Border for LRWA Summer Event |
Of
course, any time writers gather it provides not just an opportunity for
exchanging information and networking, but for finding new creative outlets
through interaction with your peers. It’s great to keep in contact by email, but
face-to-face can give writers a boost through encouragement and shared
experience. It’s like the difference between calling your relatives on the
phone and seeing them at a family reunion. In person, the information exchanged
is of a different quality.
Anna DeStefano |
But,
what if you don’t have the resources to travel to meetings or explore possible
new settings for your work? Are you stuck at home, surfing the internet? And,
if you are, can you have fun doing it?
Definitely.
Many of the same organizations that offer events also provide online courses at
reasonable costs. The Lowcountry Romance Writers has a monthly slate of online
offerings. Every month has at least two featured courses. In July, the two
four-week programs being offered are about improving punctuation and writing
short stories for an anthology call. In August, the selections are Beginning
WordPress and Writing from a Male POV. The cost for each is $20.
If
you are a member of the Guppy Chapter of Sisters in Crime, you have access to
the subsidized workshops coordinated by our own blogging partner E.B. Davis.
She has arranged for well-known teachers like Ramona DeFelice Long and Kris
Neri, who just completed a class on writing comedy. Cybercrimes was the subject
of a recent well-received course and a short stories class is now being
offered.
Thanks
to Jim Jackson’s teaching a writing revision course in January, I learned about
the online workshops sponsored by the RWA Kiss of Death Chapter’s College of
Felony and Intrigue (COFFIN). Two tracks are featured. Murder One has experts
in various forensic and other specialties as instructors while Killer Instincts
focuses on writing craft. The cost is $15 for members and $30 for non-members.
Through the Murder One track, I’m currently taking a class with Hank Phillippi Ryan about how newsrooms and investigative reporters operate and
how writers can use journalistic skills to improve fiction writing. Thanks to
Hank’s wonderfully generous, interactive style, the information is terrific and
student participation is high. In July, for Murder One, Chef Fran Gleason will
provide an orientation to working in a kitchen and how you can commit murder
there. For July’s Killer Instincts, Pam McCutchen has a course about writing convincing
dialogue and other tips.
Hank Phillippi Ryan |
Writer’s Digest University has numerous online courses
covering every possible writing topic at a variety of costs. If you’re
interested in writing thrillers, take a look at WD’s thriller conference that
takes place next weekend and features instructors like Hallie Ephron, D.P.
Lyle, and James Scott Bell. In addition, it offers an opportunity to submit a
query for agent evaluation.
Consider
the opportunities that may be available in your community through libraries and
bookstores. Authors on tour may be stopping by for signings. Check out the
meeting schedules for your local RWA, MWA, or Sisters in Crime chapters. In South
Carolina, our local chapters all feature monthly speakers. Most chapters allow
interested persons to attend several meetings before asking that they become
members.
Seek
an experience that enhances your creativity. Go to a museum or ask to interview
an expert at a law enforcement agency or university. Most people enjoy talking
with interested persons about their specialties.
Taking
a break from the routine tasks can bring you back to writing with renewed
enthusiasm. So what do you have planned for a writer’s holiday?
I have taken a number of online courses over the years. This spring I spent a week at the Donald Maass Breakout Novel Workshop. As with many things, the value of any course depends in large part on the instructor and in your current level of knowledge.
ReplyDeleteI have always been of the opinion that we must continue to invest in ourselves no matter what we vocation or avocation we participate in; and that the minimum time we should invest in ourselves is 10%.
~ Jim
Great information. Most of it was new to me. Thanks!
ReplyDeleteThis is great, Paula! I think I know what class I want to take in July!
ReplyDeleteJim, I hear that Donald Maass' classes are very inspiring. I like your 10% minimum time investment standard!
ReplyDeleteThanks, Warren. Congratulations on your new short story publication.
Shari, I bet we'll be in it together!
I've taken several online classes through the Guppies, and benefited from them. And I went to Seascape two years in a row which was a good experience. I also have several shelves of books on writing, and have belonged to a writing group for years and their support and the friendships we've built has been very beneficial. However, my best ideas come to me when I'm alone or walking in the woods. I think reading well written books is a benefit, too. In classes at writing workshops when given a prompt, I can't concentrate and do a horrible job with people around me.
ReplyDeleteGood post, Paula. Some of my best ideas come to me when I'm alone, but often when I'm around other writers, my "creative juices" tend to get riled up, especially if I've been in a slump. For example, at the Low Country Romance Writers workshop we attended this past weekend, I thought through several scenes and fleshed out my main characters. I was pleased at the amount of story that came to me as Anna DeStafano presented. When she’d ask, “What motivates your characters?” or “Why is your character acting the way he or she does?” or “What does your character need?”; I’d be writing in my notes, “What motivates Rose” or “Why is Rose acting the way she does?” or “What does Daniel need?” It was a great exercise for me.
ReplyDeleteGloria, you make a good point that sometimes isolation is as important for a writer as a gathering.
ReplyDeleteSusan, I'm so glad you found inspiration from the conference. I can't wait to read the new novel you're "ruminating" over!
Thank you, Paula, for the very helpful tips on available training. When I decided to write a mystery, I took an online class through my local community college on writing mysteries. The class made it so much easier knowing where I was going once I started my manuscript.
ReplyDeleteGrace, that is such a good way to begin. The local writing group I belong to was started after the founding members took a community college class together. Now, our newest member is enrolled to take the same class!
ReplyDeleteThank you for the great information, Paula! I've learned so much from courses offered by the Guppies. This July I will be at Camp NaNoWriMo--a virtual writer's retreat. The Guppies have three "cabins" with seven or eight people in each cabin. I participated in NaNoWriMo (National Novel Writing Month) in November a few years ago, but this is my first camp. It should be fun and motivating.
ReplyDeleteGreat list. Thanks for the information. We all certainly have room to grow and improve!
ReplyDeleteSounds like you had a great time, Paula. I have mixed feelings about taking summer courses. There are many terrific courses sponsored from a lot of writers' groups, but then I also think everyone should take the summer and have adventure. Living is one of the best sources for stories and resting charges the mind. Thanks for all of your ideas, Paula.
ReplyDeleteThanks, Kara. The NaNoWriMo program has offered so many opportunities and produced so much excellent information for writers.
ReplyDeleteKM, you're right. Growth and improvement encourages more writing.
I agree, E.B. As a young teacher, my mother spent her summers going to different colleges to attend summer school. Not only did she learn, but also she had new locations to explore. Adventure and rest are part of summer.
Thanks for a great post, Paula!
ReplyDelete