When Absurdity Becomes Reality by Maren Bradley Anderson

In 2008, I was trying to write my first novel. I wanted to write something funny and absurd, so I based my book on Aristophanes’s sex-strike play, The Lysistrata. When I was done, I thought I had written an off-the-wall novel about sex and politics, but to my surprise, the crazy presidential race I imagined in 2008 seemed, well, not so crazy in 2016.

The literary theorist in me makes the distinction between an absurdist story (like Rosencrantz and Guildenstern Are Dead) and absurd humor (like Monty Python’s Flying Circus). My novel Closing the Store is not a bleak story where characters try to cope with existential crises by endlessly flipping coins. Rather, it is a novel in which women try to attain world peace with a strip tease.

While I was writing the book, though, I wasn’t interested in whether it would be more Kafka-esque or Python-ian. I was simply having fun. Writing something with an absurd premise allowed me to use the tropes, stereotypes, and memes that made me happy. Since I was writing for my own enjoyment, I actually finished the book. But I never thought anyone would read it.

Fast forward eight years. In the winter of 2016, I was amazed by how weird the presidential election was becoming, so I offered my silly political novel to my publisher who published it.  As the campaign progressed, actual presidential candidates began behaving more and more like my absurd characters. Naturally, none of us knew that the election would turn out the way it did, but now my absurd book feels damn near prescient.

This brings me to the other supposedly absurd part of my book: whole sex strike thing. Aristophanes was pretty plain that, while the tactic worked in his play, he didn’t think a sex strike could actually be pulled off. His other plays contained truly absurd elements like talking frogs and ladders to the clouds.

However, in my lifetime there have been many sex and women’s strikes that worked. Notably, in 1975, 90% of women in Iceland went on strike (that is, they did no work, including housework or caring for children) to protest inequality. In 2003, women in Liberia held a sex strike (that is, rebellious celibacy) that helped rid the country of Charles Taylor. In 2016, Polish there was a women’s strike to protest a proposed total abortion ban. And the day after President Trump’s inauguration, 4 million women around the world marched to protest his election. I guess we don’t know if that last one has “worked” yet.

It blows my mind that both the political and the sex-strike parts of Closing the Store have gone from truly absurd to nearing normality in the span of eight years. It makes me wonder what Aristophanes might think. Perhaps he’d say that we are in for a spate of talking frogs.

Bio:

Maren Bradley Anderson is a writer, teacher and alpaca rancher in Oregon.  She teaches English at Western Oregon University and novel writing to new authors. She fills her days caring for alpacas, playing with her kids, and reading books that make her laugh. She has written two plays for the Apple Box Children’s Theater, and her poetry has appeared in The Timberline Review. Her novels Fuzzy Logic and Closing the Store are available online and through your local bookstore—just ask them to order them for you.

Facebook (https://www.facebook.com/MarenBradleyAnderson), Twitter (@marenster) or her website http://www.marens.com. Find Closing the Store on Amazon.

Three Lessons for Being A Productive Writer by Maren Bradley Anderson

My writing career began with the birth of my daughter in 2007, which changed everything. For one, I suddenly had no time to myself. In a thunderclap, I realized that my time on earth is not infinite, and if I wanted to be a writer, I had better get to it.

I began looking for a way to force myself to write, and I found NaNoWriMo (nanowrimo.org). The lessons I learned from NaNoWriMo have transformed me into a person with a life and a productive writing schedule. These lessons may help you, too, even if you don’t try NanoWriMo.

NaNoWriMo is a writing celebration that takes place each November. Hundreds of thousands of people (325,000 in 2014) gather online to try to write 50,000 words of the first draft of a novel in thirty days. That’s 1,667 words a day if you are wondering.

NaNoWriMo kick-started my writing career because it provided a deadline, and my commitment forced me to make time, a lot of time, to write. I completed the 50K in 30 days challenge that year and four other times since.

“Cannot” vs. “Am Not”

Now for the life-changing part: once I completed a novel manuscript in a month, I realized that any time I am not writing a book, the reason isn’t because I cannot write a book, it is because I am not.

The most difficult part of writing for me and many other writers is not putting words onto the page. Our trouble is that the world thinks that writing magically happens and writers can write at any time. Therefore, the world thinks that it isn’t interrupting, and it is good at convincing writers (myself included) that we aren’t doing anything important.

The world is not correct. Writing has to be a priority, or I never write. This is what NaNoWriMo taught me, and how it changed my life.

Lesson One: Shitty First Drafts and Writing Forward

The first lesson I took away is the concept Anne Lamott talked about in Bird by Bird. I used to be the writer who created and edited at the same time, and it took me forever to write anything. However, when I am writing 50K in 30 days, I just don’t have time to edit.  Understanding a shitty first draft is okay is an important concept.

Here’s what helps: mark edits you know you have to fix, but write as if the edits have already been done. Your draft will be “shitty,” but then you will edit the whole document later. This habit will up your daily word count.

For example, I sat down at the computer one morning and BAM, my character Bailey was a girl. She was a man the day before. I sighed deeply, wrote “[BAILEY IS A GIRL]” in the margin and wrote the rest of the book as if she had always been female. I went back and changed the earlier parts of the story after I finished the draft. If I had changed the earlier parts of the first draft the day Bailey first flipped genders, I would have broken my creative stride.

Lesson Two: Write First

But how do you deal with people when they start asking for things when you need to write? In order to have a life and write a book, you have to learn when to write and how to say “no.”

When to write? The answer is to write first. For some people, this means getting up at 5 AM and writing before the world starts making demands. This does not work for me because I am a zombie before 8 AM. However, when I do sit down to write, I write first, before email, before lesson plans, before grading papers. Even though my goal is 60 minutes of writing a day, if I can get 15 minutes of writing in first, I feel like I have made progress that day.

Lesson Three: Say “No”

The last lesson is that if you want to be a productive, professional writer, you need to treat writing as a priority. Like, you know, a job. In order to do that, you have to schedule a regular writing time and treat that time as an appointment that cannot be broken.

This might mean that you say “no” a lot. It means you might pay for a little extra daycare. It means that you need to write during your writing time and not surf the web or play Wordiest. And you may still have to remind yourself that the world can spare you for one hour out of twenty-four. If you are like me, you need this time to stay sane.

Treating my writing life as a priority has not lost me friends. My family still loves me even though sometimes our dinner comes from a frozen pouch. No one knows I answer emails after I write 1,000 words. I have a life, a job, and I am a productive writer. But it took NaNoWrimo and a shift in my attitude to achieve this.

To be a productive writer, you have to act like a professional writer.

Bio:  Maren Anderson is a writer, teacher, and alpaca rancher who lives in rural Oregon. Her novel Fuzzy Logic was published in 2015, and her poetry has appeared in The Timberline Review.  She teaches college English and novel writing to new writers. If you want to know more about Anderson’s writing, classes, or alpacas, contact her via Facebook, on Twitter (@marenster), or at http://www.marens.com.

Fuzzy Logic Blurb:

She thinks moving to a ranch will lead to the simple life she craves, but the countryside has other ideas…

After divorcing her unfaithful husband, Meg Taylor buys an alpaca ranch to finally do something on her own. She meets not one, but two, handsome—and baffling—men. She thinks choosing between the shy veterinarian and her charming securities co-worker is her biggest problem, until life and death on the ranch make her re-evaluate more than her love life. At least her new life is nothing like her old one.