If you are interested in blogging or want to promote your book, please contact E. B. Davis at writerswhokill@gmail.com.

February Interviews

2/5 Heather Weidner, Glitter, Glam, and Contraband
2/12 Rhys Bowen, Above The Bay of Angels
2/19 Elizabeth Penney, Hems & Homicide
2/26 Annette Dashofy, Under The Radar

Saturday Guest Bloggers:
2/1 Valerie Burns
2/8 Jeannette de Beauvoir
2/15 Kathryn Lane

WWK Bloggers: 2/22 Kait Carson, 1/28 & 1/29 Special Interviews with Agatha Nominees by Paula Gail Benson


WWK is proud of our four Agatha nominees. Kaye George for Best Short Story--not her first time to be nominated, Connie Berry and Grace Topping for Best First Mystery Novel (wish they weren't having to compete against each other), and Annette Dashofy for Best Contemporary Novel--her fifth nomination!

Congratulations to our writers for the following publications:

Look for Kaye George and Margaret S. Hamilton's short stories in the new Mid-Century Murder by Darkhouse Books. Kaye's story is "Life and Death on the Road" and Margaret's story is titled "4BR/3.5BA Contemporary."

Kaye George's first novel in the Vintage Sweets mystery series, Revenge is Sweet, will be released on March 10th. Look for the interview here on March 11.

Grace Topping's second novel in Laura Bishop staging series, Staging Wars, will be released by Henery Press on April 28th. Look for the interview here on April 29th.

Don't miss Shari Randall's "The Queen of Christmas" available on at Amazon. Shari's holiday story for WWK was too long so she published it for our enjoyment. It's available for 99 cents or on Kindle Unlimited for free!

KM Rockwood's "The Society" and "To Die A Free Man; the Story of Joseph Bowers" are included in the BOULD Awards Anthology, which was released on November 19. KM won second place with a cash prize for "The Society." Congratulations, KM! Kaye George's "Meeting on the Funicular" is also in this anthology, which can be bought for 99 cents on Kindle until November 30.

Paula Gail Benson's story "Wisest, Swiftest, Kindest" appears in Love in the Lowcountry an anthology by the Lowcountry Romance Writers available 11/5 in e-book and print format on Amazon. The anthology includes fourteen stories all based in Charleston, South Carolina.

Kaye George's "Grist for the Mill" was published in A Murder of Crows anthology, edited by Sandra Murphy on October 9th.

Shari Randall will be writing again for St. Martin's, perhaps under a pseudonym. We look forward to reading Shari's Ice Cream Shop Mystery series debuting next year. Congratulations, Shari!

Susan Van Kirk's A Death At Tippett Pond was released on June 15th. Read E. B. Davis's interview with Susan.

Warren Bull's Abraham Lincoln: Seldom Told Stories was released. It is available at: GoRead: https://www.goread.com/book/abraham-lincoln-seldom-told-stories or at Amazon: https://tinyurl.com/ydaklx8p


Thursday, August 18, 2011


I don’t spend much time thinking about what’s happening to my body. Sure, I know it’s succumbing to gravity and the wear and tear of lifting heavy weights during my nursing career. However, I don’t run a daily inventory on aches and creaks. As an RN, I figure I spend enough time looking for symptoms in others without having to search out my own. Although I’m not immune to the inevitable decay that overtakes us all, life is short and I have to prioritize.

At least, that’s how I thought until I had surgery. Suddenly, I became acutely aware of physical sensations, especially pain at the surgical site. If I want to recover and have better function in my leg than I had before the surgery, I have to continue to pay attention to what my body tells me. Well, all that’s okay for a while but I admit I can’t wait to throw away the crutches and embrace again my habitual choice of focusing on feelings and thoughts rather than aches and pains. Anger leads to action and words, sometimes soon regretted. Disappointment leads to a gathering of fresh information and a change in strategy.

No writer wastes experiences. From the unfamiliar world of physical sensations, perhaps I can bring back new physical responses to emotional situations. I tend to focus more on what a person does when confronted with such a situation rather than letting the reader know the physical response of disgust, fear, or paralyzing panic, etc.

After all, if I really found my neighbor dead or badly injured, I’d be more than horrified. So many TV dramas and even printed stories start with a dark and often rainy scene and a corpse with ghastly injuries. Viewers and readers become immune to what is really a terrible experience. We’ve come to realize we’re a violent and aggressive species. Are we setting ourselves up to accept a contiimagesnuing level of violence and brutality in the societies we create?

I don’t know. However, I do know, if a writer finds a novel way of describing a character’s response to death and violence, I’m hooked. I want to continue for the ride with that character. I want to enter a world where people matter and murder and torture are not just part of the scenery.

Although not my favorite feeling, I don’t regard the response of intense disgust and nausea to a cinematic or verbal scene of violence as a bad thing. Since I don’t experience the need to look away with every violent scene, I wonder if a scene creator ever intends the audience to experience extreme revulsion.

Have you read an unusual description of a fictional character’s response to violence and mayhem?


Warren Bull said...

I remember reading (sorry I have forgotten the book title ) a step by step description of a character's changing physiology while he bled to death from a gun shot wound. It was new information for me and I was both fascinated and horrified at the same time.

E. B. Davis said...

Wow, great graphic, Pauline--it epitomizes your point by its starkness.

"Death Be Not Proud," the book written by the father of a dying little boy describing his death, for me was the most terrifying and sad book I've ever read. But it was real, and I think that is the point, the difference between documentary and fiction.

Most cosies don't emphasize the death because the focus isn't on it as much as the sleuthing, which is entertaining.

When writing a novel, I think the writer has to be very certain of his motivation and audience. We aren't being insensitive or slighting the violence--we bypass it so as not to make light of those realities. Some writers may include graphics, but those aren't the books I read.

Violence and death aren't entertaining--finding out whodunnit is entertaining.

Pauline Alldred said...

I wonder if the book went into the character's changing sense of his body, Warren. I think there's a point where a person realizes, this is it.

Good point, Elaine, the difference between real and fiction. Sometimes I think people have a problem with that.

Kara Cerise said...

That's an interesting question, Pauline, and I don't remember having read an unusual description of a character's response to violence.

In extreme cases a victim might block it out or view it from a distance as if it was happening to someone else but I haven't read books where a character had that reaction.