Showing posts with label R. Franklin James. Show all posts
Showing posts with label R. Franklin James. Show all posts

Wednesday, July 27, 2016

An Interview with R. Franklin James by E. B. Davis



 “I got her routine down. She’s in my sights. She’s dead whenever you say.”
R. Franklin James (Kindle Loc. 151)

R. Franklin James writes the Hollis Morgan Mystery series published by Camel Press. The Fallen Angels Book Club, the first book, presented the unusual premise of this series, which I will let Rae explain. That premise and main character, Hollis Morgan, kept me reading. The Trade List, the fourth book, released in May, shows how technology can either help exonerate or implicate individuals regardless of their innocence or guilt. Like identity theft, it’s a scary notion.

After you’ve read this interview, check out Rae’s May guest blog at: http://writerswhokill.blogspot.com/2016/05/you-cant-wait-for-muse-to-write-by-r.html   

Welcome back to WWK, Rae.                      E. B. Davis

Please explain the premise of your series to our readers. 

Although I wasn’t conscious of a theme when I first started, I realized by the time I finished the first book in the series (The Fallen Angels Book Club), that Hollis’s story is one of redemption.  My premise is that we each have to first forgive ourselves for our real and imagined transgressions before we see ourselves as others see us. The Hollis Morgan Mystery Series is about second chances and social labels, and how life has a way of holding up its mirror for us to see.

Who was Hollis before she went to prison and how did she earn her living? 

Hollis was a law student in San Francisco and her insurance broker husband supported them. Unfortunately, she didn’t know their income came from his fraudulent insurance claims.

How was Hollis able to join the California Bar when she was a convicted felon?

In California, there is a law called the Safety and Rehabilitation Act which allows ex-felons of non-violent crimes to apply, under certain conditions, for a judicial pardon. If awarded a pardon, the individual no longer must check the box that they were a felon and they are eligible to take the California Bar.

When Hollis’s manager, George Ravel inherits his birth mother’s estate, her husband’s family contests her will. You present Hollis at work as a probate attorney, but you aren’t an attorney. What research did you do to get the details right? Is a probate attorney different than a wills/estate attorney?

Actually, I was employed as a paralegal specializing in probate and intellectual property law. Writing about Hollis, I was able to directly draw from my work experience at a law firm very much like Dodson, Dodson and Doyle. I was very pleased to get an email from a probate judge in Los Angeles who said that my setting was so realistic she thought I must have visited her courtroom.

Probate Law encompasses wills, trusts, and estate settlements.

When Hollis receives a text message, which I’ve quoted above at the top of this interview, it’s found to have come from a burner phone. What is “triangulation?”

With the proper technology, law enforcement officials (and hackers) can trace a call from the location of the caller to the location of the person contacted. The “triangle” is: the location of the tracer, the caller and the person called. Thanks to a chip in our smartphones, it is fairly straightforward to locate a criminal, or a victim, who has a cell phone in their possession.  

When a woman is found dead with Hollis’s business card among her possessions, Hollis becomes a “person of interest” to police detective Silva, the main investigator. But Hollis’s friend, Stephanie, complicates matters. She isn’t very sensitive to Hollis’s needs, is she?

Stephanie and Hollis are friends for a reason. Neither would take advantage of their friendship—except when they have to. Stephanie isn’t afraid to tell Hollis she’s out of line when the situation warrants, and Hollis pulls no punches when Stephanie asks for her advice.

Because of her ex, Hollis has trust issues. But she confides in her current beau, John, while he doesn’t give up much information under the guise of his Homeland Security job. I found that a bit unfair, like a one-way street. Even further, when John finds out Hollis didn’t tell him all, he gets mad at her. “Don’t start keeping things from me, Hollis. When you do it starts piling up as garbage that separates us.” Doesn’t that apply to him as well?

Like attracts like: John’s social “walls” aren’t made from the same experiences as Hollis’s—but he has trust issues too. His issues are less from misplaced trust and more from an introverted personality with a wariness of people he doesn’t know. He was adopted and an only child. While he maintains strict secrecy about his job, he understands what it will take to bring Hollis out of her shell. He sees past her “walls” and knows what it means for her to slowly drop her guard. He doesn’t want her to slip behind those walls again.

You show readers a lot about Hollis through Vince Colton. How does Hollis treat Vince?

Hollis is immediately attracted to Vince’s plight. He is the vulnerable “shadow” that reflects her own needs. Her emotional wounds are echoed by Vince, and eventually his healing leads to her healing. He is like the younger brother who needs help to regain his footing, and she sees in him the man he is meant to be.
Your secondary characters are memorable. My favorite little-old-lady Phyllis Mason turns into a dynamo. She had me fooled (and I think Hollis, too.) What was her role in your story and how did she tie the estate case and the murder case together?  

Phyllis Mason was a highly successful district attorney before she retired. However, as she aged she gave into the stereotype of a fearful little old lady. Helping Hollis forces her to see that she still has the skills and savvy to make a vital contribution to solving a case.

How is the Trade List a double-edged sword?   

The actual Trade List is a compilation of coded names of interstate criminals and their protection. It is a list Olivia Shur wants to trade for her immunity. However, there are others who see the list’s extortion potential. The possibility of the sword to swing one way for blackmail and another for immunity depends upon who is wielding it. Hollis uncovers the connection at her own peril.

“It was a typical Bay Area summer day, gray with late afternoon fog hovering over the Golden Gate Bridge and the San Francisco skyline. It was Hollis’s favorite weather.” You’re kidding, right?

Nope.
Mark Twain once said that the coldest winter he ever spent was a summer in San Francisco. Bay Area natives tend to favor the upside down seasons, and Hollis is contrary enough to make it her favorite.

Why does Hollis use tuna sandwiches as a restaurant’s “litmus” test?

Many people judge a restaurant or diner by the quality of their hamburgers or sometimes their desserts. If you can get a good burger, (others might choose a Crème Brulee), you’ve got a good place to eat. Hollis’s criterion runs to the tuna sandwich.

Have you plotted your series?

Yes. I’m a plotter at heart. First I created the story line for the first three books in the series. By the time I started writing the third book (The Return of the Fallen Angels Book Club), I knew Hollis’s story was not over. I generated the plot lines for another three books. I made a chapter outline of each book taking off from the one before it. Needless to say characters and plots don’t always follow an outline, but I find that it helps me avoid writer’s block.

How did you get your contract with Camel Press?

I have an agent who made the sale. Through her, I pitched a three-book series. Camel Press liked the concepts, and offered an option for a fourth book if I wrote the same protagonist.

What’s next for Hollis?

Books five and six are in various stages of production. Book five: The Bell Tolls will be released in May 2017. Hollis has evolved as a character. She’s a force who’s not afraid to step up and take action for what she feels is right.  However, her most cherished life support is shaken to the core and she has to make a decision about which road to take.

                                         

Saturday, May 7, 2016

You Can’t Wait for a Muse to Write By R. Franklin James

There is a lot of talk these days when looking at how to live the optimum writing life about the importance of social media and the decision to self-publish or take the traditional publishing route, without keeping in mind the imperative to sell, sell, sell.

Books hit the shelves or the Internet in rapid fire, some good…some not so good. Reviews have taken on a “who do you know” feel of a popularity contest, and less about an honest commentary on substance and entertainment. It is a tale of two cities redux.

And yet, writers must have the courage of their convictions that words and the joining of words into sentences and the melding of sentences into paragraphs and the linking of paragraphs onto pages will produce a book that we hope will entertain, educate and just maybe take the reader on an enjoyable journey and make a difference.

Because at the core of it, and the very base of our being writers are idealists with an incessant urging to get our thoughts and stories onto paper, out of our heads and into the hands of people we want to reach. And we want to reach them through plotting mysteries.

But what about that muse?

Our muse is always with us; except for the times we ignore her presence. We may struggle with conjuring up the right word or the next scene, and beg that she appear. She looks at us in amazement because she has never left our side. Our muse is our imagination; she is the free flow of ideas that pour out of our fingers and onto our keyboards. If we hit a wall or become blocked it is likely because we are trying too hard.  The quickest way to turn our back on our imagination is to “think” about it. Stuck? Then take a few minutes to get up and walk around, or step outside or watch some inane show on the TV. Still stuck? Then talk to your protagonist. Ask him or her what’s going to happen next? Who’s going to walk through that door, or cause the phone to ring, or send a letter in the mail? Try to imagine the unexpected, and let your imagination kick-in.

Still stuck? Then write a few words about why you feel stuck and what could be the cause. The idea is to prime the imagination pump. That is how our muse talks to us.
It is not enough to say: I’m blocked; I don’t know where my story is going. I’m blocked... I’m blocked, I’m….

STOP!

It’s not about your story; write your protagonist’s story. Or, maybe write the villain’s story. Write the murder scene or, maybe write the end. Here’s the thing, you’ve got to climb over that block and not let it stop you. Stay with the habit of writing—anything.

Getting back to the optimum writing life, social media whether for self-published or traditionally published authors is irrelevant. First, you must write a good book that grabs the reader and won’t let them go until the very last page.

Social media guru, or Internet nerd; the key is not to stop writing, even if it’s just a paragraph. Write every day and that muse you’re desperately seeking will find you.


Bio

R. Franklin James grew up in the San Francisco Bay Area and flourished in a career of public policy and political advocacy.  In 2013 the first book in her fan starred Hollis Morgan Mystery Series, The Fallen Angels Book Club, was released, followed by Sticks & Stones, in 2014. The third book in the series: The Return of the Fallen Angels Book Club came out in 2015. Book four, The Trade List, is scheduled for release in June 2016. James resides in northern California. For more information please visit:   www.rfranklinjames.com.