If you are interested in blogging or want to promote your book, please contact E. B. Davis at writerswhokill@gmail.com.

September Interviews

9/2 Dianne Freeman, A Lady's Guide to Mischief and Murder

9/9 Ellen Byron, Murder in the Bayou Boneyard

9/16 Marilyn Levinson, writing as Allison Brook, Checked Out for Murder

9/23 Rhys Bowen, The Last Mrs. Summers

9/30 Sherry Harris, From Beer To Eternity

September Guest Bloggers

9/19 Judy Alter

WWK Weekend Bloggers

9/5 V. M. Burns

9/12 Jennifer J. Chow

9/26 Kait Carson


For The Love Of Lobster Tales by Shari Randall is now available to download free for a limited time. Go to Black Cat Mysteries at: https://bcmystery.com/ to get your free copy! Thanks for the freebie, Shari.

Keenan Powell recently signed with agent Amy Collins of Talcott Notch. Congratulations, Keenan!

KM Rockwood's "Secrets To The Grave" will appear in the new SinC Chesapeake Chapter's new anthology Invitation To Murder, which will be released by Wildside Press on 10/6.

Congratulations to our two Silver Falchion Finalists Connie Berry and Debra Goldstein!

Paula Gail Benson's "Cosway's Confidence" placed second and Debra Goldstein's "Wabbit's Carat" received Honorable Mention in the Bethlehem Writers Roundtable 2020 short story contest. Congratulations, Paula and Debra!

Susan Van Kirk's Three May Keep A Secret has been republished by Harlequinn's Worldwide Mystery. The WWK interview about the book can be accessed here. We're so glad another publisher picked up this series.

KM Rockwood's "Burning Desire," and Paula Gail Benson's "Living One's Own Truth," have been published in the anthology Heartbreaks & Half-truths. Congratulations to all of the WWK writers.

Please join Margaret S. Hamilton's Kings River Life podcast of her short story "Busted at the Book Sale" here. Congratulations, Margaret!


Thursday, August 18, 2011


I don’t spend much time thinking about what’s happening to my body. Sure, I know it’s succumbing to gravity and the wear and tear of lifting heavy weights during my nursing career. However, I don’t run a daily inventory on aches and creaks. As an RN, I figure I spend enough time looking for symptoms in others without having to search out my own. Although I’m not immune to the inevitable decay that overtakes us all, life is short and I have to prioritize.

At least, that’s how I thought until I had surgery. Suddenly, I became acutely aware of physical sensations, especially pain at the surgical site. If I want to recover and have better function in my leg than I had before the surgery, I have to continue to pay attention to what my body tells me. Well, all that’s okay for a while but I admit I can’t wait to throw away the crutches and embrace again my habitual choice of focusing on feelings and thoughts rather than aches and pains. Anger leads to action and words, sometimes soon regretted. Disappointment leads to a gathering of fresh information and a change in strategy.

No writer wastes experiences. From the unfamiliar world of physical sensations, perhaps I can bring back new physical responses to emotional situations. I tend to focus more on what a person does when confronted with such a situation rather than letting the reader know the physical response of disgust, fear, or paralyzing panic, etc.

After all, if I really found my neighbor dead or badly injured, I’d be more than horrified. So many TV dramas and even printed stories start with a dark and often rainy scene and a corpse with ghastly injuries. Viewers and readers become immune to what is really a terrible experience. We’ve come to realize we’re a violent and aggressive species. Are we setting ourselves up to accept a contiimagesnuing level of violence and brutality in the societies we create?

I don’t know. However, I do know, if a writer finds a novel way of describing a character’s response to death and violence, I’m hooked. I want to continue for the ride with that character. I want to enter a world where people matter and murder and torture are not just part of the scenery.

Although not my favorite feeling, I don’t regard the response of intense disgust and nausea to a cinematic or verbal scene of violence as a bad thing. Since I don’t experience the need to look away with every violent scene, I wonder if a scene creator ever intends the audience to experience extreme revulsion.

Have you read an unusual description of a fictional character’s response to violence and mayhem?


Warren Bull said...

I remember reading (sorry I have forgotten the book title ) a step by step description of a character's changing physiology while he bled to death from a gun shot wound. It was new information for me and I was both fascinated and horrified at the same time.

E. B. Davis said...

Wow, great graphic, Pauline--it epitomizes your point by its starkness.

"Death Be Not Proud," the book written by the father of a dying little boy describing his death, for me was the most terrifying and sad book I've ever read. But it was real, and I think that is the point, the difference between documentary and fiction.

Most cosies don't emphasize the death because the focus isn't on it as much as the sleuthing, which is entertaining.

When writing a novel, I think the writer has to be very certain of his motivation and audience. We aren't being insensitive or slighting the violence--we bypass it so as not to make light of those realities. Some writers may include graphics, but those aren't the books I read.

Violence and death aren't entertaining--finding out whodunnit is entertaining.

Pauline Alldred said...

I wonder if the book went into the character's changing sense of his body, Warren. I think there's a point where a person realizes, this is it.

Good point, Elaine, the difference between real and fiction. Sometimes I think people have a problem with that.

Kara Cerise said...

That's an interesting question, Pauline, and I don't remember having read an unusual description of a character's response to violence.

In extreme cases a victim might block it out or view it from a distance as if it was happening to someone else but I haven't read books where a character had that reaction.