8/5 Lucy Burdette, The Key Lime Crime
8/12 Maggie Toussaint, All Done With It
8/19 Julie Mulhern, Killer Queen
8/26 Debra Goldstein, Three Treats Too Many
August Guest Bloggers
8/8 Leslie Wheeler
8/15 Jean Rabe
8/22 Kait Carson
8/29 WWK Authors--What We're Reading Now
Congratulations to our two Silver Falchion Finalists Connie Berry and Debra Goldstein!
Paula Gail Benson's "Cosway's Confidence" placed second and Debra Goldstein's "Wabbit's Carat" received Honorable Mention in the Bethlehem Writers Roundtable 2020 short story contest. Congratulations, Paula and Debra!
Susan Van Kirk's Three May Keep A Secret has been republished by Harlequinn's Worldwide Mystery. The WWK interview about the book can be accessed here. We're so glad another publisher picked up this series.
KM Rockwood's "Burning Desire," and Paula Gail Benson's "Living One's Own Truth," have been published in the anthology Heartbreaks & Half-truths. Congratulations to all of the WWK writers.
Please join Margaret S. Hamilton's Kings River Life podcast of her short story "Busted at the Book Sale" here. Congratulations, Margaret!
Look Margaret S. Hamilton's short stories in the new Mid-Century Murder by Darkhouse Books. Margaret's story is titled "4BR/3.5BA Contemporary."
Grace Topping's second novel in Laura Bishop staging series, Staging Wars, was released by Henery Press on April 28th. Look for the interview here from April 29th.
Annette Dashofy's 10th Zoe Chambers mystery, Til Death, will be released on June 16th. Look for the interview here on June 17.
Sunday, July 23, 2017
Shared Fictions and Lifelong Friendships
by Julie Tollefson
In my last post a couple of weeks ago, I wrote about some of the treasures tucked away in my grandmother’s closets. In a comment, blog mate KM Rockwood talked about uncovering similar memories when she and her siblings sorted through the contents of her mother’s house. Then she said, “I have refrained from correcting stories about some items. After all, suppose I am wrong? I don't want to shatter memories. They are very subjective anyhow.”
The subjective nature of memories and how that relates to storytelling is something I think about quite a bit. I’m fascinated by how memories and stories form a kind of glue that binds relationships over years and decades.
We have a group of friends, five couples, who have a long history together. Though two of the couples have moved away, when we get together, we fall into the same rhythms and tell the same stories that have defined our collective lives since we were young, before children and jobs and assorted responsibilities chipped away at the time we spend together.
Over the years, though, the details of some of our stories—a location, an occasion, the people involved—have morphed. It’s different from the game of telephone, where a message or phrase changes as it passes whisper by whisper through a chain of people. It’s almost as if as a group we silently and unanimously agreed that a different reality is more fun, more real, more genuine than the actual events we’re recounting.
In the beginning, I listened to these retellings and thought, “That’s not how it happened.” Now, I’ve come to believe that it doesn’t make a difference that some of the details don’t match my memories because the underlying truth of the story remains and, in some cases, is stronger because of the change.
In a sense, our collective memories function for our group the same way the best fiction can in society. A well-told story exposes layers of truths or lies, teaches us about ourselves and our preconceptions/misconceptions, exposes us to experiences we wouldn’t otherwise have, and binds us culturally. All of this and yet, by definition, fiction is not “true.”
The stories we return to with our friends represent the shared experiences that have become part of the fabric we’ve woven around and through our friendships of the last 30-plus years. And if a few embellishments here and there make the fabric stronger, who’s to say that’s wrong?
Have you noticed your favorite stories changing over the years, for better or worse?