If you are interested in blogging or want to promote your book, please contact E. B. Davis at writerswhokill@gmail.com

Our May author interviews: Marla Cooper-5/3, Rhys Bowen-5/10, Cindy Brown-5/17, Martha Reed-5/24, Sherry Harris--5/31.

Saturday Guest Bloggers in May--Paty Jager-5/6 and Maren Anderson-5/13. WWK Saturday bloggers write on 5/20--Margaret S. Hamilton and on 5/27--Kait Carson. E. B. Davis blogs this month on 5/30.


“May 16, 2017 – The Women’s Fiction Writers Association (WFWA) today announced the finalists of the second annual Star Award, given to authors of published women’s fiction. Six finalists were chosen in two categories, General and Outstanding Debut. The winners of the Star Award will be announced at the WFWA Retreat in Albuquerque, New Mexico on September 23, 2017.”

In the general category, WWK’s Carla Damron was one of three finalist for her novel, The Stone Necklace. Go to Carladamron.com for more information. Congratulations, Carla!

Congratulations to our writers for the following publications:

Warren Bull's new Lincoln mystery, Abraham Lincoln In Court & Campaign has been released. Look for the Kindle version on February 3.

Shari Randall's "Pets" will be included in Chesapeake Crimes: Fur, Feathers, and Felonies anthology, which will be published in 2018. In the same anthology "Rasputin," KM Rockwood's short story, will also be published. Her short story "Goldie" will be published in the Busted anthology, which will be released by Level Best Books on April 25th.

In addition, our prolific KM will have the following shorts published as well: "Sight Unseen" in Fish Out of Water, Guppie (SinC) anthology, just released, and "Making Tracks" in Passport to Murder, Bouchercon anthology, October 2017.

Margaret S. Hamilton's short story, "Once a Kappa" was published as a finalist in the Southern Writer's Magazine annual short story contest issue. Mysterical-E published her "Double Crust Corpse" in the Fall 2016 issue. "Baby Killer" will appear in the 2017 solar eclipse anthology Day of the Dark to be published this summer prior to the eclipse in August.

Linda Rodriquez has two pending book publications. Plotting the Character-Driven Novel will be released by Scapegoat Press on November 29th. Every Family Doubt, the fourth Skeet Bannion mystery, is scheduled for release on October, 18, 2017. Look for the interview by E. B. Davis here on that date!

James M. Jackson's 4th book in the Seamus McCree series, Doubtful Relations, is now available. His novella "Low Tide at Tybee" appears February 7 as part of Lowcountry Crimes: Four Novellas, which is available for order.

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Saturday, January 28, 2012

Construction Work

Writing a novel can be overwhelming, especially if you've studied creative writing or learned anything about doing it well. There's so much to keep in mind--plot points, narrative arcs, character development, setting and atmosphere, dialogue, action, sensory details, emotional truth, motivation, suspense, surprises, secrets, transitions, ad infinitum. All of these factors and so many more go into making up a satisfying novel. How do we keep them all in our head and get them all down on the page?

As a reader, it just seems magical when a novelist brings all these elements and more into play to create a good novel. When important ones are missing, the reader may not know why the book isn't satisfactory, but she knows it just doesn't make the grade.

My own solution has been to work in layers, much like building a house. Once I've developed strong characters and a dramatic situation to involve them (laying the foundation), I write straight through a scene or several scenes, getting down what the characters do and say. This is the basic storytelling structure like the skeletal wooden framework of the house-to-be that rises from the foundations.

Next, I go back through and let the reader see and in other ways sense the surroundings of the scene as experienced by the viewpoint character--and I include emotions at this stage. After that, transition work take place. Each scene must be made to follow smoothly and inveitably from the one before it. Of course, by this time I may have moved the scene around to different places in the story timeline to create more suspense or generate surprise, to further a narrative arc or optimize a plot point.


Then comes the line editing. Can I say this more clearly? Or make this more truly felt? Or give this more emotional power of statement? Or compress this paragraph or scene to add tension and vigor or energy?

This is, of course, a simplified description of this whole process. It often goes in fits and starts on sections at a time instead of the entire manuscript. Frequently, while in one later process, I realize that I made an error or omission in an earlier process, and I have to tear down that section and rebuild. But in the end, I should have a snug brick cottage or grand pillared plantation house or fashionable urban apartment complex.

After that, the problem is how to sell it? How to convince the person in search of living space that mine is the perfect one for him? And that's another whole job!

How do you see the process of writing a novel? What areas do you find most often skimped? Which areas make you toss the book at the wall if missing or ill-written? And if you're a writer, which layer gives you the most trouble, the most joy?

2 comments:

Gloria Alden said...

I love the imagery of constucting a house and comparing it to the creative and hard work of writing a novel. So true, and of course, as in building a house, if there's not the painstaking attention to detail, you'll have a shoddy house or a shoddy novel.

Linda Rodriguez said...

Absolutely, Gloria. Both kinds of work are creative and labor-intensive. And shortcuts tend to turn into disasters eventually. But it's all worth it if you do it right. there's no greater feeling than the satisfaction of a book well-written--or, I suppose, a house well-built. (I'm just guessing on that last one since I've never built a house.)