If you are interested in blogging or want to promote your book, please contact E. B. Davis at writerswhokill@gmail.com.


WWK's May interviews will be: 5/2--indie author Bobbi Holmes, 5/9--TG Wolff (aka--Anita Devito), 5/16--Chocolate Bonbon author Dorothy St. James, 5/23--Lida Sideris, 5/30--Food Lovers' Village (and multiple Agatha winner) Leslie Budwitz. Please join us in welcoming these authors to WWK.


Our May Saturday Guest Blogger Schedule: 5/5--John Carenen, 5/12--Judy Penz Sheluk, 5/19--Margaret S. Hamilton, 5/26--Kait Carson.


Congratulations to our writers for the following publications:

Tina Whittle's sixth Tai Randolph mystery, Necessary Ends, debuts on April 3, 2018. Look for it here. Tina was nominated for a Derringer Award for her novelette, "Trouble Like A Freight Train Coming." We're all crossing our fingers for her.

James M. Jackson's Empty Promises, the next in the Seamus McCree mystery series (5th), will be available on April 3, 2018. Purchase links are here.


Dark Sister, a poetry collection, is Linda Rodriguez's tenth published book. It's available for sale here:


Shari Randall's "Pets" will be included in Chesapeake Crimes: Fur, Feathers, and Felonies anthology, which will be published in 2018. In the same anthology "Rasputin," KM Rockwood's short story, will also be published. Look for E. B. Davis's interview with the authors in this anthology on 4/14! Her short story "Goldie" will be published in the Busted anthology, which will be released by Level Best Books on April 25th.


Shari Randall's second Lobster Shack Mystery, Against the Claw, will be available in August, 2018.


In addition, our prolific KM has had the following shorts published as well: "Making Tracks" in Passport to Murder, Bouchercon anthology, October 2017 and "Turkey Underfoot," appears in the anthology The Killer Wore Cranberry: A Fifth Course of Chaos.

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Thursday, October 20, 2011

Bad Publicity is No Publicity or is it?

I believe most writers want to think good writing and interesting characters and plots rise to the top, capturing the attention of more readers. However, I’m not sure that is always true or even frequently true. Best-sellers have a quality that makes them stand out so publishing houses give them still more publicity. But what about midlist authors or authors trying to start a career?

Authors need to promote their own work but forums and email lists suggest writers are not sure what works, if anything. We’re bombarded with ads from womb to tomb, ads that pander to our fears and anxieties, and our desire to be part of an in-group. I don’t think authors working on blatant self-promotion for their works want to be that blatant.

Reputable publicity companies often charge high fees. Do the results from their publicity justify the expense? There are publicity hounds or propagandists who have convinced millions of people for years to believe what the propagandists wanted them to believe. Top ranking Nazis perpetuated the myth that Germans of the day belonged to a superior race, were entitled to conquer the world, and should destroy anyone who stood in their way. Vast numbers of regular people swallowed this myth. Courses I’ve taken that covered this period suggested that the publicists of the day knew people’s fears and desires and fed into these. If gentle persuasion failed (why don’t you believe us when we tell you you’re better than anyone else), there were threats and torture. Fall in line or suffer the consequences, was the cry of storm troopers.

What about the manipulations of bullies at school and in the workplace? These bullies may not be as intelligent as their followers. How does the school in-group convince others that the in-group is superior to all other groups and you’re a zero if you don’t belong? I images, 4don’t think bullies and manipulators are more astute at judging character than other people but they know fears and weaknesses and exploit these. Manipulators don’t have a moral issue with deceiving others and disrespecting individual opinions.

Maybe I’m paranoid but I think many ads lie to us. Ads might pander to our need to be patriotic. Packaging is red, white, and blue. I had a supervisor who claimed superior American loyalty by advocating hot dogs and hamburgers for those under her supervision (she could have been eating caviar and quail eggs for all I knew) and implied her dedication to the Boston Red Sox proved her soul was American to the core. I know this might be difficult for citizens of Boston to understand but there are vast numbers of patriotic Americans who do not support the Boston Red Sox.

Maybe we need to have our acne cured before a big date. There’s a lotion for that. Maybe we need to lose 60 lbs by Christmas. There’s a pill for that.

I’m not suggesting authors are into tricks and lies to promote their books but the world of publicity is not a glowing example of honesty. Now that we have the internet, I often check out products before I buy. How often is a product promoted as a wonderful new advance by retail stores and companies, and then customer reviews say something like, “don’t waste your money on this piece of crap?”

How to maintain professional integrity, that is the question, and how to make publicity work when readers and the published word are changing so fast?

2 comments:

E. B. Davis said...

As a writer, trying to produce the best quality novel that you can or at least, the most enjoyable. I qualify that because often "good" books aren't published, but the ones that appeal to the public are published (that isn't a criticism though, money must be made). That's what building a brand is all about. Consistent quality that represents the same flavor or work (I'd say genre, but there's a lot of cross genre-just so your readers know what they are buying).

Pauline Alldred said...

In the end, readers decide what they want to buy and which authors they want to follow. Among the thousands of books published every year, how does a reader find a book written by a new author, for instance. I think being notorious already helps.