If you are interested in blogging or want to promote your book, please contact E. B. Davis at writerswhokill@gmail.com.

February Interviews

2/5 Heather Weidner, Glitter, Glam, and Contraband
2/12 Rhys Bowen, Above The Bay of Angels
2/19 Elizabeth Penney, Hems & Homicide
2/26 Annette Dashofy, Under The Radar

Saturday Guest Bloggers:
2/1 Valerie Burns
2/8 Jeannette de Beauvoir
2/15 Kathryn Lane

WWK Bloggers: 2/22 Kait Carson, 1/28 & 1/29 Special Interviews with Agatha Nominees by Paula Gail Benson


WWK is proud of our four Agatha nominees. Kaye George for Best Short Story--not her first time to be nominated, Connie Berry and Grace Topping for Best First Mystery Novel (wish they weren't having to compete against each other), and Annette Dashofy for Best Contemporary Novel--her fifth nomination!

Congratulations to our writers for the following publications:

Look for Kaye George and Margaret S. Hamilton's short stories in the new Mid-Century Murder by Darkhouse Books. Kaye's story is "Life and Death on the Road" and Margaret's story is titled "4BR/3.5BA Contemporary."

Kaye George's first novel in the Vintage Sweets mystery series, Revenge is Sweet, will be released on March 10th. Look for the interview here on March 11.

Grace Topping's second novel in Laura Bishop staging series, Staging Wars, will be released by Henery Press on April 28th. Look for the interview here on April 29th.

Don't miss Shari Randall's "The Queen of Christmas" available on at Amazon. Shari's holiday story for WWK was too long so she published it for our enjoyment. It's available for 99 cents or on Kindle Unlimited for free!

KM Rockwood's "The Society" and "To Die A Free Man; the Story of Joseph Bowers" are included in the BOULD Awards Anthology, which was released on November 19. KM won second place with a cash prize for "The Society." Congratulations, KM! Kaye George's "Meeting on the Funicular" is also in this anthology, which can be bought for 99 cents on Kindle until November 30.

Paula Gail Benson's story "Wisest, Swiftest, Kindest" appears in Love in the Lowcountry an anthology by the Lowcountry Romance Writers available 11/5 in e-book and print format on Amazon. The anthology includes fourteen stories all based in Charleston, South Carolina.

Kaye George's "Grist for the Mill" was published in A Murder of Crows anthology, edited by Sandra Murphy on October 9th.

Shari Randall will be writing again for St. Martin's, perhaps under a pseudonym. We look forward to reading Shari's Ice Cream Shop Mystery series debuting next year. Congratulations, Shari!

Susan Van Kirk's A Death At Tippett Pond was released on June 15th. Read E. B. Davis's interview with Susan.

Warren Bull's Abraham Lincoln: Seldom Told Stories was released. It is available at: GoRead: https://www.goread.com/book/abraham-lincoln-seldom-told-stories or at Amazon: https://tinyurl.com/ydaklx8p


Saturday, April 12, 2014

Dale Deserves a Good Death

One of the nice things about arranging Salad Bowl Saturday guest blogs is I get to meet and learn about new (to me) authors. Larry Thacker is just such a person and in today's guest blog he talks about his creative process for his current WIP.

~ Jim

Dale is probably dead. In my novel-in-progress (insert fresh level of hell), Dale has been missing for only a few weeks. In reality, however, he’s been missing and presumed dead for five years. It’s not that Dale doesn’t deserve more attention. He does, and I think of him often. It’s just that it took four and a half years and three major edits to figure out why he’s dead (or probably dead) and how it happened (if it happened). Sound familiar?

The idea and motivation for Black Mountain Light surprised me. I am often a poet first, non-fiction essayist second, and short story writer third. An aspiring novelist is somewhere in betwixt all the competing genre warfare that is my mental distraction of writing. It is this chaotic juggling of projects that both blesses and curses the mind.

Part NaNoWriMo self-dare, part enviro-political rant, part faintly-disguised memoir, the first rush of writing was blissful and carefree and novel. As the story unfolded over endless cafĂ© marathons (of course), it was clear that someone was going to die. When it ended up being Dale, the main character’s newly met cousin, I was glad to have figured out who it was going to be. It was easy at first to commit those lines and possibly strike a character from existence in the midst of a long, involved story, but I really didn’t know what I was getting myself into. More importantly, I didn’t realize what I was getting my characters into.

Having him go missing granted me time for consideration, didn’t it? As you might expect, that was a mistake, hoping that the answers for “how and why” would eventually come to me in my delay. A few did, but in disappointing ways. It was probably this frustration that forced me to push and pull the story from the back burner so often over the last few years.

I’m sorry, Dale, but other projects got in the way. Or, I let them get in the way. Yes, I fully understand that if you’re going to “fully commit” to your side of the deal that you deserve a decent, believable cause for suddenly going missing. Something unique. As little clichĂ© as possible. Some perfect falling of tragic dominos. Something frustrating and conflict-ridden. Properly motivated. All the good stuff. A well-earned shedding of blood. Where I fled in avoidance of your situation was other writing. Things that felt easier. Less like an impossible literary Rubik’s Cube that your situation was becoming.

Luckily, it was in my retreat to other projects that led me to a satisfying plot hinge. The novel was originally birthed from a non-fiction piece I’d written, entitled “Looking for ghosts, finding mountaintop removal.” By the time I was finishing a draft of the novel, my mind was too far removed from my original inspiration. I finally revisited that piece with some edits. The emotion I’d felt six years ago, the energy driving me, was obviously different, rooted in real experiences and frustration of the time. This reexamination helped me better empathize with Dale’s life, which he deserves. The “how and why” became clear to me.

If I can suggest to fellow writers anything useful from this continuing experience, it would be to challenge yourself to juggle a few projects at a time. While wrestling a number of writing projects may feel chaotic, don’t be too quick to dismiss your bouncing around as a form of energetic, but ultimately lazy, avoidance. Epiphany may be waiting in that intimidating mix of writing genres vying for your attention. A line from a poem may scream a novel’s worth of back-story. A novel project might be better served as a handful of short stories. A piece of flash fiction might seed volumes of stories. In my case, a personal non-fiction piece morphed into a novel I simply must complete. Dale deserves better.
Larry Thacker is the author of Mountain Mysteries: The Mystic Traditions of Appalachia and the poetry collection, Voice Hunting. He serves as Associate Dean of Students at Lincoln Memorial University.

Like him on Facebook https://www.facebook.com/pages/Mountain-Mysteries-The-Mystic-Traditions-of-Appalachia/232474970119461

Teaser for Black Mountain Light. Alder Henry is pulled between a fatherless post-modern Appalachian life and an obsession with the alluring folkloric mysteries of the mountain home he barely knows. Alder stumbles upon the depressed coal town of Zenith, Virginia, when tracking details of the  elusive "Black Mountain Lights" phenomenon along the border of Virginia and Kentucky. What he discovers is an odd community suffering a slow cultural death at the hands of unrestrained mountaintop removal mining practices. His unwitting journey leads him on a path of pains in self-discovery, of meaningful love, blind violence, and family reconnection.


Jim Jackson said...


I am a firm believer in having more than one project going at all times. When seemingly "stuck" on one, move to the next and, as you've experienced, often the first problem resolves itself because without the pressure of needing an immediate answer our minds often respond quite well to the challenge.

Good luck with killing Dale.

~ Jim

E. B. Davis said...

I agree with both of you. Writers have to have more than one project going at any given time. But, I also believe in not starting a project unless I know where I'm going with it. Dale wouldn't have gone missing unless I knew where he'd gone and why. If not, he wouldn't be on the page. That's what I don't understand about NaNoMo. How do writers sit down and write a novel without planning or have they already planned it and are waiting until November to write it? Or does it just happened to be November when all these writers conveniently finish outlining their novels? Why wait? Why write unless you have an outline? I just don't "get" it.

Jim Jackson said...

EB -- you are a plotter; some of us are pantsers and feel that if we are writing to a plot we might as well be ghost-writing because of the constraints required by plotting ahead.

I'm not saying one is better than the other, but when I try to plot ahead it is pure agony.

I do waste time in my first draft with blind alleys and scenes that will later need cutting and others that must be added. I would be more "efficient" if I could plot, but my novels are driven by the characters and the plot works itself out.

~ Jim

KM Rockwood said...

I've found that I can't have more than one book in my series going at a time, or I get confused about what is in which book. They take place in a timeline, and blur together in my mind if I'm dealing with more than one. I can and do, however, intersperse short stories and possible additional series.

As far as plotter or pantser, I'm a combination of the two. I think I know where my stories are going, but sometimes they don't go there. With the first mystery I wrote (mercifully unpublished), I was wrong about who the killer was. The characters take on a life of their own, and can stubbornly refuse to go where I want them to. Then I have to let them go and follow what they are doing. Sometimes it's more like reporting than creative writing.

Warren Bull said...

You know, I'm going to miss Dale.

Gloria Alden said...

Larry, I have more than one project going at a time, too. My current book in process, blogging, poetry and the occasional essay. I understand your dilemma with Dale because I've decided I like the murderer I'd planned for the book I'm working on too much to have him kill the victim. Now I hace to develop a new murderer add new clues to the book.

Your book and the anthology and mysteries dealing with the Appalachian Mountain area sounds like something I'd like to read since I'm fascinated by the tales, music and culture of the area.