Malice Domestic - Where Everybody Knows Your Name by Teresa Inge

Last month, I had the pleasure of attending Malice Domestic, an annual convention that celebrates traditional mysteries, with a focus on Agatha Christie-style storytelling. Since its inception in 1989, this event has brought fans and authors together for a fun and friendly experience. Currently held each April in Bethesda, Maryland, it offers a mix of author panels, book signings, and engaging mystery-themed activities.

My own journey with Malice began twenty years ago, accompanied by my husband, daughter, and mother. Although I was initially nervous—surrounded by so many accomplished writers and knowing no one—I was warmly welcomed by Malice volunteers, members of Sisters in Crime (SinC) an organization dedicated to supporting female crime writers, as well as other authors and fans. I then realized I had found a place where I truly belonged which reminded me of the Cheers show theme song. Fast forward to last month, and Malice Domestic still exudes the same heartwarming “family reunion” vibe, complete with cheerful hugs, laughter, and enthusiasm shared with old friends and new ones. Over the years, this convention has had a profound impact on my writing career. It has helped me forge connections with fellow writers, build lasting friendships, discover publishing opportunities, and hone my writing craft. Now, I take pride in welcoming newcomers, just as I was embraced all those years ago.This year's highlights included Malice Go Round Speed Dating, New Authors Breakfast, an annual lunch with the Short Mystery Fiction Society, a SinC, Guppies gathering featuring an "Agatha signature cocktail" and appetizers, a captivating Sherlock Holmes play, the Agatha Awards banquet, an after-party, and panels like "Nancy Drew and the Hardy Boys" and "Living in a Modern World: Women Take the Lead." There were fabulous interviews with the guest of honor Marcia Talley, lifetime achievement honoree Donna Andrews, and toastmaster Gigi Pandian as well as a book room overflowing with literary treasures, rounded out an unforgettable experience. 

From short stories, newspaper articles and corporate reporter to novel writing by Teresa Inge

I look forward to 2025 being a great writing year. Final revisions are being made to my debut novel, The Bride Arrived DOA, A Catering Hall Mystery, which will be sent to a publisher for their consideration for publishing the book.

Since I've written short crime fiction for numerous anthologies, creating my first novel has been a journey. After writing short stories for so long, I wasn't convinced I could write a book, even though I've always wanted to. I'm so accustomed to making every word serve a purpose in a short story that I started to doubt my ability to write a novel. Before writing short stories, I wrote business articles for the Virginian Pilot newspaper, which were also brief. Of course, writing shorter content is what I know best, having spent many years as a corporate reporter with a word count limit.

However, I decided to take the plunge into novel writing. Though not as daunting as I had assumed, the variations in word count, character count, and more in-depth descriptions were a learning experience. Since most of my short stories occur in the Outerbanks of North Carolina, a popular destination for weddings and beach vacations, I decided to use that as the backdrop. Because I was familiar with the location, writing was easier. The book features Cass Kennedy, the story's protagonist, who inherits a vintage motel from her brother after he passes away suspiciously. Cass soon discovers that the motel, which her brother had promoted as a top wedding location, was anything but.

Ultimately, I remained goal-oriented and set reasonable expectations during the process. This allowed me the time and research I needed to complete each chapter and finish the novel with solid checkpoints.

 

 

Pick Your Poison by Teresa Inge

While participating on the Agatha Christie panel at the Murder, Mystery, and Mayhem event this year, we discussed Christie’s fascination with using poisons to kill many of her characters. Thanks to her work as a nurse and a pharmacy dispenser during World War I, her knowledge of poisons was extensive.

In her first novel, The Mysterious Affair at Styles, strychnine is featured, and it is described as an ideal poison for a writer due to its rapid onset and dramatic effects. But the poison she used most frequently is Cyanide, appearing in And Then There Were None and The Mirror Crack’d from Side to Side. In other books, victims die from arsenic, digitalis, and morphine.

However, Christie was not the first writer to introduce poison in a mystery novel. She just used them with such incredible detail, that a reader could learn about a new poison and its effects instantly. This method made her novels quite sophisticated to readers during the Golden Age of Detective Fiction in the 1920s and 1930s, which is often referred to as the Golden Age of Poisons, largely due to Christie and her contemporaries who used toxins to dispatch characters in their novels.

The panel discussion continued with the methods of murder that mystery writers use today to bring about a character’s demise. These include stabbings, shootings, blunt objects, fire, drowning, and strangulation.

However, the use of poison still continues in culinary mysteries and other genres. Writers use plant poisons such as hemlock, lily of the valley, poisoned mushroom, Nicotine, and Oleander. Drugs and medicine include insulin, sedatives, Tylenol, and Fentanyl. All of which are fascinating to today’s mystery readers.

Since Agatha Christie was a "pick your poison" writer and most likely had fun with it, in many ways, poison became a personality in her stories which is almost a cliché today. But her novels live on due to her well-crafted plots, interesting characters, and realistic descriptions of the toxin's symptoms, which is why she is crowned "The Queen of Crime."

How do I kill Thee? Let me count the ways by Teresa Inge

While participating on the Women Solving Crimes panel at Malice Domestic this year, the moderator asked us about the different weapons we use to kill people in our novels and short stories.

Fortunately for me, the panel had received the questions in advance, which gave me time to review all the homicides I’d written and determine my methods of murder. With sixteen books, I was beginning to lose track of how I kill people!

I began my murderous review with Mutt Mysteries, a four-book series with dogwalker, Catt Ramsey, who solves crime and murder with her dogs, Cagney and Lacey. I had multiple victims and killings in these books. The weapons include a cutting board, knife, gun, pruning shears, and a dog trimmer. All of which fit right into each killer’s homicidal hands.

In Virginia is for Mysteries, a three-book series, I was on a killing spree with boards! I gave one victim a blow to the head with yet another cutting board, then used three wooden boards in various stories to kill people, smashed a killer in the face with a chalkboard, and used a glass vase to kill another.

In other books, I used different methods and weapons. These include strangulation with a lanyard lassoed around a victim’s neck, a chest stabbing with a road sign, a stab in the neck with a pink beach charm, and three shootings in three stories. I then pushed a killer over a riverboat’s balcony and shot him for good measure before lodging a corkscrew in a victim’s neck…twice. I finished the review with blunt objects to kill two victims, and a fatal allergy reaction to another.

After the review, I realized that I had never poisoned anyone. What would Agatha Christie think? That’s when I began tracking my methods of murder and vowed to use poison in my next story. Check out the attached graph to see the weapon that I used the most.