With my debut novel out for a month, it’s time for the
sequel…actually, according to my publisher, it was time for the sequel in
January, except they didn’t mention that until August and, well, turns out I
don’t write all that fast. It’s not that I don’t write fast, it’s just that the
majority of what I write fast ends up being rewritten…and so on and so on. But
here we are in April and I’ve written The End (twice), and I’m ready for someone
At this point, a lot depends on where I think the story is.
In this case, I think it’s close. It’s a sequel, so I know most of the main
characters quite well. The voice needs to be consistent with Book 1, and I’m
pretty clear on my plot, so I don’t think I need a developmental edit. I
obtained one in the past for another novel. It was extremely expensive, but at
least it took EIGHT (8) months. Seriously, the feedback was useful, but I was
repeatedly promised, “just a couple more weeks.” I don’t have that kind of
time, and while I could certainly find someone more reliable and less
expensive, I plan to skip that step, at least for now.
Instead, I have had great success with beta readers I find
through Goodreads: https://www.goodreads.com/group/show/50920-beta-reader-group.
I’ve not tried the “free” option, figuring you get what you pay for, and I’m
happy to pay someone to critically read my novel. The charge is usually around
$100 for an 80K word book, some a little more, but always reasonable in my
mind, and agreed upon in advance. It’s a self-explanatory process on the site.
You post in the appropriate group what it is you’re looking for, your genre,
the length of the book, and your timeframe, then you sit back and wait for
replies, often they start appearing within the hour. Most have a website to
check out with their rates and offerings and reviews. Some are less official
looking, but provide references and I’ve had at least one good experience that way,
and she was less expensive.
A few weeks later, you’ll receive a detailed review of the
book. Generally a letter that lists overall impressions, and another more
detailed chapter-by-chapter summary of what they like, what they don’t like,
where they were confused or noticed errors. It’s not a line edit, and not a
developmental edit either. This is a reader’s impression of your work, not a
writer’s impression, which is quite different I think. Where a developmental
editor will tell you what doesn’t work and ideas for how to fix it. A beta
reader will mostly just do the former.
So, the new, as yet untitled, sequel to Fatal Intent will be
off to the beta readers this weekend…then the nervous wait begins. I think I
might write a prequel short story to offer on my website in the meantime…or
maybe I’ll catch up on some sleep!
Author of Fatal Intent