~ Jim
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http://www.flickr.com/photos/65798313@N06/7454212716/ |
A judge in a writing contest I once entered surprised me
when she stated that I needed to do a lot more research if I was going to write
about horses and dude ranches. According to her, I didn’t know anything about
them. I usually send a note to contest judges thanking them for their time and
remarks. For the first and only time, I responded to a criticism in my thank
you note, commenting that since I had owned and raised horses most of my life,
I was curious about the inaccuracies that bothered her so much. I also
mentioned that I had stayed at the dude ranch on which I modeled my story
ranch.
Obviously, we, as writers, need to get it right—whatever the
topic. Mistakes take the reader out of the story and make them doubt the
author. I see and read so much silliness concerning horses, I sometimes wonder
if the writer or screenwriter has ever even seen an equine. On the one hand,
there is the Disney style anthropomorphism that gives horses human feelings and
reactions. On the other, is the attitude that they are dumb beasts that don’t
think or have feelings. Of course, both of these are incorrect.
Horses definitely do feel and think—like horses. If you’ve
ever dealt with an equine Houdini, you know they can think up with the most
ingenious ways to escape their paddock and get to the fresh green grass or
barrel of grain they shouldn’t have. However, they don’t connect the resulting
belly ache (and vet bill) with what they ate. Horses also get quite upset when
a buddy leaves and mourn if one dies. A recent article in Time magazine
commented on this fact. They definitely have feelings.
credit: rayzee12 via photopin cc |
So how do you get the right take on horses or any other
topic you’re not familiar with? The best way, of course, is to have some real
experience. For horses, that means not just getting on a rent string plug and
plodding along in a line, but maybe taking lessons and riding occasionally.
Reading and researching online can give you some basics, but actually
interacting will demonstrate the uncanny connection between horses and riders.
If you write about guns in your mysteries, you’d be well advised to get some
experience handling and shooting firearms.
Now most people won’t have the time or inclination to go
that far, so the next best option is to talk with people with experience. Again
for horses, you will undoubtedly get a variety of opinions. A well-known
horsemen’s aphorism goes to the effect that if you get five horse people
together, you’ll get six different opinions on how to deal with the wonderful,
often challenging animals. I’ve sometimes felt like I was attending a PTA
meeting, where all the parents were adamantly spouting contradictory ideas on
how best to raise kids. In spite of the differing takes, if you consult experts
you should get a feel for how real horses behave.
The internet is a wonderful resource these days, but it
doesn’t substitute for hands-on experience. And the lack of real knowledge will
show in your writing and distract readers who are familiar with the topic. The
old adage “write what you know about” really does hold true.
What’s the most interesting subject you’ve ever researched
for a story? How did you do it? Were you able to get a real feel for the
material?
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Here’s a small excerpt from my romantic suspense novel
WYOMING ESCAPE describing the first time a new-born foal tries to stand up. The
hero Shawn brings the heroine Mikela, a city girl, to see the new arrival.
She stepped closer,
peering over the half-door and gasped with delight. “How darling.”
A baby horse lay in
the straw near his mother's hooves, his big dark eyes watching his dam as she
moved. His brown coat appeared damp and curly and he had a white spot on his
forehead.
“How old is he?”
Mikela asked, utterly fascinated.
“Only about twenty
minutes,” Shawn whispered. “Watch.”
The foal unfolded his
spindly front legs and propped them out before him. With a heave, he attempted
to stand on trembling legs, but sank back down before achieving his goal. He
rested for a few minutes then tried again. He made it part way up before his
strength gave out and he plopped in the straw. His mother, a big black, sent
him a small whicker of encouragement while he appeared to think about how to
get to where he wanted.
Mikela tensed with
anticipation as he tried again. He heaved upward and managed to prop his rear
legs under him and balance spraddle-legged for a moment. Gravity claimed him
once more and he flopped down on his side. This time he didn't wait before
trying again. This time he stayed up and Mikela relaxed her clenched hands.
After resting for a few moments, he inched his right front leg forward, then a
rear leg. He tried with the left front and managed to get his rear end to
follow. At that point his mother sidled close to him and his nose twitched as
he smelled her milk. Another shaky step brought him near her teats and he
twisted his head up to try to find her milk—and immediately lost his balance.
Mikela couldn't help
smiling at the disgusted expression on his tiny face. With a mighty effort he
regained his feet and again searched for a teat. This time he managed to stay
upright, but couldn't figure out how to obtain the food he so badly wanted. He
butted his head against his mother's big belly and almost fell over. Regaining
his equilibrium, he reached under again, his mouth already making sucking
motions. Finally he latched on and began to nurse. To Mikela's amusement,
everyone, including her, let out a collective sigh of relief.
You can read more about Mikela, Shawn and the foal in
WYOMING ESCAPE.
Two dead bodies. One dirty cop. Is she next?
Two dead bodies. One dirty cop. Is she next?
Biography
Kate Wyland is a life-long horse nut who started riding at three years old. After a varied equestrian career, she now has three semi-retired horses and can’t imagine life without them. A few years ago, she exchanged her tech writing bill cap for a fiction writing Stetson. Suspense, romance, horses and sometimes the paranormal are the themes she likes to explore in her books. And she delights in sharing her love of animals and country living.
What a lovely description of the new-born colt. I have written three novels set in the mid 1800s. And I strive to get the details correct. I've done a lot of research on a Sharps rifle called "Beecher's Bibles."
ReplyDeleteI bet you've done a lot of research on the 1800s in general. Did you ever get to actually fire the rifle? That would be neat.
ReplyDeleteThanks for stopping by.
Very nice post, Kate, and I enjoyed the excerpt about the foal. I've never seen a foal's birth.
ReplyDeletePatti
Glad you liked it Patti. They are so funny when they're little.
ReplyDeleteI recently read a very good historical fiction, except it had a major fact wrong. Too bad, because as I was reading the rest of the book, all I kept doing was wondering what other facts were wrong instead of enjoying the story.
ReplyDeleteI remember sending a short story through a critique group and getting blasted by one person who thought I had gotten the female narrator completely wrong – it sounds like a guy trying to sound like a woman. Except the critique was from another guy and all the women who followed his critique said they had no problem with the protagonist.
I assume you never got a response to your request for more information?
~ Jim
One of my manuscript's main characters was a hotel detective in Naples, FL. I interviewed the head of security at one of the major hotels there. Turned out he was a retired police chief from a town in Michigan. He said that most of the hotels' security staff had more experience than the town's police force. Police retirees flocked to Florida manning hotel security forces as their retirement career. Good experience/good interview.
ReplyDeleteA wrong fact really bugs, doesn't it Jim?
ReplyDeleteThat's funny about the critique. I've had similar experiences too.
I was surprise to actually get a partial response. She said my dude ranch didn't match the Texas ones she'd researched. Mine is set in Wyoming. :-) Never said a word about her horse comments.
Now that's a fascinating bit of information, EB. Did you have fun with that in your story?
ReplyDeleteYes, Kate, I did. It added a conflict in my story and added to the tension of the hotel staff competing against the police to solve the murder. I have to dust that ms off some day and rewrite it. It had so much potential and did get some partial requests from agents--no banana, but it was only my second manuscript so I had some way to go yet on the learning curve.
ReplyDeleteHey, Kate, wonderful post. I'm surprised you heard anything back from the judge. I had that happen with a book about a small town theatre. The judge told me I was flat out wrong and shouldn't write about what I didn't know or didn't research. I'd been a h.s. theatre arts teacher in a former life. More important, I'd based the situation on something my daughter had experienced in a small town theatre. After I got the critique, I went back to check with her, because maybe I'd gotten it wrong. No one is perfect. I was correct. When a fact hits me oddly when I judging, I only comment it surprised me, but I'm sure they checked their facts.
ReplyDeleteWith VERMONT ESCAPE (love how similar our titles are) coming out this summer, I researched the Vermont state government and their gun laws and gambling laws. I've worried that Texas would change its laws before the book comes out. Fingers crossed through this month, then I'll be okay. :)
Kate, you know I love your book and hope everyone here buys it!
Thanks for stopping by Marsha!
ReplyDeleteIt's weird how dogmatic some people can be about something they know little about. And what about things being different in different places? I'm sure my experience with community theater in a large city differs in some ways from yours.
I'll keep my fingers crossed for you re Texas. Can't wait to read Vermont Excape.
Kate: We've all be there. In a book I wrote way back when a judge told me that I was wrong about talking about OSHA in my construction site. I went back to work after that and told my structural engineers the good news... they didn't have to worry about OSHA anymore on the construction site because a contest judge had given us permission.
ReplyDeleteAnother judge told me that the Catholic Church doesn't have pastors. I had to tell the Monsignor at my parish to give up his title.
To make carte blanche statements about research is like taking all the information we receive from Gooogle as gospel.
I think you were warranted in telling the judge he/she was misguided. I probably would have written the contest coordinator. Judges need to be careful in assuming their experience is the only one. Nice blog.
No OSHA and no pastors? Wow.
ReplyDeleteSave us from internet experts!
My thank you note and the response were emails via the category coordinator, so she, at least, was aware of the situation. Nothing could be done about it, of course.
Thanks for stopping by.
You're welcome, Kate. Yes, I've noticed there's a lot of experts out there and a lot of absolutes. I will say that I'm hardly an expert or absoulte about anything. Safer that way. Have fun!
ReplyDeleteGreat excerpt, Kate. I enjoy your writing style. You make very good points about research!
ReplyDeleteBest wishes,
Nia
Thanks Nia. You do need to do know your topic, so you can put the right amount on the page.
ReplyDeleteI've had the same thing happen too. I knew I was right, but the person so strongly objected, it made me question my memory. I went to another person who knew about the subject, they agreed I was right. LOL. Enjoyed the excerpt. I'll be reading this fascinating book before long. Cher'ley
ReplyDeleteGlad you found me Cherley and thanks for stopping.
ReplyDeleteIt is frustrating when someone is self-righteously critical. It's one thing to say "I think..." and quite another to state "You're wrong!"