If you are interested in blogging or want to promote your book, please contact E. B. Davis at writerswhokill@gmail.com.


June Interviews

6/02 Terrie Moran, Murder She Wrote: Killing in a Koi Pond

6/09 Connie Berry, The Art of Betrayal

6/16 Kathleen Kalb, A Final Finale or A Fatal First Night

6/23 Jackie Layton, Bag of Bones: A Low Country Dog Walker Mystery

6/30 Mary Keliikoa, Denied


Saturday WWK Bloggers

6/12 Jennifer J. Chow

6/26 Kait Carson


Guest Blogs

6/05 Samantha Downing

6/19 Lynn Johanson













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E. B. Davis's "The Pearl Necklace" will appear in the new SinC Guppy anthology The Fish That Got Away to be released in July by Wildside Press. The anthology was edited by Linda Rodriguez. It will be released on June 21st.


Paula Gail Benson's monologue "Beloved Husband," from the perspective of Norton Baskin the second husband of Marjorie Kinan Rawlings (who wrote The Yearling and Cross Creek), appears in the Red Penguin Collection's An Empty Stage (released March 28, 2021).


Martha Reed's "Death by GPS" will appear in the Spring 2021 issue of Suspense Magazine, which will be released in the second week of April. Congratulations, Martha!


Susan Van Kirk has a new audiobook, A Death at Tippitt Pond, that will be released this month. Marry in Haste will be released in May by Harlequin Worldwide Mystery, as will Death Takes No Bribes in September. Congratulations, Susan.


Congratulations to Martha Reed. Her short story, "The Honor Thief" was chosen for the 2021 Bouchercon Anthology, This Time For Sure. Hank Phillippi Ryan will edit the volume, which will be released in August at the time of the convention.


Margaret S. Hamilton's short story, "Killer Weeds," appears in the January 20 edition of Texas Gardener's Seeds: From Our Garden to Yours. Congratulations, Margaret, who, if you follow Facebook know, is a superb gardener herself!


Congratulations to Paula Gail Benson whose "Reputation or Soul" has been chosen for Malice Domestic 16: Mystery Most Diabolical anthology to be released this spring.


KM Rockwood's "Stay Safe--Very Safe" appears in this year's 2020 BOULD anthology. Congratulations, KM!


Annette Dashofy signed with agent Dawn Dowdle of the Blue Ridge Literary Agency. Congratulations, Annette!

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Saturday, September 1, 2018

Becoming a Writer After Doing Something Else Your Entire Life By Peter W. J. Hayes


Choosing late in life to become a writer, as I did, comes with baggage. Not a roller case, but an integrated backpack system you can’t remove. It goes by the name of the career you left behind, and mine was thirty years long, including twelve years leading the marketing department at one of America’s largest multinational corporations.


At least for me, it was never going to be as easy as ending one career and starting another. When I first sat down to write, the backpack straps dug into my shoulders and the weight clamored to be part of my fledgling new writing life. I had no idea how to connect the two, I just knew that I needed to.

I started, as all wiseacres do, with jokes. Marketing, I liked to say, was superb preparation for writing crime stories. But the cutting weight on my shoulders told me that insulting my first career wasn’t a solution.

Fortunately, when I began to write, I made the conscious decision to focus on short stories, using the logic that I would start small and work up. A rookie mistake, perhaps, but it had a benefit. Short stories require compression and clear thinking, which reminded me of the five years I spent writing advertising and direct mail copy. Copywriting champions brevity, ideation, rewriting, and the ability to hold a reader’s interest, techniques useful to short stories. Thankfully, as I unpacked those skills, I also settled back into my writer’s thick skin. After all, those five years taught me that my best draft was always, always my editor’s starting point.

Then, at a writing conference, I heard a panelist exhort the attendees to write what you know. But she giggled after making the statement, and I suspected she hadn’t spoken a truth about writing, she’d spouted folklore.

Folklore is something marketers understand. All marketing projects begin with research, and the holy grail of market research is to identify folklore, to expose the difference between what people say and believe, versus the truth about companies, products and marketplaces. And book plots, I realized, were like marketplaces. They had their own logic, cause and effect, and ultimate truths. The red herrings and misdirection in mysteries were the folklore to be debunked.

Light on my feet, now, I began my first novel, and when I did my marketing skills jogged with me. They kept me company, egged me on, and became the teammates I couldn’t disappoint.

Then, during a panel discussion at my first mystery conference, I heard an author tell us not to write what we know, but to write what you don’t know. A clever twist, I thought, until I realized there were only two ways to meet that challenge: research, and most of all, imagination.

Suddenly another part of my first career opened up to me. Over three decades, I saw people trapped in the maw of incompetent bosses, office romances blossom and die, the wreckage caused by poorly conceived projects, staggering self promotion and the withering of promising ideas. People had lied to my face, lied about me behind my back and schemed for my job. Others told me the truth when I needed it most, or stuck with me when things seemed impossible. People had trusted me, and I had learned to trust them back. I saw all of these things, and I knew them as absolute truths. I believed in them. And with a little imagination, I realized, those things could live in my novels.

The backpack slipped from my shoulders. I could write what I knew, and thanks to imaginative twists, place it all in a new context. My characters now felt real to me, which made me believe they would feel real to the reader. And just like that, the weight of my first career transformed into the airy kiss of a blessing.

Although I still plan to make jokes about it, here and there.

Peter W. J. Hayes is a recovered marketing executive and mystery writer. The first novel of his Pittsburgh Trilogy, The Things That Aren’t There, launched in July, 2018. His short stories have appeared in various anthologies and publications, including the 2017 and 2018 Malice Domestic anthologies, Black Cat Mystery Magazine, Mystery Weekly, Mysterical-E, and The Literary Hatchet. He has won or been shortlisted for various awards, including the Crime Writers’ Association Debut Dagger Award. You can find him at www.peterwjhayes.com.






6 comments:

Annette said...

Welcome to Writers Who Kill, Peter! And I love the book.

My own version of the "write what you know" theory is "write what you WANT to know" which leads to a lot of fun research. But the way you merge your past marketing skills into your writing has been eye-opening to me.

Full disclosure: Peter was one of my Critique Boot Campers in July, so we've discussed this in a bit more detail than what's here. He could teach a workshop on hooks, capturing the reader's attention, and using each word to keep it. Marketing 101 and writing 101.

Margaret S. Hamilton said...

I'm with Annette. I write what I want to know more about. Congratulations on your latest release.

Warren Bull said...

My particular variation on the theme is: "Don't write what you don't know." If you want to write about 11th century pottery makers, first research 11th century pottery makers and THEN write about them.

carla said...

It's great that you can use that wealth of work experience--good and not so good-- in your writing.

Gloria Alden said...

Welcome to Writers Who Kill, Peter. I didn't start writing books until I was in my mid to late 60s. I'm now on the tenth book in my mystery series. I both write what I know and what I research to fit in. I also write short stories and poetry. I'm putting your book on my TBO list.

KM Rockwood said...

Your past experiences, including other careers, aren't going to leave because you've decided you want to be a writer. Since those experiences have gone into making you who you are, use them! They make for a richer and more nuanced read for your audience.