Showing posts with label Chessie Chapter SinC. Show all posts
Showing posts with label Chessie Chapter SinC. Show all posts

Saturday, April 18, 2026

Small Towns, The Perfect Mystery Setting - by Judy L. Murray

“It is my belief, Watson, founded upon my experience, that the lowest and vilest alleys in London do not present a more dreadful record of sin than does the smiling and beautiful countryside.” Sherlock Holmes, The Adventure of the Copper Beeches by Arthur Conan Doyle

The English may think they have the corner on dangerous villages, but we prolific American writers also create lots of small-town settings that affect our characters’ lives and charm our readers. We know small towns make for perfect incidents of murrrr-der whether we choose the Chesapeake Bay, the Midwest, or the Colorado mountains.

Cabot Cove, the beloved hometown of Jessica Fletcher of Murder She Wrote, will always be one of the most famous mystery series locations, proving that cozies belong in villages. With boats in the harbor, a country doctor, and a small-time sheriff, Jessica’s travails became a genre theme. Over the years small towns as a location evolved into private jokes among authors. After all, how many murders can any one town handle?

What makes small towns the perfect cozy setting? Being from a small town in Pennsylvania, I think of local shops, teachers who taught generations, three-person sheriff departments, and two traffic lights. The anonymity a killer might count as an advantage in a big city is far less likely in a small town. Local killers have a harder time dreaming up alibis because everyone knows each other’s business, for good and for bad. If he’s new to the community, he’ll stand out like a red Maserati parked next to an old pickup truck.

Readers enjoy a small-town sense of community. They get emotionally involved with a book’s familiar cast of characters, even the annoying ones. Parks, shops, and libraries where characters meet to discuss the latest news are endearing. It adds to the shock and concern of a murder just discovered. Who did it? Why? Is the killer one of us? Gossip and accusations fly. Townspeople are less likely to set bad news aside and continue their lives untouched. Some will circle the wagons. Some will spill the beans. Someone decides to do some sleuthing.

The bakery, the church, and the hardware store all form an even smaller microcosm within the town setting. It’s here where co-workers become family even when not related. They are dependable and close-knit. They either welcome a newcomer or regard the newcomer with suspicion.

A crime in a small village provides a different element of fear, unlike a crime in a big city of strangers. The person killed isn’t a stranger. They know the victim personally. And the killer is highly likely to be someone they know. Secrets are closely guarded and loyalties are long, even when misguided. The town buzz is fodder for useless clues and valuable insight.

Amateur sleuths in small towns tend to nosey into solving crimes and step on the law’s toes. They’re good at talking among the locals to flush out clues. The small police force with limited resources may initially discount our sleuths’ abilities but grudgingly come around to their intrusions and deductions.

Although we might joke about the frequency of small-town crimes like in Cabot Cove, as readers we’re perfectly happy to set those doubts aside. We fall in love with the odd mix of characters. We stay up at night turning pages while we sort through the drama, the danger, the clues and the missteps. We hope we can ferret out the killer before the sleuth. Much like the all-too-famous line about Vegas, what happens in small towns stays in small towns. Until the next dead body. And that’s part of the fun.

Saturday, February 21, 2026

Rocking the Baby by Judy L. Murray

I’ve been rocking this baby for far too long. The baby, my fifth book in my Chesapeake Bay Mystery Series, is making me crazy.

She is impossible to please. A stuffed rabbit, a music box, a bottle. Never right. I am a mass of indecision. As a result, far too few words are on paper. I’ve tossed out ideas, one after another, and I’m never happy with any of them. The baby has colic and I’m stuck walking the floors.

I suppose I put myself in this position. Or shall I say I put my protagonist, Helen Morrisey, in this position. With the idea of sending Helen out beyond her Chesapeake village at the end of Villain in the Vineyard, I’m now frozen in fear that my readers will miss all my secondary characters they enjoy. I can hear my fans now. “Where is Tammi? Where are Lizzi and Shawn? Where are our favorite shops?” I’m afraid I’ll disappoint them. As a result, I’m getting nowhere and my deadline is creeping closer and closer like the Chesapeake shoreline at high tide. No wonder I’m not sleeping.

The past year has caused so many personal disruptions. We’ve all experienced them. I need to return to a creative routine. Yet, I want to have time for family. I’ve put together a few bits of advice to replace my misgivings and procrastination with decisions and words. Hopefully, they will help you if you hit the same wall.

Tony Robbins, Harvard ranked motivational coach, author Awaken the Giant Within
I attended his three one-hour zoom sessions last week. Tony had 62,000 people attending from around the world. Participation never dropped from the first minute to the last. “Beliefs create and beliefs destroy. Taking action makes fear go away.”

Kate Quinn, New York Times Bestselling Author, The Alice Network, The Rose Code “Give yourself permission to be bad. Silence that little voice in your head, the one that says… this is terrible, what am I doing, I can’t let anyone see this and just finish. Your first draft will be terrible, and that’s fine. Everyone’s first drafts are, mine included, and that’s fine! Just finish that first draft and fix it later.”

Lisa Scottoline, New York Times Bestselling Author, Edgar award-winner, author of 36 novels “How do you begin writing a new book? I pray, and then I start. Horrible first drafts are the secret to great writing.

Barbara Kingsolver, Pulitzer Prize winner “I write a lot of material that I know I’ll throw away. It’s just part of the process.”

E.L. Doctorow, three time winner National Book Critics Circle Award ‘Writing a novel is like driving a car at night. You can see only as far as your headlights. You don’t have to see where you’re going, you don’t have to see your destination or everything you will pass along the way. You just have to see two or three feet ahead of you.”

Stephen Pressfield, author of the international bestseller The War of Art, ranked #3 Amazon in Creativity since 2012, Gates of Fire, The Legend of Bagger Vance “Remember our rule of thumb: The more scared we are of a work or calling, the more sure we can be that we have to do it.”

I’m tossing this baby into your hands. If you have ideas on how to blend a storyline between an original location with a new one, love to hear them. If you think Helen needs to stay in her original world, let me know. If you have suggestions about how you got back into a writing routine after disruptions, I’d love to hear them too.

All the best to my writing comrades,

Judy L. Murray
Author, The Chesapeake Bay Mystery Series
PenCraft First Place Awards
IPPY Gold and Silver Medalist
Silver Falchion Int'l Award
Agatha Award Nominee