7/10 Jennifer J. Chow
7/17 What We're Reading Now! WWK Bloggers
7/24 Kait Carson
7/31 Write Your Way Out of This! WWK Bloggers
7/3 M K Morgan
Warren Bull's short story, "Just Another Day at the Office" appears in the anthology, Red, White, and Blue available this month by Whortleberry Press. Congratulations, Warren!
E. B. Davis's "The Pearl Necklace" will appear in the new SinC Guppy anthology The Fish That Got Away to be released in July by Wildside Press. The anthology was edited by Linda Rodriguez. It will be released on June 21st.
Paula Gail Benson's monologue "Beloved Husband," from the perspective of Norton Baskin the second husband of Marjorie Kinan Rawlings (who wrote The Yearling and Cross Creek), appears in the Red Penguin Collection's An Empty Stage (released March 28, 2021).
Martha Reed's "Death by GPS" will appear in the Spring 2021 issue of Suspense Magazine, which will be released in the second week of April. Congratulations, Martha!
Susan Van Kirk has a new audiobook, A Death at Tippitt Pond, that will be released this month. Marry in Haste will be released in May by Harlequin Worldwide Mystery, as will Death Takes No Bribes in September. Congratulations, Susan.
Congratulations to Martha Reed. Her short story, "The Honor Thief" was chosen for the 2021 Bouchercon Anthology, This Time For Sure. Hank Phillippi Ryan will edit the volume, which will be released in August at the time of the convention.
Margaret S. Hamilton's short story, "Killer Weeds," appears in the January 20 edition of Texas Gardener's Seeds: From Our Garden to Yours. Congratulations, Margaret, who, if you follow Facebook know, is a superb gardener herself!
Congratulations to Paula Gail Benson whose "Reputation or Soul" has been chosen for Malice Domestic 16: Mystery Most Diabolical anthology to be released this spring.
KM Rockwood's "Stay Safe--Very Safe" appears in this year's 2020 BOULD anthology. Congratulations, KM!
Annette Dashofy signed with agent Dawn Dowdle of the Blue Ridge Literary Agency. Congratulations, Annette!
Sunday, August 19, 2012
Before anyone reads one of my manuscripts, I will have written several drafts. The first draft is to get the story down. I am a pantster rather than a strict plotter, so my story changes as I write. The second draft aligns the first part of the story with the actual ending. In it I add necessary scenes, eliminate excess characters and scenes, plant additional clues and maybe redesign a subplot or two. In the third (and maybe fourth) drafts I polish the storyline and hone the language, probably still tweaking the story to strengthen it.
The writing by this point is by no means perfect, but good enough not to get in the way of the story. I then ask my life partner, Jan Rubens, to read the manuscript. She’ll circle grammar errors, poor word choices, clunky construction and whatever writing errors she sees, but her most important function as she reads the manuscript is to note what she is thinking and feeling in each chapter and list any questions she has. Because this is her first read, she can tell me where I have confused her, where the dialogue is stilted, where she got bored with description and whether the plot makes sense. Her first read through is a big picture critique.
If I have done my work well, she won’t find too many problems, but she will find some and she usually has suggestions for fixes. Draft five addresses whatever she’s spotted and polishes the language. Now the beta readers get their turn.
I send them a manuscript I hope is perfect and know can’t possibly be. Again, I am most concerned with plot and character problems. By character problems I mean two things: (1) flat, stereotypical characters I need to flesh out, and (2) any instances where they think, “she wouldn’t do that!” Plot issues can include anything from pointing out a flaw in my protagonist’s (or antagonist’s) otherwise impeccable logic to internal contradictions (she entered the room through the only door and exited through a second door).
Beta readers will also let me know about clunky writing, typos (despite my careful proofreading and use of spell check, I read right through some errors), and grammar disagreements. Sometimes they point out repeated phrases I have over-loved such as any fire incorporating “dancing flames,” or I’ve developed a ballet of nodding heads, etc.
All my beta readers are avid readers; some are also writers. I like to have between six and eight to get a good mix of comments. Everyone has their pet peeves or interests and I benefit from a broad cross-section of viewpoints. Cabin Fever could still use a couple of additional beta readers. Please contact me if you are interested. In exchange for your insight I’m offering what I believe is my best novel yet and a chance to see your name in print in the acknowledgements when (well, technically if) the book is published.