Showing posts with label Joanne Guidoccio. Show all posts
Showing posts with label Joanne Guidoccio. Show all posts

Saturday, June 2, 2018

On Navigating the Murky Middle by Joanne Guidoccio



I love beginnings—in life and on the page. Anything and everything is possible whenever a blank slate appears before me. That momentum can last for days, weeks, months, and sometimes even longer.

At least, that’s what I like to think whenever I begin a new writing project.

A linear pantser, I write brief character sketches, plot the first three chapters and the last, and then let the words flow. At some point, usually around Page 80, I encounter the murky middle, that nebulous place where I find it difficult to continue or sustain the tension of the novel. In short, I’m lost with no clear trail or direction in sight.

In the early days of my writing career, I struggled to regain my motivation, wondering if I should abandon the novel. Thankfully, I have discovered three strategies that have lifted me out of the abyss.

Professional Development

During my teaching years, I would sign up for summer in-service at different universities throughout the province of Ontario. These courses would last anywhere from three days to four weeks. Afterward, I would feel refreshed and ready to tackle a new semester in the fall.

While experiencing my second prolonged drought, I searched for the right course/workshop that could propel me over the writing hump. Online courses offered through Sisters in Crime, Romance Writers of America, Savvy Authors, and Ed2Go have worked best for me. Lasting anywhere from one to four weeks, these courses succeed in inspiring and motivating me to return to the page. The key is to complete all the recommended exercises and actively participate in discussions.

Cross-Reading

In Think, legal analyst and author Lisa Bloom urges us to select books that challenge our points of view. Her argument: Our brains need a varied diet of books to stay sharp.

An avid reader of mysteries and women’s fiction, I decided to explore historical fiction written by a male author. During a cold, blustery winter, I spent the entire month of February reading the Century Trilogy by Ken Follett. The three tomes—Fall of Giants, Winter of the World, Edge of Eternity—follow dramatic events in the lives of five interrelated families (American, Russian, German, English, and Welsh) and sprawl over nearly 3,000 pages.  After that month-long reading marathon, I was ready to return to the calmer, less complicated world of my WIP.

NaNoWriMo (National Novel Writing Month)

This is the Red Bull solution that has helped me avoid two murky middles. In 2016 and 2017, I joined millions of authors worldwide and made the commitment to write 50K words during November. Inspired and motivated by the online community and local meet-ups, I wrote at least 1,667 words each day and completed very rough first drafts of two novels: A Different Kind of Reunion and No More Secrets. Whenever I encountered a roadblock, I typed INSERT CHAPTER and continued writing. My well-honed left brain appreciated the badges, and I wanted to wear the Winner T-shirt!

Trailer – A Different Kind of Reunion

Giveaway:
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Bio

A member of Crime Writers of Canada, Sisters in Crime, and Romance Writers of America, Joanne Guidoccio writes cozy mysteries, paranormal romance, and inspirational literature from her home base of Guelph, Ontario.





Wednesday, June 28, 2017

An Interview With Joanne Guidoccio

by Grace Topping


When Joanne Guidoccio created Gilda Greco, the main character in her mystery series, she gave her talent, initiative, good friends, an ability to solve murders, and $19 million dollars. What could possibly go wrong for Gilda? Reading Joanne’s most recent book in the series, Too Many Women in the Room, I soon discovered that lots can go wrong, and a money windfall isn’t always a blessing.

Too Many Women in the Room

When Gilda Greco invites her closest friends to a VIP dinner, she plans to share David Korba’s signature dishes and launch their joint venture— Xenia, an innovative Greek restaurant near Sudbury, Ontario. Unknown to Gilda, David has also invited Michael Taylor, a lecherous photographer who has throughout the past three decades managed to annoy all the women in the room. One woman follows Michael to a deserted field for his midnight run and stabs him in the jugular.

Gilda’s life is awash with complications as she wrestles with a certain detective’s commitment issues and growing doubts about her risky investment in Xenia. Frustrated, Gilda launches her own investigation and uncovers decades-old secrets and resentments that have festered until they explode into untimely death. Can Gilda outwit a killer bent on killing again?

Welcome, Joanne, to Writers Who Kill.

Gilda Greco, your main character in Too Many Women in the Room, received a sizeable lottery win and stayed in her hometown where the residents know that she is now a very wealthy woman. What affect has the win had on her life?

Joanne Guidoccio
As one of the few millionaires in the mid-sized Northern Ontario city, Gilda knew she couldn’t maintain a low profile. Instead, she embraced her life in the spotlight and searched for ways to improve the quality of life in Sudbury. She’s also managed to attract the attention of a handsome widower.


You began Too Many Women in the Room with a prologue, which was quite effective. With so many agents and editors warning writers away from prologues, why did you use one?

I struggled with this decision but decided to follow the advice given by a workshop facilitator: Use a prologue only if it adds an interesting and integral layer to the narrative. Starting with the victim’s POV fits both of these requirements and provides the reader with insight into the character’s motivations and thoughts during his final hour.

With the luxury of being able to spend money on whatever she wants, Gilda invests in a startup Greek restaurant—knowing nothing about the restaurant business. What prompted her to take this gamble?

While Gilda is a self-proclaimed non-foodie, she has great appreciation for the culinary talents of friends and relatives. After sitting at Chef David Korba’s table, she couldn’t resist helping him launch Xenia, an innovative Greek restaurant. She had every confidence in a chef whose skills had been honed in Greece and the Danforth in Toronto.

Reinvention is a recurring theme in your novels and short stories. Why this particular theme?

Reinvention is a core theme of my own life. A cancer diagnosis at age 49 and a decision to retire at age 53 prompted me to reassess my life goals. An avid reader, I searched for fiction and nonfiction literature that would help me navigate these uncertain waters. And then I decided to write the books I wanted to read.

In addition to investing in the Greek restaurant, Gilda helps people in other ways. In one case, she established a business called ReCareering and offers free initial counseling sessions. What is recareering, and how does she help her clients? Why doesn’t she just give them money?

Setting up a ReCareering office was one of my retirement goals. After obtaining a post-graduate diploma in career counseling, I had hoped to set up a coaching business that would focus on the needs of boomers in transition. But personal and family challenges forced me to reconsider. Instead, I am living vicariously through Gilda Greco. In addition to helping boomers launch second acts, Gilda also offers her services to adolescents searching for career direction, twenty-something and thirty-something disgruntled workers, and middle-aged women planning to re-enter the workplace.  In short, Gilda hopes to empower rather than give handouts to her clients.

In one of your blogs, you wrote about Toastmasters and how membership in this organization helped you. Can you tell us how an organization devoted to public speaking helped you in your writing career?

To be truthful, I didn’t expect Toastmasters to significantly affect my writing career. I was pleasantly surprised when I found myself writing more confidently and succinctly. I became more prolific and experimented with different genres.

I love your definition of a cozy mystery: …mysteries [that] appeal to readers who wish to be engaged but not horrified. Is that why you write cozies? Have you thought of writing mysteries that are darker?

During my cancer journey, I devoured several cozies a week. I enjoyed the well-plotted and engaging storylines that entertained me and kept my mind active. While I do enjoy the occasional psychological thriller, I don’t think I could ever write that “dark”…it just isn’t in me.

You are currently writing about your experience dealing with inflammatory breast cancer (IBC). As a breast cancer survivor, why was it important for you to document your journey?

Sharing is caring. That is so important in the cancer community. During my own journey, I was blessed with five angels who came forward and offered tangible and intangible support. I wish to pay it forward.

With the challenges you’ve faced, how do you stay inspired?

Prayer and positive thoughts help. So does setting goals and rewarding myself at different milestones.

Your blog contains links to writings on mind, body, and spirit. Do you find these readings help your writing?

A strong mind/body/spirit connection enabled me to survive and thrive during one of the most challenging seasons of my life. Reading inspirational literature has helped me improve in all aspects of my life, including my writing career.

I was pleased to see that you set your Gilda Greco series in Canada, especially in areas I have visited and have friends. So many Canadian writers set their books in the U.S. and other countries. Have U.S. readers been discovering Gilda?

I’m thrilled with the American interest in the Gilda Greco Mystery Series and my hometown of Sudbury, Ontario. I’m proud of my province and country and love sharing with the rest of the world.

Please tell us about your Mediterranean Trilogy.

While querying A Season for Killing Blondes, I decided to distract myself with a series of workshops offered by fantasy and horror writer Sarah Totton. At first I focused on the writing advice but later toyed with the idea of writing fantasy for boomer women. Not wanting to feature witches, werewolves, zombies, or other dark creatures, I thought back to my childhood and recalled my favorite fairy tale, The Little Mermaid. The following What-if scenario whirled through my mind:

What if a mermaid is transformed into an overweight, middle-aged woman and then abandoned on the fog-drenched shores of southwest England. Can she reinvent herself?

Find out more in Books 1 and 2 of the Mediterranean Trilogy: Between Land and Sea and The Coming of Arabella.

You did a terrific trailer for Too Many Women in the Room. Has the trailer helped with promotion and sales?

I’m very grateful to videographer and author Jody Vitek for creating the trailer. As for helping with sales…it’s so difficult to pinpoint what does and doesn’t correlate. I like having trailers for each of my novels.

Do you enjoy the promotion aspects of being a mystery writer? What is your favorite promotional activity?

I enjoy meeting one-on-one with prospective readers. Participating in panels, readings, and signings are my favorite promotional activities.

What’s next for Gilda Greco?

In Book 3, A Different Kind of Reunion, Gilda reconnects with former students who are grieving the death of a classmate. Haunted by a missed email that could have prevented this tragic death, Gilda agrees to participate in a psychic-led reunion.

Thank you, Joanne.

Where to find Joanne...
Twitter: https://twitter.com/joanneguidoccio
Pinterest: http://pinterest.com/jguidoccio/

Book Trailer


Saturday, April 2, 2016

ON PLANTING RED HERRINGS by Author Joanne Guidoccio


When I shared an early draft of A Season for Killing Blondes, a beta reader complimented me on my use of red herrings and suggested the title could also be considered a red herring.

Puzzled, I asked for clarification.

She explained, “A red herring is a literary device that leads readers toward a false conclusion. Glancing at the title, I expected to read a thriller about a serial killer who had designated a specific time period for the Rampage.” She winked. “That’s definitely not the case here.”

A bit worried, I wondered if I was misleading my readers. Would they expect a thriller and be disappointed when my novel turned out to be a cozy?

She assured me that the title was well-suited to a cozy mystery that featured a brunette lottery winner as the primary suspect and four dead blondes killed during a two-week period. And she doubted that anyone would be disappointed at the end.

After our conversation, I decided to do more research into red herrings.

Several theories exist regarding the origin of the expression. Some believe that it refers to the use of a kipper (strong-smelling smoked fish) to train hounds to follow a scent. Another theory points to escaping convicts who used red herrings to throw off hounds in pursuit.


Many of the plots in Agatha Christie’s novels contain red herrings. In And Then There Were None, we assume a character who goes missing is the killer. Later, when his body is washed up onshore, we realize that his absence was a red herring that misled the other characters and the readers.

In The Da Vinci Code, Dan Brown expertly uses the character of Bishop Aringarosa as a red herring throughout the novel. While reading, we can easily imagine him as the mastermind of the church conspiracy and are surprised when the real culprit is revealed. Intrigued by the bishop’s unusual surname, I probed further and learned that “Aringarosa” translates into English as “red herring.”

Another famous red herring example appears in The Final Problem by Sir Arthur Conan Doyle. While walking through the Swiss mountains with Sherlock Holmes, Dr. Watson receives a message that an Englishwoman at their hotel is in urgent need of health care. He rushes back to the hotel and discovers there is no Englishwoman. The message was a red herring sent by the villain Professor James Moriarty as a ruse to isolate Sherlock Holmes at the edge of a cliff.

To keep my readers guessing while reading A Season for Killing Blondes, I introduced a gaggle of suspects, among them a yoga teacher with anger management issues, a lecherous photographer, two “50something” mean girls, and fourteen ex-boyfriends.

From the reviews, I gathered that I had succeeded in maintaining the readers’ interest until the final chapters. My favorite comes from The Romance Reviews: “A well-written, character-driven murder mystery that genuinely had me scratching my head until the very end wondering who dun' it!?”

Do you have a favorite red herring to share?

Bio
In 2008, Joanne took advantage of early retirement and decided to launch a second career that would tap into her creative side and utilize her well-honed organizational skills. Slowly, a writing practice emerged. Her articles and book reviews were published in newspapers, magazines, and online. When she tried her hand at fiction, she made reinvention a recurring theme in her novels and short stories. A member of Crime Writers of Canada, Sisters in Crime, and Romance Writers of America, Joanne writes paranormal romance, cozy mysteries, and inspirational literature from her home base of Guelph, Ontario.
Links
Website: http://joanneguidoccio.com/
Amazon Author Page: http://is.gd/MRa086