I joined Sisters
in Crime’s Chesapeake Chapter a few years ago when I started writing. SinC
provides its writers with many opportunities, including creating venues for its
members’ writing. Tomorrow, May 1, the Chesapeake Chapter will release its
fifth short story anthology of Chesapeake Crimes. The stories were all chosen by blind submission--so the editorial
panel
(Ellen Crosby, Dan Stashower, and Sandy Parshall) had no idea whether each
submission was by a newcomer or a seasoned author.
To my delight, one of my short
stories was chosen for inclusion in this new volume, Chesapeake Crimes: This
Job is Murder. Award winning/nominated authors Donna Andrews,
Marcia Talley and Barb Goffman edited the anthology. Some of the authors wrote
about their “the story behind the story,” which I hope you enjoy. E. B. Davis
My short story
thriller, “Deadrise,” was inspired in part by news reports about the rise in
drug trafficking along the Chesapeake Bay. A research excursion along the bay
led me to choose as the setting tiny St. George Island in St. Mary’s county,
with its rich nautical history and natural beauty. I threw in ruthless drug
smugglers, a resourceful investigative reporter, an attractive female police
officer and a restored deadrise work boat, mixed them all together with some
mayhem and danger and a touch of humor, and cooked up a tale I hope will
provide the reader some pleasant diversion. – David Autry
I try to be
an understanding wife, but when my husband lusts and drools over fishing boats,
he strains my patience. Unfortunately, a certain store catering to men’s
fishing and gaming hobbies locates its retail outlets so that they are visible
along I-95 and VA Route 64, highways we use frequently. It’s a wonder there
aren’t more accidents along these highways because the stores use their parking
lots to showcase fishing boats and ATVs. My story, “Lucky in Death,” pays homage
to an unlucky wife of a man who couldn’t resist the goodies in this store.—E.
B. Davis
“Give me your tired, your
poor, your huddled masses, yearning to be free.” And so they came, many in the early 20th century,
from Russia, Poland, Ireland, Italy, and many other countries around the globe. Large numbers settled on the Lower East
Side of Manhattan, enduring the worst kinds of circumstances, as they struggled
to create a better life for themselves and their children. My story, “The Factory,” is dedicated to my grandparents and
those other brave souls who made that long and difficult journey. –Harriette
Sackler
While taking
a shower one morning, for some reason that is completely beyond my conscious
understanding, I was inspired to write a tale of revenge. With hair still
dripping wet, I sat down at my computer and started typing: “Athena Papas
didn’t fall off the platform onto the tracks the way they reported it on the
news. She was pushed.” Two hours later, hair almost dry, the first draft of
“Next Stop, Foggy Bottom” was done. I think it’s very possible (I say with a
wily smile) that I channeled the spirit of Athena’s disgruntled employee.—Karen
Cantwell
As a
military spouse, I've lived by the motto "Bloom Where You're
Planted." Following this philosophy usually leads to enjoyable new
experiences. Other times, when life decides to plant a water lily next to a
desert highway or squeeze a sequoia into a tiny chipped pot on a third floor
fire escape, it’s a bit more challenging.
A few
years back, I found myself transplanted to a quiet backwater; so quiet that the
biggest excitement was when the kids found snakes sunning on the driveway.
My
escape was to write a mystery set in a town with a sumptuously beautiful beach.
But
who would my private investigator be?
And
Serena showed up. Someone as different from me as possible. She's a statuesque
former lingerie model, and I, um, wear underwear. She drives a classic BMW. Me?
A minivan with Legos under the seats. She's on the run from her murderous mob
connected family, and, well, you get the idea. What did we have in common? We
were two transplants trying to make the best of our new lives.
"Keep
It Simple" was a delicious escape to write, and I hope it will be a delicious
escape for you to read – wherever you are. –Shari Randall
I've
long heard this piece of mystery-writing advice: Come up with a unique sleuth.
I'd thought about that and realized there was one ... person ... that no one
had ever used as a sleuth (to my knowledge). God. A ha, I thought. I'll
use God as my sleuth. And then I realized, Oh, wait. God doesn't work as
a sleuth at all. No matter what case you present, God will already know who the
culprit is. So I put God on the back-burner until we'd announced the call
for stories for Chesapeake Crimes: This Job Is Murder. I was talking
with a friend, debating story ideas, when suddenly I realized that Job has a
second meaning -- it's a well-known Biblical name. And the pieces fell into
place. God could have a helper. A sleuth he sent out into the field. A sleuth
who is well known for his suffering, who could look into a murder on God's
behalf and encourage the guilty party to admit his sin and repent. And my story
"The Lord Is My Shamus" was born. –Barb Goffman
The inspiration for my story, “Alligator is for Shoes,” was my gag
reflex. I love to cook and often thumb through old cookbooks for ideas. I’d
picked up a favorite, the 1970 edition of CHARLESTON RECEIPTS (inherited from
my father), containing quirky recipes handed down through the generations.
Giggling over titles like “Bluff Plantation Cooter Pie,” I started reading the
chapter, MEATS, even though I’ve been a vegetarian for decades. By the time I
noticed the subtitle, “A’ Poil et a’ Plume (Hairy and Feathered),” I was
transfixed. However, the titles in this section weren’t so quaint: Squirrel
Head Potpie, Corned Tongue, and Ragout of Bear. Ew. Suddenly, I realized I had
the perfect ingredients for my story—a chef specializing in game and exotic
animal dishes whose assistant goes missing on the eve of Gastronomic Gambles,
the most important televised cooking competition of his career. Assign a newbie
PI to the case, a princess who’s never cooked a meal in her pampered life, and
there will be murder on the menu tonight! –C. Ellett Logan
"Murder by
Mediation” emerged from a road trip I took, listening all the way to the
Brother Cadfael mysteries. When I got home, certain incidents from my legal
career began to rearrange themselves in my mind, urging me to write them down. A
courtroom incident I witnessed, for example, involving a judge telling a female
lawyer that he was so distracted by her legs that he couldn’t hear what she was
saying, shouted for inclusion in the tale. But to my surprise, as the story
unfolded, the peaceful pursuit of mediation to resolve divorce problems
transformed into a self-help, do what you gotta do, model for dispute
resolution. Main character Rainey typifies the divorce lawyer who knows there
has to be a better way than fighting in court and yet, as a mediator, finds
herself thrashing around in the muck of messy emotions.—Jill Breslau
"When Duty Calls"
was inspired by two friends who found themselves in a working situation similar
to the couple in the story, caring for an aging and very distinguished man
living on his own. Any other similarities, of course, end there — both in terms
of the characters and of the plot and even of the setting — but the potential
emotional difficulties inherent in such a situation intrigued me: the desire to
balance your own life and space against another's, and the desire to maintain
professionalism (it's a job after all) against the inevitability of becoming
almost like family, both good and bad. I'm not sure where the military aspect
of the story came from, but the more I wrote about that older gentlemen at the
story's center, the more he seemed like a veteran officer, hewing to his
training and sense of duty even in his seeming dotage. And it was that
perspective on him that finally opened up the story for me and let me see all
of it more clearly. —Art Taylor