If you are interested in blogging or want to promote your book, please contact E. B. Davis at writerswhokill@gmail.com.


May Interviews

5/5 Lynn Calhoon, Murder 101
5/12 Annette Dashofy, Death By Equine
5/19 Krista Davis, The Diva Serves Forbidden Fruit
5/25 Debra Goldstein, Four Cuts Too Many

Saturday WWK Bloggers

5/1 V. M. Burns
5/8 Jennifer Chow
5/22 Kait Carson

Guest Blogs

5/15 M. K. Scott













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E. B. Davis's "The Pearl Necklace" will appear in the new SinC Guppy anthology The Fish That Got Away to be released in July by Wildside Press. The anthology was edited by Linda Rodriguez.

Paula Gail Benson's monologue "Beloved Husband," from the perspective of Norton Baskin the second husband of Marjorie Kinan Rawlings (who wrote The Yearling and Cross Creek), appears in the Red Penguin Collection's An Empty Stage (released March 28, 2021).

Martha Reed's "Death by GPS" will appear in the Spring 2021 issue of Suspense Magazine, which will be released in the second week of April. Congratulations, Martha!

Susan Van Kirk has a new audiobook, A Death at Tippitt Pond, that will be released this month. Marry in Haste will be released in May by Harlequin Worldwide Mystery, as will Death Takes No Bribes in September. Congratulations, Susan.

Congratulations to Martha Reed. Her short story, "The Honor Thief" was chosen for the 2021 Bouchercon Anthology, This Time For Sure. Hank Phillippi Ryan will edit the volume, which will be released in August at the time of the convention.

Margaret S. Hamilton's short story, "Killer Weeds," appears in the January 20 edition of Texas Gardener's Seeds: From Our Garden to Yours. Congratulations, Margaret, who, if you follow Facebook know, is a superb gardener herself!

Congratulations to Jennifer J. Chow for garnering a 2021 Lefty Nomination for Best Humorous Mystery Novel. We're crossing our fingers for Jennifer!

Congratulations to Paula Gail Benson whose "Reputation or Soul" has been chosen for Malice Domestic 16: Mystery Most Diabolical anthology to be released this spring.

KM Rockwood's "Stay Safe--Very Safe" appears in this year's 2020 BOULD anthology. Congratulations, KM!

Annette Dashofy signed with agent Dawn Dowdle of the Blue Ridge Literary Agency. Congratulations, Annette!

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Saturday, March 24, 2012

Pitchapalooza or the Art of the Book Pitch



Monday night I served on the panel of judges for Pitchapalooza here in Kansas City. I wasn’t sure what to expect, but it turned out to be great fun—and very useful to the people who attended from all the feedback I heard.

What is Pitchapalooza? It was billed as “American Idol for Books, only without the Simon Cowell.” Rainy Day Books, Kansas City’s top independent bookstore, brought in The Book Doctors, AKA Arielle Eckstut and David Henry Sterry, a married couple who wrote the book, The Essential Guide to Getting Your Book Published: How to Write It, Sell It, and Market It...Successfully! (Workman Publishing). To promote their book, the Book Doctors have been traveling the country offering Pitchapalooza.

People attend and buy their book. From the total number of book buyers, twenty-five people are randomly selected. These twenty-five writers have one minute—and only one minute!—to pitch their book to a panel that consists of the Book Doctors and two local writers or editors or bookstore owners. At the end of the minute, two members of the panel give feedback to try to help make the pitch more effective. At the very end, we would select the top pitcher, and the Book Doctors would make a connection for that writer with the editor and agent that they thought right for her or him. Last year’s Kansas City winner received a three-book contract from a major publisher, so the stakes were high.

For all the comparisons to American Idol, there was little similarity. We were not only kinder than those judges, but we gave feedback that was genuinely designed to help the writer making the pitch with little thought to how cleverly it was phrased or how snarky we could get. I was there to deal with those pitching novels while the other local member of the panel was a nonfiction editor at a local nonfiction publishing house. I was warned that most pitches were nonfiction, so I anticipated only having to give feedback once or twice.

Wrong! All but two of the pitches were for novels. So I was up just about every time. What they don’t tell you is how challenging this format is for the judges, as well as the writers who only get one minute. That’s all the time the judges had also to listen and understand, and we couldn’t have them repeat it. We didn’t have much time to give feedback, either, so we had to zero in right away on the major strengths and weaknesses. It was dizzyingly fast!

Still, it was fun to hear the different ideas for novels and characters, as well as to try to help them improve. I was pleased at the overall high level of the pitches. There are a lot of good writers out there. One of our twenty-five passed on his chance to pitch because he said he was learning so much from listening to everyone else’s and the comments. I was also surprised at how entertaining it was. Some of these pitches were very original.

In the end, we chose a lucky winner, and the rest of the writers who pitched got valuable assistance with their pitches while those in the audience were entertained and educated in the art of the pitch themselves. I came away with my brain spinning and convinced that Pitchapalooza is a great opportunity for writers. If you’re in a city where the Book Doctors bring Pitchapalooza, I’d recommend attending, even if only for the entertainment.

7 comments:

Gloria Alden said...

Linda, it sounds like fun, but a little intimidating, too. It would be hard to listen to something only once and then remember it especially when you would hear so many.

It sounds a little like Murder-go-round at Malice Domestic, but at least they each have three minutes. Still, I know at the end of it, unless I take notes, I have a hard time remembering what books I wanted to get.

Warren Bull said...

Linda, Thanks for the information. I have heard of it before but I guessed it was primarily a way for the book doctors to sell their books. It sounds like fun.

Linda Rodriguez said...

Gloria, it went too fast to be intimidating. You just have to put all your focus on listening to the pitch and then giving feedback, so you spend the entire evening in this extreme state of focus.

Linda Rodriguez said...

Warren, I felt just that way when I was first asked to do it, so I checked with a writer friend who had gone when the Book Doctors were in KC the year before. She told me it had been quite useful, so I decided I would join the panel.

I suspect that, if you hadn't bought the book before you sat through Pitchapalooza in the audience just listening, you would afterward.

John Yeoman said...

Duh, how can anyone give sensible feedback on a 60-second pitch? Or even a 30-minute pitch? How would Melville have pitched Moby Dick?

Melville: 'Gentlemen, my idea is the very quiddity of the human agon! Man meets fish, fish hurts man, man kills fish, fish kills man.'

Judges: 'We'll let you know... in 70 years time.'

Sorry, but Pitchapalooza sounds to me as daft as an Islamic beauty contest where every contestant must appear naked - but wearing a burkha:)

Linda Rodriguez said...

Well, John, that's certainly an interesting opinion. However, if you want to interest an agent or editor in your book, you will most likely need to be able to make a convincing pitch that intrigues her or him enough to ask to see the manuscript.

I suspect that, if Melville were alive today writing Moby Dick, the only way he'd be able to publish it would be as a self-published e-book.

aeckstut said...

I love the idea of Melville self-publishing! So true!!! Thx so much for posting about your experience. You were a wonderful judge. Hope to see you next time we are in KC. Cheers, Arielle