The Villain Speaks by Annette Dashofy

After many months of non-stop writing to meet back-to-back-to-back deadlines, I turned in my latest manuscript to my editor on March first. My next book isn’t due until December, which, for me, is a luxury. Nine months between deadlines! 

It’s a good thing, too, because I’ve pushed so much non-writing “stuff” to the proverbial back burner for so long, I need some time to catch up on those little things like tax prep, annual doctor’s exams, yearly medical tests, and researching the wonderful world of Medicare since I’m fast approaching that age. March, I decided, would be a sabbatical from writing to focus on these matters. 

I’ve done quite well, even managing to slip a home improvement project into the mix. I still have some straggler tasks for this final week, but I think I’ll have that back burner cleared off by April Fool’s Day. 

Or maybe I’m kidding myself and I will be the April Fool. 

Either way, that December deadline is one month closer than it was on March first, so I need to call my muse home from vacation and get back to writing. 

And my writer’s brain is already working on it. 

A week ago, I dug out the proposal I’d sent to my publisher for the next contracted book. This consists of one very generic paragraph. It’s a starting point. I let that paragraph be a seed planted in my brain as I worked on financial reports. Usually, when I do that, my characters begin to discuss the plot amongst themselves and whisper their intentions into the ear of my subconscious. 

Mostly, that’s what’s happening now with one surprising exception. 

While this will be the fourth Detective Honeywell Mystery, Matthias Honeywell is keeping quiet. So is Emma Anderson. The characters who are growing progressively louder are my secondary characters, one of whom has never appeared on the page. Apparently, Detective Sergeant Cassie Malone’s veterinarian husband, Dr. Shawn, is going to be a major player if he has his way. Not what I had planned, but okay, I’ll run with it. 

The character who’s speaking the loudest though is The Villain. Or maybe he’s the one I’m listening to the most. I don’t know his name or even if he’s a man or a woman. All I know is he has a grudge and plans to exact revenge. 

Okay, to be honest, I know a bit more than that, but I’m not telling. The Villain will only share his secrets if I promise to keep them for now. 

One of my favorite mystery-writing tricks comes from Erle Stanley Gardner of Perry Mason fame. I can’t find the exact wording, so I’m paraphrasing, but he advised writers to plot from the viewpoint of the villain and write from the perspective of the protagonist. It’s a great tool. The villain is behind the scenes, driving the plot, from planning and carrying out the murder to covering it up and possibly helping misdirect the sleuth. 

Right now, I’m carrying my notepad with me wherever I go so that when The Villain starts to share his plans, I can jot them down. Hopefully, once I hear all he has to say, I’ll know exactly what Matthias and Emma will encounter once I type “Chapter One” on the page. 

Thank You Erle, For The Reminders! By Jule Selbo

Erle Stanley Gardner’s books lined my father’s bookshelves. My dad, like Gardner’s most famous character, Perry Mason, was also an attorney, and he was of Erle’s era: women were meant to be wives, daughters were expected to obey, and men were in charge. (My dad, fortunately, by my high school years in the 1980s, had evolved.) I’ve been re-reading Gardner’s most popular series for the last months – and despite the evident 1930s, 1940s and 1950s chauvinism, the sporadic political incorrectness and racial stereotypes, and the proliferation of women hiking their skirts up above their knees to show a shapely gam, I’m taking away some “swell” reminders for my Dee Rommel Mystery series.

Even Gardner’s description of Perry Mason in The Curse of the Careless Kitten (1942) is inspiring in its thorough ability to give us the author’s version of a perfect protagonist: “Perry Mason had that peculiar, confidence-inspiring magnetism which is so frequently found in tall men. In repose, his features and his manner had the weathered patience of hard granite. But… in critical courtroom crises, he was a fast-moving, quick-thinking force, molding men’s minds, out-thinking (all) antagonists…” And Gardner upped the character stakes by making sure Mason did not do all his “lawyer-ing” in the courtroom.

 

Parnell Hall, author of the crossword series The Puzzle Lady, writes, “Perry Mason was always doing such outrageous, outlandish and downright illegal things… a Perry Mason book was not so much a whodunit, as a how-will-he-get-away-with it? (He’s) skating on thin ice, finding evidence, concealing evidence, juggling evidence, and planting evidence.” Now, that’s fun.

 

The first book in my crime mystery series, 10 Days, A Dee Rommel Mystery, was released August, 2021; it’s been well-reviewed and many readers have pointed out their delight with Dee’s tendency to head straight into trouble. Since I’m working now on 9 Days, A Dee Rommel Mystery, I use my reading of the Perry Mason books as a reminder that cool logic, reasonable caution, cerebral out-thinking are not the only goals. It’s to have “a gas”, to push Dee Rommel to the edges of danger and challenge her in emotional, physical and psychological ways. I imagine I hear Gardner’s coaxing “…let Dee make the wrong choice, at times. See what happens. See how (or if) she can right the ship.”

 

Gardner’s series also serves as Reminder #2 - to embrace a little aggressive chaos – and relish it. In Case of the Careless Kitten, Mason turns down a big-money, boring equity dispute to take on an if-come case because, he says: “(it) sparkles with mystery, adventure, romance… it’s cock-eyed and crazy... It’s one hell of a swell case.” In 10 Days, even though Dee Rommel begins as a “reluctant hero,” she ends up diving in because puzzle-solving, for her, is addictive.

 

Reminder #3: Keep the story paramount. Gardner didn’t spend much time on describing his California locations; they’re quick and concise. He writes: “… the car climbed rapidly, the screaming siren alternately roaring back in echoes, then being swallowed up in the vastness of the deep mountain canyons…” Case of the Careless Kitten (1942). He also describes characters sharply, sometimes teasing the reader into a smile. Such as: “She flowed across that office with the rippling, effortless progress of a cylinder of jelly sliding off a tilted plate.” The Knife Slipped (1939). In 10 Days, my protagonist Dee has a chip on her shoulder, and it’s hard to win her trust, so characters are always seen through her semi-cynical lens.

 

Reminder #4: As a reader, I enjoy hearing the opinions of characters; Gardner often allowed his characters to share their philosophy on the human condition. “When a man starts running away from things in life, he builds up a whole chain of complexes and fear.” The Case of the Grinning Gorilla (1952). In his Cool and Lam books, Gardner allowed his hard-smoking, obese private detective Bertha Cool to vent, “… people are sheep, made to be sheared. They love to worship public officials who play politics. Every eight years, the people swallow some politician hook, line, and sinker and make him president. They hold him on the political stomach for about six years. Then they commence to get indigestion because the politicians quit pouring the soda bicarbonate of publicity into their stomachs. At the end of eight years, they vomit him up in order to swallow someone else, and the process is repeated.” The Knife Slipped (1939). Bringing this back to my book, 10 Days, one 5-star reviewer on Amazon commented: “…the mystery focuses around AI and tech industries, it was fascinating and freakishly timely.” Dee Rommel has definite biases on this topic (mostly having to do with privacy rights) – and the antagonists disagree. It was fun to explore the pros and cons in this topical arena.

 

Reminder #5: Gardner, even after he closed his law practice to commit himself totally to writing, was inspired by real cases. Many pitted the desire of women wanting independence from domineering men or the false assumption of the wealthy and privileged that they could   with murder. Other plots were inspired by the program Gardner founded: “The Court of Last Resort”; a legal aid project dedicated to help those who had been convicted due to careless or malicious actions of prosecutors or police. Gardner has inspired me here too – I cull though police and prison records to remind myself that greed, vengeance, jealousy, lust, psychoses, and countless other societal maladies are active – and dangerous - parts of our society. That reality can certainly inspire fiction.

 

So, thanks, Erle for the great reads and “lessons”.

 

Erle Stanley Gardner wrote 155 books and more than 400 articles before his death in 1970.

 

SHORT BIO:

Jule Selbo’s crime mystery novel, 10 Days: A Dee Rommel Mystery (Pandamoon Publishing, August 2021) is the first in a series. Jule absconded from Hollywood and her work there as a produced screenwriter to Portland, Maine to concentrate on writing novels. After writing three award-winning historical fiction books, she has now worked up the courage to dedicate herself to her favorite genre – the crime/mystery. She’s near completion of the second in the series: 9 Days, A Dee Rommel Mystery.  https://www.juleselbo.com