Most of the authors at Writers Who Kill write short stories as
well as novels. Last summer, WWK blogger Paula Benson interviewed short stories
writers. This summer, we want to canvas editors and publishers of anthologies
to promote short stories and to point our readers in the direction of some
great reads. Summer is the perfect time to read short stories while hopping in
and out of the pool, sitting on the beach, or to read round the campfire after
hiking all day. This week we’re focusing on the Delaware Valley Chapter’s
anthology, Death Knell V. Please welcome KB Inglee, who worked on the chapter’s
anthology. E. B. Davis
KB Inglee: This is the second Death Knell I have worked on. DK IV
was my first publication but beyond that I worked with the publisher, compiled
the edited stories, formatted them for the publisher, and arranged for the
cover. I was less involved in DK V, but I compiled the stories and formatted
the manuscript.
What prompted your chapter to create an
anthology?
As you
can see, this is our fifth volume. Only chapter members can submit stories. The
mission for the Death Knells is dual: it is a safe learning experience for
writers who have not published, and a pretty secure chance at first
publication. Enough well published writers submit to have prominent names and
well written stories. The editors do a
great job of whipping the stories into shape for publications. That said, Death
Knell V has high quality writing and can stand up beside any Sisters in Crime
anthologies.
How did you develop a theme for your
anthology?
There
was no particular theme for DK IV or DK V. DK III stories had to be set in the
Delaware Valley.
Do you develop a “local” theme to entice
readers in your area?
Some of
the authors chose a local setting, thought they were not required to do so.
How long did you give your writers to submit
stories?
Most of
the writers don't have a story in mind when we put out the call. They have to
think it all up and write it. The call went out in the spring, and the stories
were due the next winter. A writer has to be a member when the call goes out.
When one of the anthologies was announced there was a sudden rise in
membership. Once the book was out the new members vanished.
Did you adhere to the guidelines set up for
anthologies by SinC?
Yes, we
followed them strictly.
What was the response to your query for
stories among your writers?
There
are twenty stories in the anthology. I don't actually know how many were
submitted. I read some of the stories before they were submitted so I know how
hard some of the writers struggled to
make it work.
What were the criteria for selection?
All
stories that were submitted were accepted. If they were not published, it is
because the author withdrew them during the editing process. I nearly withdrew
my DK IV story because I didn't think I was capable of making the change in the
ending that the editors expected. The day before the deadline, I woke up in the
morning knowing how to fix it.
Was murder a
story requirement?
No,
only a mystery. I don't know if a murder was required in DK I. The DK V stories
do not all revolve around murder. My own story is about armed robbery, but I
had one person shot and another killed during the robbery, just
'cause I thought there should be a murder. One story is about a foiled
holdup.
All
stories submitted were accepted.
Did you hire an editor?
Editing was done by three of
the chapter members.
Was any thought given as to the order of the
stories in the anthology?
The
editors ordered the stories for the most variety. Similar stories were
separated.
How did you find a publisher, and who
published your anthology?
DK I and
II, III were printed by a local book store. It had gone out of business by the
time we were ready to do IV. Two of us chose a print on demand press. We looked
at lots of POD books and chose five houses that had good products. Of the five
we listed the house that was local first and the others in order behind that
one. I actually had a book done by the first choice to see how they were to
work with. DK IV and V were done by Infinity Publishing.
Were you given a choice of covers?
We
designed our own cover for DK III, IV, and V. They were done by family members
of chapter members.
How are you promoting your anthology and do
you have a budget to do so?
There is
no budget for promotion. Each member is pushing it in whatever way they can.
The chapter arranges for signings.
Do you think that there is a resurgence of
interest in short stories?
Personally,
I believe there is. Online publishing has opened up a whole world looking for
short stories. I don't expect to support myself by writing short stories.
Have any of your anthology’s stories been
nominated for awards?
None.
But we can hope. Three of the people involved with Death Knells have received
Agathas: Robin Hathaway for Best First, Caroline Todd for Best Historical Novel,
and Elena Santangelo for Best Non-fiction.
Are you planning other anthologies?
There
will be a Death Knell VI but it is not being planned yet.
What a wonderful opportunity for your members! Especially for those who had not yet published a work. I love short stories, and I'm very pleased to see an increasing interest in them.
ReplyDeleteThanks for the interview, KB. I've enjoyed hearing from the Chapters about their anthologies. Your chapter seems to have an abundance of writers and artists among its members who pitch in, although I know your time has been spent pulling them together. Hope it sells well!
ReplyDeleteWelcome back to WWK, KB, even though it's just a brief visit. Our chapter - Northeast Ohio Sisters in Crime is rather new, but I've mentioned putting out an anthology at one of our meetings. And as our membership grows, I'm going to push for it even more.
ReplyDeleteIt's very interesting to see how different anthologies are handled. My writing group from Austin (they graciously included me) is querying an anthology at this very moment. If it comes about--no, WHEN it's published, you'll hear us screaming about it.
ReplyDeleteThanks for asking me.
ReplyDeleteDelaware Valley has a slightly different take on the purpose of an anthology. Ours is largely a teaching tool for both editors and writers. But it's still a wonderful book.