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Our September Author Interviews--9/6 Kathleen Valenti, 9/13 David Burnsworth, 9/20 Jeri Westerson, 9/27 Frances Brody. Please join us in welcoming these authors to WWK.
September Saturday Guest Bloggers: 9/2--Anne Bannon, 9/9 WWK Bloggers, 9/16 Margaret S. Hamilton, 9/23 Kait Carson, and on 9/30 Trixie Stiletto.
“May 16, 2017 – The Women’s Fiction Writers Association (WFWA) today announced the finalists of the second annual Star Award, given to authors of published women’s fiction. Six finalists were chosen in two categories, General and Outstanding Debut. The winners of the Star Award will be announced at the WFWA Retreat in Albuquerque, New Mexico on September 23, 2017.” In the general category, WWK’s Carla Damron was one of three finalist for her novel, The Stone Necklace. Go to Carladamron.com for more information. Congratulations, Carla!
Congratulations to our writers for the following publications:
Warren Bull's new Lincoln mystery, Abraham Lincoln In Court & Campaign has been released. Look for the Kindle version on February 3.
Shari Randall's "Pets" will be included in Chesapeake Crimes: Fur, Feathers, and Felonies anthology, which will be published in 2018. In the same anthology "Rasputin," KM Rockwood's short story, will also be published. Her short story "Goldie" will be published in the Busted anthology, which will be released by Level Best Books on April 25th.
In addition, our prolific KM will have the following shorts published as well: "Sight Unseen" in Fish Out of Water, Guppie (SinC) anthology, just released, and "Making Tracks" in Passport to Murder, Bouchercon anthology, October 2017.
Margaret S. Hamilton's short story, "Once a Kappa" was published as a finalist in the Southern Writer's Magazine annual short story contest issue. Mysterical-E published her "Double Crust Corpse" in the Fall 2016 issue. "Baby Killer" will appear in the 2017 solar eclipse anthology Day of the Dark to be published this summer prior to the eclipse in August.
Thursday, June 10, 2010
Characters in Danger of Extinction
I suspect fictional characters that have been boldly drawn by their creators are sometimes called larger than life. Stephanie Plum and the two men in her life come to mind. Is her sex life more exciting or raunchier than in real life? Well, I’m not giving any names, but I don’t think so.
When I read books written by live authors, the characters seem not so much larger than life as part of life, characters whose emotions and thoughts parallel mine. They cope with situations that are removed from the ordinary. After all, not many of us stumble on dead bodies in our back yards or at the office. I want to see these characters succeed in solving a crime. I expect them to persist and not sit around whining about what a shock they’ve received. From that point of view, I can understand a little the popularity of action/adventure. The male hero keeps going until the job’s done. In grad school, while I was obtaining an MA in literature, I had to read many books in which the male character spent pages fine-tuning his psyche and wondering whether society was worth joining.
I was never aware that I was afraid of dogs until I read Stephen King’s Cujo. I’ve stopped petting every strange dog that comes close. I was working the night shift when remote starters for cars became popular. It was dark and I was hurrying to my car in the parking lot when I heard an engine start up. Right away, I was checking for Stephen King’s Christine, the bad car that killed people. Who can forget Carrie, the teenage misfit, who finally got her revenge, so much more satisfying than a teenager who keeps brooding in private? I guess many readers enjoy being frightened but only if the nightmare is resolved by the end of the story.
Some fictional characters are hard to forget. I remember the character’s name better than the author’s. Scarlet O’Hara comes it mind. She was selfish and thoughtless but I always liked her better than the simpering creatures that fit so well into the polite society of the time. I never thought I could like a cannibal until I met Dr. Hannibal Lecter. He’s more interesting than Clarice Sterling and the killer, Buffalo Bill. Hannibal is so sensitive to the emotions and motives of others at the same time as he bites and eats people.
I’m not sure why Miss Marple and Sherlock Holmes have remained popular. They’re both smart and they’re on the side of justice. I guess we want those on the side of good to be brighter than those championing evil. Miss Marple appears more human then Holmes and she goes against stereotype .
Tennessee Williams creates characters that don’t succeed and situations that trap them. In A Streetcar Named Desire, Stanley destroys Blanche Dubois but Stanley’s victory is hollow and our feelings about Blanche are ambiguous. In A Cat on a Hot Tin Roof, Maggie the cat, Brick, her husband, and Big Daddy won’t find fulfillment. They live in a world of lies. The emotions and struggles of the characters make them memorable but, I’m guessing, the world in which they live seems a little remote.
I’ve heard authors describe their characters as their alter egos or as someone who can live a life they can’t because of family and/or professional commitments. Writers talk to their characters and dream about them. They invent histories and personal profiles for them. They are the imaginary friends of childhood with adult motives and desires. Some characters capture the popular emotion and some don’t. I think I’d have to be able to live outside my time to be able to decide why a character captures the popular imagination today, will be more relevant one hundred years from now, or will never rise up out of the printed page.