By
Margaret S. Hamilton
“Maisie reflected on the
passage of time and how one path had led to the next, often by chance and
sometimes by intention, though invariably with a few sharp, uncomfortable
turns.” (p.329)
Jacqueline Winspear’s Maisie
Dobbs series begins near the end of the Edwardian era and spans two world wars.
Her eighteenth and final book takes place in 1945, during the aftermath of
World War Two. Britain’s soldiers are returning home, many wounded and
traumatized. Food and gas rationing are still in effect. Housing and consumer
goods are in short supply. Large parts of London are buried in rubble.
Psychologist and
investigator Maisie, now in her forties, with a second husband, American Mark
Scott, divides her time between London and her country home in Kent, where her
father Frank and his wife Brenda live with her adopted daughter, Anna.
Winspear constructs a plot
weaving characters and their families from Maisie’s past and present lives—her
first husband, James; her partner, Billy; her police and intelligence contacts;
Andrew, a physician who treats traumatized war veterans; and her best friend,
Priscilla, who assist Maisie with a new case. Throughout the book, Maisie
reflects on how friends and family—her ghosts—have impacted her life and work.
In many of the books in the
series, when Maisie finishes a case, she rolls up the “case map” pinned to her
work table, and revisits the places involved in solving the case. In her final
book, Maisie spends time in homes where she has lived—her first London flat,
her first husband’s London mansion, where she worked as a young maid, and her
friend Priscilla’s London home.
I’ve been a fan of Maisie
Dobbs since her first book was published in 2003. Maisie, a combination of Anne
Shirley and Sarah Crewe, is hired as a maid in a large London home owned by
Lord Julian Compton in 1910. Her mentors, Lady Rowan Compton and Maurice
Blanche, prepare her for a place at Girton College, Cambridge. After Maisie
serves as a battlefield nurse during World War I, Maurice continues her
training and helps Maisie launch her career. Billy Beale is her assistant and
later, her partner.
As Britian rebuilds after
World War II, Maisie will build a new, peacetime life and new home with her
husband and daughter. I have no doubt she will help the people of Britain
rebuild their lives as well. Maisie may no longer grace the pages of Winspear’s
books, but she will live forever in our hearts and minds.
Readers and writers, how do
you handle ending a series?
Always bittersweet to read the last book in a series! We'll miss Maisie.
ReplyDeleteKathleen, I'll miss her, too, though I caught snatches of Maisie in Winspear's standalone, THE WHITE LADY. I'm curious to learn more about Winspear's next project.
DeleteI hate to see this series end as it was so well crafted. If I, as a writer, have the ability to end a series, I like to tie up loose ends and give readers hope or understanding for the future. If a publisher ends the series by going out of business or shutting it down, I don't handle it well :).
ReplyDeleteDebra, I agree. Winspear's last book was an elegant coda to Maisie's long career.
DeleteLovely review, Margaret. As a reader, I am always sorrowful at the ending of a well-loved series and grateful when it is the author who makes the decision and ties up the loose ends. As a writer, I think it’s something you know, but I haven’t come to that yet 😊.
ReplyDeleteKait, I agree. As I write each book, I wonder if this should be the end or do I want to continue.
DeleteI'm doing that ih now, Margaret. My Art Center Mysteries just ended. Like Debra, I like to leave some understanding of what might happen after the series ends. I'll be sorry not to write these characters again.
ReplyDeleteSusan, can you pick up your characters in short stories? I'm sad your series is ending.
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