in awe of the challenges you take on. Good luck, can't wait to hear how it all turned out. As for me, I'm happy to operate the curtain, it's really all I'm qualified for. And lucky are the listeners that I know it.

KM Rockwood said...

Hope it works out well for you, Warren!

Jacqueline Seewald said...


You are brave. Wishing you much success.

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