By Lisa Malice, Ph.D.
The odds are stacked against
any one person becoming a traditionally published author. A 2017 Writer’s
Digest survey found that a staggering 81% of Americans believe they have a
story inside them just waiting to be written, but a mere 3% will finish their
manuscripts. Of those aspiring authors who get that far, only 1-2% will be
traditionally published. With so many wannabe writers out there, we
“against-all-odds” authors shouldn’t be surprised that readers (the
above-mentioned 81%?) ask how we got started. Here’s my story.
Like many of you, I suspect
(because that's what we crime writers do—we suspect everyone), I grew up
reading mysteries I pulled off my mother's vast shelves of books. She read the
masters of British Mystery--Agatha Christie, P.D. James, Ngaio Marsh, and
others. I got hooked on radio (CBS Radio Mystery Theater) and TV
mysteries (The NBC Sunday Mystery Movie, Murder She Wrote).
As a teen reader. I fell under
Sherlock Holmes's spell, fascinated by his keen abilities of observation and
deduction to identify a murderer, his or her motive, and weapon of choice.
After college, I devoured every book written by a female American mystery
writer, such as Sara Paretsky, Sue Grafton, Lisa Scottoline, Diane Mott
Davidson, and more.
It wasn’t until my kids were
teenagers that I got the bug to write myself, after reading Harry Potter and
the Deathly Hallows to my family during a road trip (no one else could read
without getting carsick). I’d spent the last ten years working in K-12
education developing enrichment programs, so I set about to write the next
great Young Adult (YA) series, one that would educate, as well as entertain. But
as my kids’ interest in YA books waned, so did mine, along with my desire to
tell those stories. I still wanted to write. I just needed to follow my
passion—crime.
Knowing little about
fiction-writing, I took online community college classes to learn the ins and
out, the dos and don'ts needed to write like a pro. I joined Sisters in Crime
and Mystery Writers of America. I attended my first writers' conference, Killer
Nashville, in August of 2013 and sat in on three days of author panels and
break-out sessions on write-craft. I met people who would soon become my
friends and mentors. I was energized and hooked. Ready to write my first crime
novel. But what kind? What story should I tell?
At first, I thought I'd write
a traditional mystery—I loved following clues, figuring out whodunit along with
my favorite sleuth. But one day, while I was huffing and puffing on the
elliptical machine at my gym, the TV show I was watching broke to a commercial
for an identify-theft protection service—and my mind ran away with "what
if." What if a woman woke up from a coma only to find her husband with
another wife, someone who claimed to be you, using your name . . . I thought through
a string of other “what-ifs” to figure out why and how and where a story like
this could happen, then started putting words down on paper (actually, a
computer file). What surprised me as I wrote—I wasn’t writing wasn't a
traditional mystery, but more of a mix of mystery, thriller, and psychological
suspense. (Being a psychologist, I guess the latter shouldn’t have been such a
surprise, but it was.)
The rest of my story is not
much different from any other success story. It took loads of time, money, and
perseverance to hone my craft, polish my story, and meet the right people who
could help me take my story, Lest She Forget, all the way to the
bookstore. But the thing that really made it all possible was the passion I
felt in my heart in putting my story on paper and the joy I experienced finally
sharing it with the world.
As I strive to finish my next
thriller, with all the ups and downs, stops and starts that come with any
creative process, are the odds still with me? I believe so. Because it's my heart's desire to do so!
Odds are, you have your own success story to share. Authors, what made you start down this challenging path towards writing and publishing crime fiction? For everyone else, share your own the-odds-are-against-me story.








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