“I hate a song that makes you think that you are not
any good. I hate a song that makes you think that you are just born to lose.
Bound to lose. No good to nobody. No good for nothing. Because you are too old
or too young or too fat or too slim too ugly or too this or too that. Songs
that run you down or poke fun at you on account of your bad luck or hard
traveling.
I am out to fight those songs to my very last breath
of air and my last drop of blood. I am out to sing songs that will prove to you
that this is your world and that if it has hit you pretty hard and knocked you
for a dozen loops, no matter what color, what size you are, how you are built.
I am out to sing the songs that make you take pride
in yourself and in your work.”
-
Woody Guthrie on songwriting.
On
July 3rd it was 239 years since the Declaration of Independence was
written. It’s the time of the year when patriotic songs like “The Star Spangled
Banner” by Francis Scott Key, “You’re
a Grand Old Flag,” by George M. Cohan, “America” by Samuel Francis Smith, “America
the Beautiful” by Katherine Lee Bates, and “God Bless America” by Irving Berlin
are sung, as well as one of my favorites, “This Land is Your Land,” by Woody
Guthrie. Almost everyone knows the chorus and maybe the first three verses, but
many song books left out the last three verses because Guthrie wrote it as a
protest song, a parody of Irving Berlin’s “God Bless America.” It’s not until
verse four and beyond that you realize it’s a protest song. In the original
song which he wrote in 1940, the last line was “God blessed America for me,”
but when he started performing it in 1944, he changed that last line to “this
land was made for you and me”as his love song to America. At one time he was
thought to be a communist, but it was never proven. Probably it was because of
his protest songs striking out against the wealthy, who ignored the poverty
around them, and probably even more so because he was a strong supporter of the
unions all his life and wrote hundreds of union songs. My father, his siblings, and his six children have all been strong union supporters, too. Maybe it’s one of
the reasons why I love folk music so much.
Woodrow
Wilson “Woody” Guthrie was born July 14th, 1912 in Oklahoma. His
father was a politician and named him after Woodrow Wilson, then Governor of
New Jersey and soon to be elected President of the U.S. During his childhood,
his mother was committed to a hospital for the insane. Later it was realized
she had Huntington’s disease. In the early years of the Great Depression, his
father left his children for a job in Texas. Fourteen year old Woody and his
siblings relied on an older brother for support. Woody worked at odd jobs
around town, begging meals and sometimes sleeping at the homes of family
friends. He befriended an African-American blues harmonica player named George who
had a shoe shine booth. He’d watch him play and before long, Guthrie bought a harmonica
and began playing along with him. He was a natural musician and played by ear. He
dropped out of high school before graduating and started playing at dance halls
with his father’s half-brother Jeff Guthrie, a fiddle player.
At
age 19, Guthrie married his first wife, Mary Jennings. They had three children.
With the advent of the Dust Bowl era, Guthrie left and joined the thousands of
Okies migrating to California looking for work. Woody worked and sang to
support himself, and in California he sang on the radio and became popular with
other people who’d moved away from the Dust Bowl states. His songs carried
messages about fairness and justice. Titles such as “I Ain’t Got No Home,” and
“Talking Dust Bowl Blues” spoke not only to victims of the Dust Bowl, but about
political corruption and spoke to other folk singers. He became known as the
Dust Bowl Troubadour. His extensive traveling led to his divorce with his first
wife.
During
World War II, Woody served in the Merchant Marines and the U.S. Army. He
married Marjorie Mazia, a dancer in New York City in 1945 and they had four
more children, including Arlo Guthrie, another folk singer.
He
was a prolific writer, and wrote thousands of pages of unpublished poems and
prose, many written while living in New York City. While recording Woody’s
songs, Alan Lomax suggested that he write his autobiography. With his wife’s
help, Guthrie wrote Bound for Glory
told in the down-home dialect and the imagery of a true storyteller according
to one review.
In
the late 1940s, his health was declining and his behavior was becoming
extremely erratic. In 1952, he was finally diagnosed as having Huntington’s
disease. Marjorie believing he might be a danger to their children, suggested
he return to California without her. They eventually divorced.
Unable
to control his muscles, he was hospitalized in numerous hospitals where he died
on Oct. 3rd, 1967. At that time, Huntington’s disease was not
understood. His death helped raise awareness of the disease. His two daughters
with his first wife developed the disease and both died at age 41. Their son
died in a car/train accident.
Woody
became an American singer song writer, who wrote hundreds of political,
traditional, and children’s songs as well as ballads. In the late 1950s and
early 1960s a new generation of young people was inspired by folk singers such
as Guthrie. By the time of his death, his work and been discovered by a new
audience introduced to them through Dylan, Pete Seeger, Ramblin’ Jack Elliot,
his ex-wife Marjorie, and other new members of the folk revival like Peter,
Paul and Mary, Tom Paxton, as well as his son, Arlo, and many others. These new
folk singers were more politically aware in their music. They focused on the
issues of the day such as the civil rights movement, the war in Viet Nam,
and the free speech movement. Dylan
wrote of Guthrie’s repertoire: “The songs themselves were really beyond
category. They had the infinite sweep of humanity in them.” When Bob Dylan
learned where Woody Guthrie was, he regularly visited him in the hospital. His
ex-wife Marjorie and their children spent a lot of time with him, and after his
death, Marjorie worked to establish a fund to research Huntington’s disease.
The young Bob Dylan |
Woody
Guthrie influenced many folk singers like Bob Dylan, Ramblin’ Jack Elliot, Phil
Ochs, Bruce Springsteen, Harry Chapin, John Mellencamp, Pete Seeger, Tom Paxton
and there were many more who even if they didn’t acknowledge Guthrie as a major
influence probably still could trace their love of folk songs back to him.
Although
I have no CDs of Woody Guthrie, I am a big fan of folk music and have been for
years. I have a huge collection of CDs of folk singers including some of those
I mentioned above as well as Joan Baez, Judy Collins, one by Arlo Guthrie in
which he sings that long song “Alice’s Restaurant,” and many other and some
newer folk singers, who I’m sure were inspired by Woody Guthrie, too. I saw
Arlo Guthrie in concert once. He was a great performer as were others I’ve seen
in concert like Pete Seeger, Joan Baez, Judy Collins, Tom Paxton and quite a
few others.
Do
you like folk music?
If
so, who are some of your favorite folk singers?
Woody was an American original for sure. While he sang from the heart and the gut and was for the little man, his personal life was something of a mess. That said, since the time I got my own say in the kind of music I listened to, folk has always been one of my favorites.
ReplyDeleteI, too, have seen Arlo in concert (Carnegie Hall in NYC) and Joan Baez and Judy Collins and a host of others. There is a connectedness between the audience and the singer that I have not experienced in any other kind of concert.
~ Jim
I like to read folk music lyrics, they are powerful and poetic. To have a generation and beyond, use your music for inspiration, what greater gift could a musical artist leave? --- Laura
ReplyDeleteI guess Peter, Paul, and Mary were my favorites. I was so sorry to hear that Mary Travers had died. I remember their harmonies well. People with good intentions seem so naive now. To be popular, artists must have criminal, sleazy, or perverse elements. Perhaps those elements reflect our society, but I think popular culture can drive values. The times they are a changing. Most folk-singers wouldn't be taken seriously or even laughed at in popular culture or the press. But during that era, they were revolutionary.
ReplyDeleteJim, you are so right about the connections between the audiences and the folk singers. I'm lucky enough to live within less than an hour of Cuyahoga Valley National Park where from September through April they have two or three folk concerts a month at Happy Days Lodge with folk groups coming in from different places in the country and from the British Isles and Canada, too. The singers connect so well with the audience both during the concert and at breaks and afterwards. And at Kent Stage in Kent, Ohio, they bring in more well-known folk singers, but they're concerts are more expensive than Happy Days. As a member of Friends of the Valley, most of my tickets there are between $12.00 and maybe $23.00. You're right about Woody's life. He was actually married three times, but his third marriage was very short.
ReplyDeleteLaura, someday I'll take you to see a folk concert at Happy Days. I know you'd love it.
I did not realize that This Land is Your Land was a protest song. I remember singing it in school...but only the first three verses. Your blog has inspired me to listen to folk music!
ReplyDeleteI wrote recently about Dylan's "House of the Rising Sun", and learned that the song is an Appalachian folk song. Who knew? I enjoy folk songs and hymns and learning about their origins. I've seen Judy Collins perform and have tremendous appreciation for her talents as a pianist as well as a singer.
ReplyDeleteThe connection to the audience is so important--it helps inspire the performer. Have you ever noticed how much more energy a performer has before a live audience and how somewhat flat the same performer is when filmed in a studio without an audience? In the 1970s, I saw Joan Baez perform in London. She tried to get the audience to clap and join in with some of the songs. That was near impossible with the British audience, which then was much more proper. Her performance, although quite good, lacked some of the energy she would have had in front of a different audience.
ReplyDelete
ReplyDeleteKara, I was first aware of that at a Pete Seeger concert in which he told the audience. He was a wonderful performer. I remember him playing the banjo and kicking up his heels when he was in his late 70s or early 80s. For a while he considered not performing anymore because his voice wasn't what it used to be. I'm glad he continued,though, almost to the end. I love folk music because most of it tells a tale. Much of the early folk songs from the Appalachian regent of the country, were take offs on the folk songs from England, Scotland, Ireland and Wales.
Margaret, I love the old Appalachian folk songs. Back in the days when I was playing the guitar and the lap dulcimer, they were my favorite songs. The Appalachian area is strong in the folk music field. As for Judy Collins, she has the most incredible voice. I never saw her perform on a piano, though.
Grace, when I saw Joan Baez perform, it was at an outdoor concert and the audience loved her. Audience participation is a big part of the folk scene. Most of the groups I see always have a song or two in which the audience can sing along with at least the chorus. If it happens to be bluegrass, there's a lot of hooting and hollering, too, at least when it's appropriate to do so. Lots and lots of toe tapping and clapping, too.
Grace, when we were visiting friends in London, we went to a concert given by a local charity (definitely not aimed at tourists.) Since they wanted audience participation, they handed out little flags & cards that listed the program and instructions. Included were "Clap in time" and "Wave flags with vigor." That worked well. I suspect Joan Baez was not aware that she needed to hand out formal instructions to the audience if she wanted a response from them.
ReplyDeleteIn my callow youth, I often went to blues bars in south Chicago. The intimate settings and proximity to the musicians made for a moving experience.
KM, I think proximity to musicians is one of the things I like about going to folk concerts. The ones I go to are never big venues with thousands of people. A sell out crowd at Happy Days is 280 people, and since my friends and I are always there before the doors open, we usually get seats if not in the front row then very close to it. There are no reserved seats with different prices.
ReplyDeleteI loved the folk music of the 1960s and 1970s it really spoke to me. I knew of Woody only through Arlo. But my, what a huge heritage. I still like to listen to folk music when I do my monthly drive to Miami. Judy Collins and friends. I saw the Peter Paul and Mary at oh, dear, it escapes me, it was in Ohio. I can't remember the name of the venue. It was outdoors and wonderful. The folk singers truly captured the spirit of the times. It was a loss when Pete Seeger died.
ReplyDeleteKait, I felt the same way when Pete Seeger died. Northeast Ohio has a big following of folk music - not as much as in North Carolina. Every year Kent State has a big folk festival that goes on for two or three days. It used to be on the campus of KSU, but now it's spread around the town where fans walk to different venues and the bigger names are at Kent Stage, an old movie theater that brings in the bigger name folk singers all year round.Unfortunately, when Jim Bloom, a big folk music advocate retired from WKSU, the Friday, Saturday and Sunday night folk music program was taken off the air. He was a big promoter of folk music and I think he had a lot to do with making it so popular in our area. Now WKSU is more talk radio than anything else so I switched my station to WYSU, which has more music - classical and folk on Sunday night.
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