By M.E. Proctor
I moved to Houston, Texas, twenty-seven years ago. The town confused me. I was used to European cities where streets turned and wove at random, landmarks on every corner, neighborhoods with small shops and restaurants, trees and parks, rows of brick houses, an occasional glass building, and hard-to-find parking spots.
When I decided to write a crime novel, setting it in my adoptive hometown was a no-brainer. I envisioned the streets at night, the neon lights as the background for a classic detective story with a contemporary flavor. The city that overwhelmed me as a new arrival would provide the vast and varied canvas I needed.
I dropped my private investigator, Declan Shaw, on the east side of Downtown, a former industrial waste land fit for a gloomy neo-noir movie that is slowly turning civilized one eatery and art gallery at a time. Declan’s small agency operates from his office-apartment combo on top of a refurbished warehouse with a clanging antique elevator. It matches his personality, sophistication under rough brick. To balance the equation, his business partner, Moira Perkins, lives in The Heights, an old neighborhood replete with Arts & Crafts bungalows and intricate colorful Victorians. Every time, I drive through these oak-shaded streets, I fantasize about moving there. I have to settle for enjoying the area vicariously through Moira.
Other parts of Houston are featured in Love You Till Tuesday, the first book in the Declan Shaw mystery series.
The jazz club where April Easton, the murder victim, performs is Downtown. Houston has multiple venues to catch live music, from bars to arenas, from new talent to established names. April’s apartment in a gated enclave is on the west side, half an hour away from the club at night when traffic is light. Frank Murphy, the head of Houston PD’s Homicide Division, and a friend/mentor of Declan’s also lives on the west side in a quiet neighborhood of ranch houses with unfenced and well-tended front yards where gray squirrels teem. A secondary character lives in hip and quirky Montrose, and Declan kills time between interviews at the Butterfly Center in the Museum District, perfect for pondering clues. He also wanders around the Anahuac Wildlife Refuge and the San Jacinto Monument at sunset.
I didn’t intend to give readers a complete tour of H-Town, but I believe that a complex plot needs anchoring and even if the characters are fictional it helps when they move in a world that is as close as possible to the real one.
So, what is Love You Till Tuesday about?It
starts with the murder of jazz singer, April Easton. A
murder that makes no sense, and yet she appears to have been targeted. Steve
Robledo, the Houston cop in charge of the investigation, has nothing to work
with. Local PI Declan Shaw, who spent the night with April, has little to
contribute. He’d just met her and she was asleep when he left. The case seems
doomed to remain unsolved, forever open, and quickly erased from the headlines.
And it would be if Declan’s accidental connection with the murder didn’t have
unexpected consequences. The men responsible for April’s death are worried.
Declan is known to be stubborn and nosy. There is no telling what he’ll find if
he starts digging. He must be watched. He might have to be stopped. He’s a risk
the killers cannot afford. The stakes are high: a major trial with the death
penalty written all over it.
I love a strong sense of place in a novel, especially a good mystery. It takes me to places I haven't been. Then, if I ever get there, there's a thrill of recognition when I see the locations.
ReplyDeleteOh, Paddington Station! I feel like I've been here before.
Your story sounds wonderful. I hope it's a great success.
Thank you, KM. It's not exactly a Houston tour, but yes, the anchoring!
DeleteCongrats on your new series. About ten years before you arrived in Houston, I visited for the first time on a work assignment. It is there I first heard the term "sling-shotting" to describe crawling on the freeway to an exit and then zipping up the exit and down the other side to gain a few extra feet on the others who stayed on the highway.
ReplyDeleteSuch an appropriate expression "sling-shotting", isn't it! I wonder if there's one for the doofuses that cut through six lanes of freeway to catch the exit with a hair to spare! Thank you, Jim!
DeleteThank you for visiting with us. I am so looking forward to reading Love You Till Tuesday. As for anchoring the reader, yes, always!
ReplyDeleteThank you so much, Kait!
DeleteFrom Brussels to Houston - wow! We left central Illinois for Abilene, TX. An interesting four years with mesquite, scorpions, horned toads, and dust storms. Rattlesnakes, too. Thanks for stopping by Killer Characters today. Congratulations on your short stories and the new series.
ReplyDeleteIt rains a lot in Brussels, but it doesn't rain like the Houston drenching, lol! I've also learned to look where I stick my hands in the garden... no scorpions though... I was in Abilene, recently. Loved it! Thanks, Molly.
DeleteI have lived in Houston since 1981. My family moved here when I was a kid and I've never left. Your description of trying to keep track of the streets and the highways made me laugh out loud. You're completely right. I can remember the grade I was in as Beltway 8, aka the Sam Houston Tollway, was built.
ReplyDeleteI drive a lot for my job and I get to see ALL of Houston in its very weird glory.
I am so happy you set your story in Houston. That's wonderful! There are so few books set in Houston and that's a shame. I describe Houston as 'big, open, weird and wonderful'.
The paranormal mystery I'm working on is also set in Houston and one of my main characters lives in The Heights. You're right about it. Wonderful place but I will be living vicariously through him.
Do you know why it's called The Heights?
It was done as a joke way back when. The Heights is the highest point in Houston. I will be looking for your book. Is it gory? I tend more towards cozy.