Showing posts with label Alexia Gordon. Show all posts
Showing posts with label Alexia Gordon. Show all posts

Monday, July 18, 2022

Too Close to Home to Write About


Too Close to Home to Write About by Debra H. Goldstein

This is not a political rant. Nor is it a commentary on the Second Amendment, guns, or what shade of blue, if any, the sky is. I don’t care what you think about any of these things or what candidate you follow. I’m merely looking, from an author’s viewpoint, at the question of when a situation is too close to home to write about.

 

As many of you know, there was a recent shooting at St. Stephens Church in Vestavia, Alabama. Vestavia is a bedroom community which, like Mountain Brook, a block away, and many other communities that surround the defined borders of the city of Birmingham, gets mail whether you address it to Vestavia or Birmingham. The church is located in the last place you’d expect violence.

 

There are homes behind it and across the street is a neighborhood Publix. Catty-corner to it is a strip center with a wonderful bakery. The bakery is around the corner from its secondary building, which is used for youth activities and four days a week is rented to another faith’s organization that runs a non-sectarian respite program for individuals with dementia or Parkinson’s. The area is affluent, predominantly white, and peaceful.

 

St. Stephens and the neighborhood made national news because three elderly people attending a pot-luck supper were randomly shot. A fourth octogenarian subdued the seventy-year-old shooter by using a chair, tackling him, and holding him down until the police arrived.

 

I have many friends who pray at St. Stephens. The church’s now-retired rector has spoken at many events I have attended. My husband and I know many of the volunteers and participants involved with the respite program. In other words, I know St. Stephens and the wonderful people associated with it. It would be easy to steal the situation and create characters for a story or novel from knowing the church and its members, but it is too close to home for me to write about.

 

Many years ago, author Elaine Viets was on a panel talking about her then new first book in what is now the Angela Richman mystery series. She explained that Angela Richman was a death investigator returning to work after suffering and recovering from brain surgery necessitated by a series of major strokes after a doctor misdiagnosed her. Like Angela, Elaine, too, was a stroke survivor who was misdiagnosed. Although the story of what had happened to her was waiting to be told, it took Elaine eleven years to write some of the facts from her illness into one of her books. Until then, it was too close to home to write about.

 

Dr. Alexia Gordon was also on the panel. She turned to Elaine and laughingly noted that she had been writing for six or seven years but hadn’t been able to incorporate medicine into her writing. She was glad to know she only had to wait a few more years to be comfortable writing about medicine.

 

Hearing the two of them made me feel better. As a lawyer and judge, I hadn’t been able to bring myself to write books or stories featuring my personal knowledge. Now, I understood – it was too soon to write about something so close to me.

 

For the past few weeks, my thoughts and prayers have gone out to those who belong to St. Stephens and those who cannot understand how such a tragedy happened in our community. It is a similar reaction that many had to the AME church shooting in Charleston, the supermarket massacre in Buffalo, or the school slaughters in Columbine, Sandy Hook, Parkland, and Uvalde. As an author, my mind churns these horrors over, but for now, these stories are too close to home to write about.

 

As an author or a reader are there incidents you can think of in your lives that are too close to home to write or read about?

Wednesday, November 4, 2020

An Interview With Alexia Gordon

 by Grace Topping

 

Since I didn’t start writing fiction until I retired, I’m always amazed at what writers with demanding jobs can accomplish. Author Alexia Gordon, physician by day, award-winning author by night, is one of them. Alexia joins me today at Writers Who Kill to talk about her latest Gethsemane Brown mystery, Execution in E, how she manages to work as a physician while churning out award-winning mysteries, and host podcasts.

 

 

Execution in E

Gethsemane Brown Mystery Book 5

Back Cover Copy

 

Romance is in the air. Or on the ’Gram, anyway.


When an influencer-turned-bridezilla shows up at the lighthouse to capture Insta-perfect wedding photos designed to entice sponsors to fund her lavish wedding, Gethsemane has her hands full trying to keep Eamon from blasting the entire wedding party over the edge of the cliff.

Wedding bells become funeral bells when members of the bride’s entourage start turning up dead. Frankie’s girlfriend, Verna, is pegged as maid-of-honor on the suspect list when the Garda discover the not-so-dearly departed groom was her ex and Gethsemane catches her standing over a body.

Gethsemane uncovers devilish dealings as she fights to clear Verna, for Frankie’s sake. Will she find the killer in time to save Frankie from another heartbreak? Or will the photos in her social media feed be post-mortem?    
                                                                                    www.amazon.com


 

 

Welcome, Alexia, to Writers Who Kill. 


As a physician, it would be understandable if you had a character in the medical field, but instead, you made Gethsemane Brown a musician. Why a musician?

 


I love music and wish I had a talent for it. When I created Gethsemane there weren’t many classical musician sleuths around and I thought having her be a professional musician would set her apart. Writing about a musician also gave me a chance to vicariously experience the musical life. 

It is said that setting is frequently another character in a novel. You selected Ireland for your setting. Why Ireland?

 

Gethsemane is a fish out of water. I needed a setting where my main character seemed out of place but ghosts didn’t. Ireland fit that need. Ireland is a beautiful, mysterious place full of kind people. 

 

Is being an American living in Ireland an advantage or disadvantage to Gethsemane Brown when she becomes involved in murder investigations?


 

Being an American living in Ireland takes away Gethsemane’s home-court advantage. Having to figure out rules and customs she’s not used to adds another layer to having to outwit a killer. 

 

What is the most challenging thing you face having a setting in another country?

 

My biggest challenge is having to learn about an unfamiliar place as I write.

 

Did you travel to Ireland to do research?

 

My non-existent research budget means my research is of the virtual variety. I Googled instead of traveling.

 

Your main character, Gethsemane Brown, shares a cottage with Eamon, a resident ghost. Do you believe in ghosts, or have you had any ghostly experiences?

 

I never had any paranormal experiences. I grew up on horror stories and ghost stories of the fictional variety. I read Stephen King alongside Agatha Christie and Carolyn Keene. I know reputable, rational people who have reported paranormal experiences. I have no reason to doubt them—I’m related to some of them—so I can’t definitively say paranormal phenomena don’t exist.

 

In addition to writing an intriguing mystery, you also wrote some lovely text—lines that were very visual and had me underlining them. For example, “Her name in neat block letters marched across the page.” To me, having text I want to underline or note is one of my measures of a good book. What are your measures?

 


To me, a good book is one I want to read more than once. An excellent book is one that I don’t want to finish reading because I don’t want it to end. 

 

With your first mystery, Murder in G Minor, winning the Lefty Award in 2016, nominated for an Agatha Award, and chosen as one of Suspense Magazine’s Best Debuts of 2016, did you feel more pressure when writing subsequent books in your series?

 

I didn’t feel pressure because of the accolades. I felt pressure because book 2 was an official assignment with a deadline and an editor waiting to get it. Book 1, I wrote for me and was pleasantly surprised that other people liked it. Book 2, I wrote because it was my job as an author to write books and people were counting on me to do my job. There was a lot of “what have I gotten myself into” with book 2. I didn’t want to disappoint anyone.

 

I understand that you periodically travel for your job. What does broad travel bring to your writing?

 

I keep my day job and my writing compartmentalized so they don’t overlap much. When I travel for my day job, that’s my focus. I do find that airport lounges and hotel lobbies and bars are good places to accidentally-on-purpose overhear conversations and witness scenes that may inspire future fiction. I scribble lots of notes, some of which I post on Facebook, which is like a virtual travel journal. I also enjoy writing on airplanes. Something about having a limited time, with a set beginning and set end, to write helps me get words on paper. As a bonus, since I’m the seatmate who doesn’t want to chat during the flight, I find writing discourages the person next to me from being overly talkative.


 

You have been instrumental in promoting other writers through your Cozy Corner Podcasts. What made you start the podcasts? 

 

Pam Stack, the producer of the Authors on the Air Global Radio Network, invited me to host the podcast after the previous host left. I’ve been a long-time podcast fan, mostly true crime. I thought the opportunity to shine more light on a genre of crime fiction that doesn’t get the attention that thrillers and noir get was a worthwhile objective.

 

With your job as a physician, writing mysteries, doing promotion, and recording the podcasts, how do you find time for it all?

 

I make the time. I have to decide what my priorities are and what I’m willing to give up to make them happen. You sacrifice for what’s important. Writing and podcasting while holding down a day job (both to pay my bills and because I enjoy it) mean other hobbies and interests go by the wayside.

 

We have been seeing a pattern of cozy writers starting to write much darker mysteries. Have you felt the urge to write in a different genre or subgroup of mysteries? How about a second traditional/cozy mystery series?

 


My current WIP is a medical mystery. It’s not cozy, it’s more of a traditional mystery. I don’t deliberately set out to write dark or light or in a particular subgenre. I set out to write the best story I can and then sort out what bookshelf it belongs on after it’s written. 

 

What’s next for Gethsemane Brown?

 

The publisher doesn’t plan to publish any more Gethsemane Brown mysteries, so I’m moving on to my next project. 

 

Thank you, Alexia.

 

Find out more about Alexia Gordon, her books, and links to her social media sites at https://alexiagordon.net

 

 

Tuesday, April 18, 2017

An Interview with the 2016 Agatha Nominees for Best First Novel



Malice Domestic’s 2016 Agatha Nominations for Best First Novel:
Terror in Taffeta by Marla Cooper (Minotaur)
Murder in G Major by Alexia Gordon (Henery Press)
The Semester of Our Discontent by Cynthia Kuhn (Henery Press)
Decanting a Murder by Nadine Nettmann (Midnight Ink)
Design for Dying by Renee Patrick (Forge Books)

Marla Cooper, Alexia Gordon, Cynthia Kuhn, Nadine Nettmann, and Renee Patrick (the pseudonym of married authors Rosemarie and Vince Keenan) are enjoying having their debut novels celebrated this year at Malice Domestic. We are so pleased to welcome them to WRITERS WHO KILL to tell us about their work. Thanks so much to Marla, Alexia, Cynthia, Nadine, and Rosemarie and Vince, and best wishes!—Paula Gail Benson

For many debut novelists, their first published novel may not be the first one they have written. What was your path to your debut published novel?

Marla Cooper, author of Terror in Taffeta (Minotaur Books)
I recently ran across a notebook that contained about 100 pages of my first attempt at a novel about an ill-fated road trip. I think I knew deep down that the world did not in any way need this book to exist, so I abandoned it. (I can’t wait to pour myself a glass of wine one night and see what 24-year-old me thought would be entertaining.) I actually didn’t try my hand at fiction again until I sat down to write TERROR IN TAFFETA. In between the two I wrote — well, a little bit of everything. But the novel was the first thing that I ever wrote that was 100% me. No creative brief, no template, no editorial guidelines, no client. It was just for fun — and I loved every minute of it!

Alexia Gordon, author of Murder in G Major (Henery Press)
Murder in G Major is, actually, the first novel I finished. I recently moved from TX to IL and, while packing, uncovered crates--crates--of previous attempts at novels, ranging from not-quite-finished to barely started to just a couple of ideas jotted on a scrap of paper. I also discovered countless notebooks and photocopied handouts from equally countless writer’s workshops and classes I’ve taken over the years. The program that worked for me was SMU’s The Writer’s Path. Thanks to awesome instructors and supportive classmates, I stuck with the program long enough to finish what I’d started.

Cynthia Kuhn, author of The Semester of Our Discontent (Henery Press)
Like Marla, I was 24 when I attempted my first novel, a romance that opened with four friends meeting for a lunch, during which it was announced that there would be a wedding the same day. Yet the more I typed (this was before everyone had computers), the longer the lunch went on. Eventually I had 50 pages of women lunching and no surprise wedding in sight. One day, the typewriter ribbon ran out, and I felt that it was a sign from the universe—a metaphor for the novel somehow. I immediately stopped working on that book, applied to grad school, and didn’t try again until years later (after publishing poems, short stories, essays, and scholarly studies.)
  
Nadine Nettmann, author of Decanting a Murder (Midnight Ink)
Decanting a Murder was my fifth book so there are four practice novels that will stay in the drawer, though one might emerge eventually. I could say that the fifth time was the charm, but there are a few more numbers to my journey as not only did it take me five books, it also took ten years, and 421 queries. And a few bottles of wine …

Renee Patrick (Rosemarie and Vince Keenan), author of Design for Dying (Forge)
For Rosemarie, it was a minor career as a poet, albeit one that coincided with repeated triumphs in the field of institutional emails. (Her July 12, 2011 composition “RE: Re: Truck Exhaust to Blame for Emergency Building Evacuation” is quoted to this day.) As for Vince, he composed a series of award-winning phone sex ads and several unproduced screenplays by his lonesome. It took their combined brainpower and several pitchers of cocktails to come up with an idea that worked.

----------- (bios)
Marla Cooper is the author of Terror in Taffeta, an Agatha and Lefty nominee for Best First Mystery and book one in the Kelsey McKenna Destination Wedding Mysteries. Her second book, Dying on the Vine, is set in the California wine country and comes out April 4. As a freelance writer, Marla has written all sorts of things, from advertising copy to travel guidebooks to the occasional haiku, and it was while ghostwriting a guide to destination weddings that she found inspiration for her series. Originally hailing from Texas, Marla lives in Oakland, California, with her husband and her polydactyl tuxedo cat. Learn more at www.marla-cooper.com.

Alexia Gordon has been a writer since childhood. She continued writing through college but put literary endeavors on hold to finish medical school and Family Medicine residency training. Medical career established, she returned to writing fiction. She completed SMU's Writer’s Path program in Dallas, Texas. Henery Press published her first novel, Murder in G Major, book one of the Gethsemane Brown mysteries, in September 2016. Book two, Death in D Minor, premiers July 2017. A member of Sisters in Crime, Mystery Writers of America, International Thriller Writers, and the Writers’ League of Texas, she listens to classical music, drinks whiskey, and blogs at
www.missdemeanors.com. AlexiaGordon.net

Cynthia Kuhn writes the Lila Maclean Academic Mystery series, which includes The Semester of Our Discontent and The Art of Vanishing. She is professor of English at MSU Denver and serves as president of Sisters in Crime-Colorado. For more information, please visit cynthiakuhn.net.

Nadine Nettmann, a Certified Sommelier through the Court of Master Sommeliers, is always on the lookout for great wines and the stories behind them. She has visited wine regions around the world, from France to Chile to South Africa, but chose Napa Valley as the setting for her debut novel, Decanting a Murder. The next book in the Sommelier Mystery Series, Uncorking a Lie, releases in May 2017. Chapters are paired with wine recommendations. NadineNettmann.com

Renee Patrick is the pseudonym of married authors Rosemarie and Vince Keenan. Rosemarie is a research administrator and a poet. Vince is a screenwriter and a journalist. Both native New Yorkers, they currently live in Seattle, Washington.