Last month I finished
taking a course titled “Mystery and Thriller Structure by instructor, Kris Neri.
Since I’m starting a new WIP, the course applied to me and the timing couldn’t
have been better. After finishing Kris’s course, I highly recommend it. But let
me explain the methods I’ve used in the past.
The first two novels I wrote using the pantser method. As
most of you know, the term “pantser” refers to writers who write by the seat of
their pants, starting with a blank page. Some writers swear by the method—if
they knew who the villain was they’d be bored with their story before they
wrote it, I’ve heard before. Having written two novels using this method, I
don’t recommend it. Neither of my novels were messes, but I didn’t feel good
about the process. Using the pantser method seemed chaotic to me. I felt out of
control.
I chose a combination method of pantser and what I deem
“planned,” when I wrote my third WIP. To
do so, I wrote a storyboard for each chapter, including the facts of the case to
be presented and what had to be accomplished by each character. The backstory,
character development and subplot complications I included via pantser method. This
method was better, but I knew I needed help.
Kris’s course put into words and forced me to create what I
knew was lacking in my own methods. The entire novel is considered. The plots
and subplots are all planned prior to typing a word on the page. Triggers and
plot points move the scenes. Although we weren’t required to do so, I created a
detailed outline and timeline including the evidence, the characters’ roles in
the plot and subplots, how the crime is solved by which characters and the
backstory of each character that impacts the plot. Character development is not
covered in the course or techniques for creating settings. But those elements
can and should be added. All are set within the backdrop of the three-act
structure and the proportions of the book that should be devoted to each act.
For our assignments, I wrote the synopsis and backstory of
the main characters including the villain. These helped in planning because
they forced me to think about my story in its entirety including character arc,
which I can carry over to a next book.
I remember while using the pantser method in my first two
WIPs that I kept switching the identity of the murderer. It was a surprise—the
problem was that while it should surprise the reader, I no longer think it
should surprise the writer. Elements must be built into the plot giving clues
to the villain’s identity. Otherwise, solving the crime seems implausible or solved
by a fluke. Knowing the identity of the villain, his relationship to the victim
and what triggered the murder induces the writer to consider the timing of the
protagonist’s story (and the plot points in the character’s story which propel
the scenes) to that of the villain’s and victim’s story, and it is that story
that the writer reveals.
Planning my next WIP
using the techniques that Kris teaches has put me in control. I know what motivates
my protagonist and that has changed my writing from plot driven to character
driven, which I think strengthens my writing considerably. If you ever have the
chance to take the course, do so. But Kris may not be teaching often. Her
current script MAGICAL
ALIENATION was a finalist in the New Mexico & Arizona Book Awards in the
sci fi/fantasy category. In Kris’s case, she teaches what she does.
E.B. I use both methods. I know who my killer is in advance because I've written a biography of him/her. I know why he/she has turned to murder. But from then on except for an idea what my book and plot is going to be, I don't outline, but let the ideas flow as I write. Yes, I do write down some things I want to include, but don't plan these things chapter by chapter although I do have at least some ideas where I want the next chapter to go and what characters I want to bring back.
ReplyDeleteE.B. thanks for the reference to Keri's workshops. I'm glad you found something that worked for you. Every time I sit down to write a book, I swear I can't do it again. Congrats!
ReplyDeleteEveryone has their own way of plotting, Gloria. I'm glad you like your method and feel comfortable with it. I didn't. I felt that I was missing something--and I was.
ReplyDeleteOne concept that I hadn't considered--plot points--incidents that occur throughout the novel that provide the motivation for the MC. Triggers cause the incidents, but the plot points drive the character. So often, cases are solved by happenstance. The MC not only needs reason to initially start solving the murder, but there has to be additional motivation for the character to move the investigation in a particular way that fulfills her objectives (personal or investigative). That's what changes the plotting from plot based to character based--and what readers want from characters.
I realized that it is the characters that draw readers--something I knew, but I wasn't sure how to fulfill in my manuscripts.
Thanks Donnell. I was frustrated by the process. To not have stick-figure characters, you have to know what makes character's tick and their backgrounds to the point of plotting their lifelines out. During the murder and investigation, using timelines that trace where and what each of the characters were doing, why they got there and how they overlap provides a perspective that I missed. Sometimes parallels can be seen which are interesting and can add a dimension to your books that wasn't there before. Thanks for dropping by!
ReplyDeleteKeri is an excellent writer. Her workshop sounds well worth seeking out.
ReplyDeleteLearning new techniques can lead to breakthroughs in your writing no matter what level you are at. I haven't read Kris's books, but I plan to read them.
ReplyDeleteI found this very informative. I like to work from an outline, leaving room to surprise myself as I write.
ReplyDeleteThat was a really interesting post, thanks E.B. I've gone to look up Keri's courses now.
ReplyDeleteI agree, writing out the scenarios that Kris suggests is incredibly helpful. When I feel my plot veering off into a dead end, I consult those initial files and remember what I'm writing about.
ReplyDeleteThe planning that Kris makes you do, doesn't leave room for author surprises (except for parts of the personal story, which you can write by pantser method), Marilyn. Character motivation is the key that drives the entire story, and tying the relationship to the victim and villain to the protagonist, which also relates to the MC's arc.
ReplyDeleteI'm glad that your outline method works for you. But, it only partly helped me, which is why I thought that Kris's method improved my writing.
Good luck, Cate. It really will help you--if Kris gives the course again before too long.
ReplyDeleteI've found myself checking my notes just to answer these questions, Kaye. It is a method that you have to work through a few times (I fear) before it becomes a part of your own natural process. I'm still writing shorts, want to revise my WIP and start a new WIP so--I hope that I don't lose what Kris taught before I need it again. Good luck with that big Garfield type kitty!
ReplyDeleteThanks, Elaine!
ReplyDeleteThe bottom line for every writer is to find out what works best for her/him. I'm a pantser. So far that's worked for me. I know pretty much where I'm going in the plot, but there are always a few surprises along the way. I'm VERY visual and see my story as a movie. The surprises for me come in the secondary characters. I'm glad you've found the right process, Elaine. Whatever works.
ReplyDeleteThanks Polly. (We are talking novels here, not shorts--LOL, although I have to admit when I write shorts in which I have the MC's voice in my head--they seem write themselves.). I wrote by the pantser method, but I didn't feel comfortable with it. I'm glad that it works for you (and it obviously does), but it's not me. Thanks for dropping by, and good luck on your first series, and the second of that series, Goddess of the Moon, after of many one-off books.
ReplyDeleteI took a course with Kris Neri, and I second the enthusiasm.
ReplyDelete