Showing posts with label Amateur Sleuth. Show all posts
Showing posts with label Amateur Sleuth. Show all posts

Saturday, February 21, 2026

Rocking the Baby by Judy L. Murray

I’ve been rocking this baby for far too long. The baby, my fifth book in my Chesapeake Bay Mystery Series, is making me crazy.

She is impossible to please. A stuffed rabbit, a music box, a bottle. Never right. I am a mass of indecision. As a result, far too few words are on paper. I’ve tossed out ideas, one after another, and I’m never happy with any of them. The baby has colic and I’m stuck walking the floors.

I suppose I put myself in this position. Or shall I say I put my protagonist, Helen Morrisey, in this position. With the idea of sending Helen out beyond her Chesapeake village at the end of Villain in the Vineyard, I’m now frozen in fear that my readers will miss all my secondary characters they enjoy. I can hear my fans now. “Where is Tammi? Where are Lizzi and Shawn? Where are our favorite shops?” I’m afraid I’ll disappoint them. As a result, I’m getting nowhere and my deadline is creeping closer and closer like the Chesapeake shoreline at high tide. No wonder I’m not sleeping.

The past year has caused so many personal disruptions. We’ve all experienced them. I need to return to a creative routine. Yet, I want to have time for family. I’ve put together a few bits of advice to replace my misgivings and procrastination with decisions and words. Hopefully, they will help you if you hit the same wall.

Tony Robbins, Harvard ranked motivational coach, author Awaken the Giant Within
I attended his three one-hour zoom sessions last week. Tony had 62,000 people attending from around the world. Participation never dropped from the first minute to the last. “Beliefs create and beliefs destroy. Taking action makes fear go away.”

Kate Quinn, New York Times Bestselling Author, The Alice Network, The Rose Code “Give yourself permission to be bad. Silence that little voice in your head, the one that says… this is terrible, what am I doing, I can’t let anyone see this and just finish. Your first draft will be terrible, and that’s fine. Everyone’s first drafts are, mine included, and that’s fine! Just finish that first draft and fix it later.”

Lisa Scottoline, New York Times Bestselling Author, Edgar award-winner, author of 36 novels “How do you begin writing a new book? I pray, and then I start. Horrible first drafts are the secret to great writing.

Barbara Kingsolver, Pulitzer Prize winner “I write a lot of material that I know I’ll throw away. It’s just part of the process.”

E.L. Doctorow, three time winner National Book Critics Circle Award ‘Writing a novel is like driving a car at night. You can see only as far as your headlights. You don’t have to see where you’re going, you don’t have to see your destination or everything you will pass along the way. You just have to see two or three feet ahead of you.”

Stephen Pressfield, author of the international bestseller The War of Art, ranked #3 Amazon in Creativity since 2012, Gates of Fire, The Legend of Bagger Vance “Remember our rule of thumb: The more scared we are of a work or calling, the more sure we can be that we have to do it.”

I’m tossing this baby into your hands. If you have ideas on how to blend a storyline between an original location with a new one, love to hear them. If you think Helen needs to stay in her original world, let me know. If you have suggestions about how you got back into a writing routine after disruptions, I’d love to hear them too.

All the best to my writing comrades,

Judy L. Murray
Author, The Chesapeake Bay Mystery Series
PenCraft First Place Awards
IPPY Gold and Silver Medalist
Silver Falchion Int'l Award
Agatha Award Nominee

Saturday, January 18, 2025

Rethinking Your 'Back of the Book' Blurb by Judy L Murray

Ever wonder how different authors tackle writing their back of the book blurbs? I consider the book blurb a critical component to my overall marketing effort, and I like nailing down my descriptions long before I begin writing the manuscript. They serve as a neat synopsis for me. Then I tweak the blurb right down to the final edit stage.

This time I handled my blurb for my fourth in the Chesapeake Bay Mystery Series differently. I couldn’t get the words out, so I set it aside until the manuscript was complete. I also did some research on how other authors handle blurbs. It led me to a book entitled Fiction Blurbs – The Step-by Step Guide by Phoebe J. Ravencraft and Bryan Cohen.

Let me say upfront that my bookshelves hold plenty of writing guides collected over the years. I’m sure you have them too. More often than not, I’m disappointed. They frequently ramble, focus on the author, or are far too basic.

Fiction Blurbs gets five stars from me. My copy of the book is riddled with highlighted phrases and caused me to reconsider my approach. It also served as a resource for evaluating my overall storyline. I think many book blurbs, even written for/by extremely well-known authors, could use a few of these pointers.

Here are brief recaps of some of Fiction Blurbs’ lessons:
• Book blurbs have one job – to get the reader involved.
• A book description is not a summary. I’ve fallen into this trap as have many authors.
• Evoke images.
• Ramp up the story’s tension with each sentence or phrase.
• Your main character is the focus of your blurb. Don’t use names of any other character to distract. Big mistake on my part.
• The plot doesn’t matter. It only provides the protagonist’s challenge. Readers care most about characters. Show them why they should root for your main character.
• Use active, powerful verbs.
• Show, don’t tell. The Golden Rule when we’re writing our manuscripts. Do we forget this when we write book blurbs?

Below is my blurb ‘headline’ for Villian in the Vineyard scheduled for spring release and the second paragraph using much of Fiction Blurb’s advice.

Chesapeake Bay’s favorite sleuth unearths a vineyard’s poisonous secrets
Her phone rings. Her heart sinks. A local business leader and friend is dead. Last to see him alive, Helen convinces police her friend’s death is no accident. It’s murder. Days later, she discovers an eccentric vineyard owner slashed with a bottle of his prized wine. Two distinctly different backgrounds. How can these two crimes be related? Or are they?

Best of luck with your descriptions! Who else has advice or books you might suggest?

Judy L Murray
Learn more at https://www.judymurraymysteries.com