If you are interested in blogging or want to promote your book, please contact E. B. Davis at writerswhokill@gmail.com.


WWK's May interviews will be: 5/2--indie author Bobbi Holmes, 5/9--TG Wolff (aka--Anita Devito), 5/16--Chocolate Bonbon author Dorothy St. James, 5/23--Lida Sideris, 5/30--Food Lovers' Village (and multiple Agatha winner) Leslie Budwitz. Please join us in welcoming these authors to WWK.


Our May Saturday Guest Blogger Schedule: 5/5--John Carenen, 5/12--Judy Penz Sheluk, 5/19--Margaret S. Hamilton, 5/26--Kait Carson.


Congratulations to our writers for the following publications:

Tina Whittle's sixth Tai Randolph mystery, Necessary Ends, debuts on April 3, 2018. Look for it here. Tina was nominated for a Derringer Award for her novelette, "Trouble Like A Freight Train Coming." We're all crossing our fingers for her.

James M. Jackson's Empty Promises, the next in the Seamus McCree mystery series (5th), will be available on April 3, 2018. Purchase links are here.


Dark Sister, a poetry collection, is Linda Rodriguez's tenth published book. It's available for sale here:


Shari Randall's "Pets" will be included in Chesapeake Crimes: Fur, Feathers, and Felonies anthology, which will be published in 2018. In the same anthology "Rasputin," KM Rockwood's short story, will also be published. Look for E. B. Davis's interview with the authors in this anthology on 4/14! Her short story "Goldie" will be published in the Busted anthology, which will be released by Level Best Books on April 25th.


Shari Randall's second Lobster Shack Mystery, Against the Claw, will be available in August, 2018.


In addition, our prolific KM has had the following shorts published as well: "Making Tracks" in Passport to Murder, Bouchercon anthology, October 2017 and "Turkey Underfoot," appears in the anthology The Killer Wore Cranberry: A Fifth Course of Chaos.

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Thursday, October 27, 2011

Death of a WIP

When should I decide to discard the WIP that consumed so much time and energy, that kept me awake and woke me up, and that gave me a humongous carbon footprint? The hours I invested in imaginary people and settings I could have spent socializing, doing volunteer grim-reaper-scythe-1work, or improving my professional skills with continuing education courses.

Do I place a paper copy of the story in a bottom drawer or trust in an electronic device and leave a copy on my Passport, an external hard drive? Sometimes pieces of characters, events, and dialogue can be revitalized and transformed in a new work.

What is making me put my WIP to death or at the very least into a coma—200 rejections, 300 rejections? How soon before I read a story about a writer whose career took off after her 304th rejection? Am I no longer interested in the characters and plot? Perhaps I don’t believe the story deserves more time and effort.

I can tell myself I learn from any writing I labor over. I might have even learned what I was doing wrong. Whatever I tell myself, I still have to say goodbye to hours of enthusiastic creativity, soul-searching, and stretching the mind.

Before progressing too far into my present project, I reread Robert McKee’s Story. While reading the first half of the book, I was inspired. During my reading of the second half, I plunged into despair, certain I could never create a worthwhile story.

I plan to outline with scenes—40 to 60 of them for a start. What’s the point of having great turning points, climaxes, and resolutions if the scenes in between don’t work?

Besides my decision to focus on scenes, I also learned from McKee’s book why some stories I read, rich in detail and well-grounded, don’t hold my interest. Characterization is not character. No matter what hobbies, possessions, or fascinating careers are attached to characters, true character is revealed when a character makes a decision under pressure, often choosing the lesser of two evils.

Once again, I’m involved in a WIP, passing up opportunities to do good works and finish raking the leaves. I think writers will be confined after death in a Dante-like circle of hell where they’re provided with computers with programs that don’t work and critique partners whose sole interest is destroying the competition.

2 comments:

Warren Bull said...

I didn't count the rejections of my first novel. It would have been too distressing. It was nine years from concept to publication. For other writers it took even more time. I abandoned the work several times. Later i would regain interest and pick it up again. You can build your resume and editors/agents will take you more seriously if you have short stories, articles etc.

You might let the book sit for a while. You might also look for a critique group that pushes you to write better
without jumping on you when you do.

Good luck!

Pauline Alldred said...

Thanks, Warren. Sometimes I think a writer just becomes tired of the same character that he/she has worked on for years.