One of the websites I read regularly
invited people to post things they don’t like in historical fiction. As a
writer, I find it helpful to hear from readers. Here are their responses.
The most common complaint was that
authors make mistakes showing a lack of research. One post mentioned a book
that had a character graduating from West Point at a time when he would have
been eleven years old. Other responders said they found it jarring when
characters showed modern attitudes about societal norms such as sexuality,
feminism, and politics.
“Shoehorning” was mentioned a
number of times. For example, some authors apparently included information
about something particular to the time of the work, which had nothing to do
with the plot. These readers saw that practice as the authors trying to show
that they did their homework. One person commented about a novel that included
a long section about an officer putting on a sash that was irrelevant to the
story. Also, following the procedure described, the character would have the
sash on upside down. Another shortcoming noted was when authors inserted a
famous person into a scene for no reason other than to have a famous person
appear.
Although some readers did not mind
the addition of fictional characters, others wrote that when those imaginary
characters are assigned significant actions within major historical events the
result distorts history. Apparently, guides at Gettysburg National Military Park
are often asked about a fictional character who appeared in a popular fictional
account of the battle. One person observed that in the movie, Patton, the General actually had a staff
who saw that his orders were carried out, although the staff was missing from
the movie.
More than one reader commented on
classic fiction about the Civil War that romanticized the Confederacy,
minimized slavery and gave a positive spin to the Ku Klux Klan.
Other things disliked included
inventing events that never happened, flashbacks that leave the reader
untethered in time, multiple points of view that leave readers uncertain of the
point of view, too few characters to accomplish what is done in the book, and too
many characters to keep straight.
So it sounds like they dislike everything: too many characters, too few characters. Too much reliance on actual historical figures, too much reliance on original characters. Not doing the research, showing off the research. At least in the abstract -- but I'm sure there are clear specific instances where each is very much a problem. Thanks for the roundup!
ReplyDeleteCatherine
Writing accurate and compelling historical fiction is an art. Thanks for your summary of the most egregious flaws.
ReplyDeleteInteresting post, Warren. I enjoy historical fiction. A friend who wrote during the Regency period in England said that one of the biggest challenges she faced was not using words that were not used in that time. I find that dialogue that is too modern takes me right out of the story.
ReplyDeleteI once started to read a historical novel set in 13th century England. When the protagonist road by a field where potatoes were growing, I gave up. Obviously someone did not do their research.
ReplyDelete