If you are interested in blogging or want to promote your book, please contact E. B. Davis at firstname.lastname@example.org.
Our reason for creating WWK originated as an outlet for our love of reading and writing mystery fiction. We hope you love it, too, and will enjoy our holiday gifts to our readers with original short stories to celebrate the season. Starting on 11/16 stories by Warren Bull, Margaret S. Hamilton, Paula Gail Benson, Linda Rodriguez, KM Rockwood, Gloria Alden, and E. B. Davis will appear every Thursday into the New Year.
Our November Author Interviews: 11/8--Ellen Byron, and 11/15--Sujata Massey. Please join us in welcoming these authors to WWK.
November Saturday Bloggers: 11/4 Margaret S. Hamilton and 11/11 Cheryl Hollon.
Congratulations to our writers for the following publications:
Shari Randall's "Pets" will be included in Chesapeake Crimes: Fur, Feathers, and Felonies anthology, which will be published in 2018. In the same anthology "Rasputin," KM Rockwood's short story, will also be published. Her short story "Goldie" will be published in the Busted anthology, which will be released by Level Best Books on April 25th.
In addition, our prolific KM will have the following shorts published as well: "Making Tracks" in Passport to Murder, Bouchercon anthology, October 2017 and "Turkey Underfoot," just published, will appear in the anthology The Killer Wore Cranberry: a Fifth Course of Chaos.
James M. Jackson's 4th book in the Seamus McCree series, Doubtful Relations, is now available. His novella "Low Tide at Tybee" appears February 7 as part of Lowcountry Crimes: Four Novellas, which is available for order.--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Wednesday, September 21, 2011
Let’s start at the beginning with your first Agatha Award winning novel, The Heat of the Moon. When I read the novel, it seemed written as a one-off book, tying up all the loose ends. When you wrote the book, did you envision it as the start of the Rachael Goddard series?
No, I didn’t see it as the first in a series. When Poisoned Pen Press bought the book, however, I was happy to develop a series around Rachel. I love her and enjoy her company.
The Heat of the Moon was very much a psychological thriller, a different genre than the rest of the series. The second book of the series, Disturbing the Dead, transitions between psychological thriller to murder mystery, utilizing your main character Rachael as the deductive sleuth. Was Disturbing the Dead difficult to write?
I brought in Deputy Sheriff Tom Bridger to handle the police work, while Rachel works around the edges of the case, driven by her attachment to Holly Turner, the teenage niece of the murdered woman. I wrote several versions of Disturbing the Dead before I got it the way I wanted it, and yes, it was difficult. I make the work hard for myself by dreaming up convoluted plots with lots of characters, crisscrossing relationships, and secrets galore. That’s what I enjoy reading, so it’s natural that I would write that kind of book, but it’s never easy.
Was changing the setting pivotal in this transition?
Yes. I couldn’t keep Rachel in quiet, civilized little McLean, VA, and have her getting involved in a lot of murder investigations. Besides, I wanted to write about a variety of characters in a landscape that presents its own challenges. I saw many more opportunities for conflict in Rachel’s new home.
Rachael had a successful and domineering mother. She becomes personally and professionally involved with an overprotective man. Do you think people tend to make the same mistakes?
I think most strong, self-confident men are hardwired to be overprotective of the people they love. Rachel is attracted to strong, self-confident men, so she has to take the negative qualities along with the good. Luke in The Heat of the Moon might seem her perfect match, but as it turned out, Deputy Sheriff Tom Bridger is better suited. He’s overprotective at times, but then she doesn’t always object. If somebody’s trying to kill you, why would you object to a police officer looking out for you? He’s learning to respect her ability to take care of herself, though. He doesn’t treat her like a child, by any means.
People are reluctant to acknowledge their weaknesses. But Rachael is quite aware of hers and that characteristic is her strength. Do you value honesty above other virtues?
That depends on the situation. People often hide behind honesty when their real intention is to wound or destroy someone else’s confidence or happiness. We should be honest with ourselves about our motives and weaknesses. It’s not always wise to be totally honest with other people.
Among the many veterinarians, Rachael’s profession, there are a number of doctors for humans in your books. You know about the professions in the various medical communities. Do you have doctors in your family? Was this field your journalistic expertise? Or does it fascinate you?
No, the only personal experience I have with doctors is as a patient. I made Rachel a veterinarian because I wanted to include animals without turning the books into cozies, and also because her job gives readers a connection with her caring nature. Medical doctors crop up in stories because they’re useful characters. Doctors are in a uniquely powerful position. They can have enormous influence over other people’s lives. They can save and they can destroy. You couldn’t ask for a more versatile set of potential characters.
With each book, I get to know and like Rachael better. How do you write books for new readers without boring the old readers with backstory they already know?
I try to keep backstory to a minimum. Each book has to stand on its own, but new readers do need enough context to give the characters’ relationships some depth. In other words, I just do the best I can, and if my editor doesn’t object to what I’ve written, I figure I got it right.
Readers can forget secondary characters from book to book. Are there methods you use to spark the reader’s memory?
I have to remind myself to describe continuing characters when they first appear in each book. I know what they look like, but I have to make sure the reader does too. With Tom Bridger and Holly Turner, who are Melungeon — mixed race — it’s important that readers be able to “see” them clearly. With most characters, their personalities and relationships to one another will come out in the course of the story, so I don’t spend a lot of time filling in gaps.
Give us the hook for Under the Dog Star, please.
Veterinarian Rachel Goddard can’t stand by while animals suffer — and she feels equally driven to act if she believes a child is mistreated. In Under the Dog Star, she makes deadly enemies when she scrambles to save feral dogs wrongly accused of killing a prominent doctor, helps Deputy Sheriff Tom Bridger track down an illegal dogfighting operation, and at the same time becomes entangled in the sad lives of the murdered doctor’s adopted children. This fast-paced suspense novel, praised by Kirkus Reviews for “spine-chilling tension from cover to cover,” is also a story about the meaning of family, the power of compassion, and the duty we have to the animals that share our lives.
What route did you take to become published? Did you obtain an agent, who sold the series to Poisoned Pen Press? Have you been satisfied with Poisoned Pen Press? Do they help promote books?
I wrote a number of books and had several agents over the years, with no luck in finding a publisher. My agent at the time submitted The Heat of the Moon to 20 New York editors. When it didn’t sell, I put it aside and moved on to other things. Eventually, my friend Judy Clemens, who had sold a book to Poisoned Pen Press, read The Heat of the Moon, loved it, and urged me to submit it. I did, with little expectation of success. After they’d had it for 16 months, and I’d almost forgotten about it, PPP offered a contract. By then I had a new agent, and she handled the contract for me.
Yes, PPP promotes its books in several ways. I’m sure they do as good a job as any larger publisher does. Unless you’re a bestselling author, you’ll be responsible for most of the promotion yourself, regardless of which press you’re with.
Do you think placing books in libraries ultimately gains readership and sales?
I’ve heard from many readers who discovered my books in libraries. The library market is huge, and those sales are vital to the success of all publishers and authors, so recent cutbacks in library budgets could have a serious economic impact on the publishing industry. Selling books to libraries is every bit as important as selling copies to individual readers.
I think that promotion is a daunting task and few writers have the personality to do it comfortably. Does promotion bother you, and do you have a public persona that you utilize for promotion?
I have to push myself to be a little more forward than I am naturally, but aside from that I try to be myself. I’m not an actress. I’ve become much more comfortable with speaking before groups, and I enjoy being on panels at conferences. It’s always fun to meet readers and I love talking to people who have read my books. What I don’t like is the amount of time that promotion can eat up. I need long stretches of uninterrupted time for writing, and when it’s chopped into bits by promotional activities, I have difficulty getting anything written.
Do you serve in discussion panels at conferences, if so, which conferences?
I attend Malice Domestic and Bouchercon. I’ve been to Deadly Ink, and I’ve appeared at book festivals. This fall I’ll be at the Virginia Literary Festival in Richmond.
Would you consider becoming president of SinC in the future?
No. A thousand times no! As a member of the national board for the past two years, I’ve seen exactly how time-consuming the president’s job is, and I’m happy to leave it to capable women like Cathy Pickens and Frankie Bailey. I do think serving on the board is a valuable experience for anyone who wants to be active in the organization, and I’d like to see more members rotated through board positions more frequently.
How do organizations like SinC help women crime writers?
On a personal level, the organization provides support and comradeship in what can be a lonely profession. SinC and its Guppies Chapter have helped a lot of writers get published. SinC’s original purpose was to work toward equality for women writers – equality in the number of books published, the number of reviews received, the size of advances. Publishing is changing so radically now that I’m not sure how SinC’s historical identity will be affected. The organization is focusing increasingly on education, to give our writer members the tools and knowledge they need to compete in an altered marketplace.
Rachel grew up knowing she wasn’t loved or valued, and that’s had a profound effect on her. She still has moments when she doubts that she’s worthy of love. She’s also carrying around a gigantic secret about her own identity, so she has a constant sense of being an imposter. She’s resilient, though, and naturally warm and caring. I think she’ll be all right.
Please ask your local libraries to purchase Sandy’s series. I have only one problem with her writing—I wish she wrote faster!
Find out more about Sandra Parshall and her series at: http://sandraparshall.com/index.html
Her books can be purchased at: Barnes and Noble and Amazon.