If you are interested in blogging or want to promote your book, please contact E. B. Davis at writerswhokill@gmail.com.

February Interviews

2/5 Heather Weidner, Glitter, Glam, and Contraband
2/12 Rhys Bowen, Above The Bay of Angels
2/19 Elizabeth Penney, Hems & Homicide
2/26 Annette Dashofy, Under The Radar

Saturday Guest Bloggers:
2/1 Valerie Burns
2/8 Jeannette de Beauvoir
2/15 Kathryn Lane

WWK Bloggers: 2/22 Kait Carson, 1/28 & 1/29 Special Interviews with Agatha Nominees by Paula Gail Benson


WWK is proud of our four Agatha nominees. Kaye George for Best Short Story--not her first time to be nominated, Connie Berry and Grace Topping for Best First Mystery Novel (wish they weren't having to compete against each other), and Annette Dashofy for Best Contemporary Novel--her fifth nomination!

Congratulations to our writers for the following publications:

Look for Kaye George and Margaret S. Hamilton's short stories in the new Mid-Century Murder by Darkhouse Books. Kaye's story is "Life and Death on the Road" and Margaret's story is titled "4BR/3.5BA Contemporary."

Kaye George's first novel in the Vintage Sweets mystery series, Revenge is Sweet, will be released on March 10th. Look for the interview here on March 11.

Grace Topping's second novel in Laura Bishop staging series, Staging Wars, will be released by Henery Press on April 28th. Look for the interview here on April 29th.

Don't miss Shari Randall's "The Queen of Christmas" available on at Amazon. Shari's holiday story for WWK was too long so she published it for our enjoyment. It's available for 99 cents or on Kindle Unlimited for free!

KM Rockwood's "The Society" and "To Die A Free Man; the Story of Joseph Bowers" are included in the BOULD Awards Anthology, which was released on November 19. KM won second place with a cash prize for "The Society." Congratulations, KM! Kaye George's "Meeting on the Funicular" is also in this anthology, which can be bought for 99 cents on Kindle until November 30.

Paula Gail Benson's story "Wisest, Swiftest, Kindest" appears in Love in the Lowcountry an anthology by the Lowcountry Romance Writers available 11/5 in e-book and print format on Amazon. The anthology includes fourteen stories all based in Charleston, South Carolina.

Kaye George's "Grist for the Mill" was published in A Murder of Crows anthology, edited by Sandra Murphy on October 9th.

Shari Randall will be writing again for St. Martin's, perhaps under a pseudonym. We look forward to reading Shari's Ice Cream Shop Mystery series debuting next year. Congratulations, Shari!

Susan Van Kirk's A Death At Tippett Pond was released on June 15th. Read E. B. Davis's interview with Susan.

Warren Bull's Abraham Lincoln: Seldom Told Stories was released. It is available at: GoRead: https://www.goread.com/book/abraham-lincoln-seldom-told-stories or at Amazon: https://tinyurl.com/ydaklx8p


Saturday, February 27, 2016

Life, a Plot in Three Acts By Kait Carson

I’ve been thinking a lot lately about how life imitates art and art imitates life. The conclusion: It’s all a plot!

Yep, no getting around it. We’re all familiar with the traditional three-act structure. Beginning, middle, ending. Any writer will tell you that’s how to set up a story, play, or movie. The beginning holds the inciting incident. It’s where you and the reader meet the characters, the problem, and the story world. In a good story, this part is a slam bang. An in and an out. Think of it as the man in the bowler hat who danced across the vaudeville stage. Enter stage right, exit stage left. Nope, I don’t remember it either, but it’s an appealing image! When done well, this section is no more than a quarter of the book/story/play. Sort of like birth through college in human years.

Some say the beginning should have its own arc and the arc should complete within the first quarter of the book. I respectfully disagree. The beginning should introduce a character arc that should arch across the entire book and not conclude until the very end of the book. After all, the beginning is about making us care about the character and the story. And, in mysteries, the victim. Don’t forget the victim. Without him, there wouldn’t be a story! So, in the beginning, there is—a beginning.

And that brings us to the middle. It encompasses approximately the next 50% of your book. Figure college graduation to retirement. It’s the meat of the story, and it has its own arc. This one is complete in the pages. It’s all about trial, success, failure, and renewal. The character makes a choice. Again, using mysteries as a genre, the choice is usually to take up the investigation. Something has to happen that forces your character to leave her comfy ordinary world behind and earnestly pursue an end goal. It’s time to leave the nest and venture beyond the known. The choice is also a big reason why the beginning has to be short. It’s hard to keep a reader’s interest once they have a handle on what the problem is. The reader craves action, and the middle supplies it. The middle also brings the book and the reader to the twists and turns of the plot. Two steps forward, one step backward, trial and error, red herrings and solutions to the red herrings. The middle needs two plotlines, one that shows progression toward the ultimate goal, and one that shows the forces of evil pulling the rug out from under that nice neat progression. Just like life.

The middle arc has an ending. In life it’s retirement and the new start we’ve worked so hard to attain. In plotting, it’s a disaster with the seeds of solution. The middle climaxes with the big twist. It traditionally takes place three quarters of the way into the book and it leads to the end.
The overarching character arc of the middle is also ongoing. There’s more work to be done to reach a satisfying end.

The last quarter of the book also has an arc. This one ties it all up. The protagonist builds on the knowledge gained in the twist and hatches a new plan. This part of the book moves swiftly, but deliberately to the climax. It can never feel rushed. There’s usually one more twist here. The protagonist has solved the main story problem, but there’s different problem, something personal to the character, that ups the stakes. A personal investment is at risk. And it‘s the solution to the personal investment that brings the character arc begun in the beginning of the book to a close.

The last bit of the ending is wrapping it all up. That’s not to say it’s a rehash of the story and how the protagonist got there, the reader already knows. The wrap up gives the reader a sense of closure and ties up most, but often not all, of the loose ends. It’s the sigh of a life well lived, of goals attained, dreams discovered, and moving on.

Life imitates art, a story in three acts.

What about you? Do you recognize a three-act structure in the stories you love? Do you see a three-act structure in your life?


Jim Jackson said...

I like how you use a “typical” life to illustrate the 25/50/25 proportions of the 3-act story. With a series character, such as my Seamus McCree, the arc of the story is foreshortened. Each novel or short story has its own arc, but they fit in the larger arc you described.

~ Jim

Warren Bull said...

Within one lifetime I think there can be a series of 3-arc stories, the structure works well.

Margaret S. Hamilton said...

I agree with Warren. My life has been a succession of three act stories with the best to come.

KM Rockwood said...

Interesting way to look at life! How wonderful if things could follow such a structured pattern.

Kait said...

Jim, that's interesting, and I know what you mean, with a series, you have to have a series arc and a book arc. It keeps the reader interested too. Those arcs are harder to plot though unless you have a firm idea of how many books the series will be. Perhaps that's the reason that most contracts are three books, then if the series continues on, the character needs to undergo a life changing event so the overall arc can begin anew with a new set of challenges.

Warren, and Margaret, Yes, definitely more than one three arc stories. But I think they are more in the nature of subplots than the overall arc. I know I've been through a number of "lifetimes" in my lifetime, but each is a single book in the series.

Kathleen, ain't that the truth! But look at how much excitement we'd miss out on.

Gloria Alden said...

Kait, I tend to think of my life in chapters with more chapters to come. :-) But yes there are the three acts, too, and although I hate to admit it, I'm in the last act which hopefully will be a long act.