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Our September Author Interviews--9/6 Kathleen Valenti, 9/13 David Burnsworth, 9/20 Jeri Westerson, 9/27 Frances Brody. Please join us in welcoming these authors to WWK.
September Saturday Guest Bloggers: 9/2--Anne Bannon, 9/9 WWK Bloggers, 9/16 Margaret S. Hamilton, 9/23 Kait Carson, and on 9/30 Trixie Stiletto.
“May 16, 2017 – The Women’s Fiction Writers Association (WFWA) today announced the finalists of the second annual Star Award, given to authors of published women’s fiction. Six finalists were chosen in two categories, General and Outstanding Debut. The winners of the Star Award will be announced at the WFWA Retreat in Albuquerque, New Mexico on September 23, 2017.” In the general category, WWK’s Carla Damron was one of three finalist for her novel, The Stone Necklace. Go to Carladamron.com for more information. Congratulations, Carla!
Congratulations to our writers for the following publications:
Warren Bull's new Lincoln mystery, Abraham Lincoln In Court & Campaign has been released. Look for the Kindle version on February 3.
Shari Randall's "Pets" will be included in Chesapeake Crimes: Fur, Feathers, and Felonies anthology, which will be published in 2018. In the same anthology "Rasputin," KM Rockwood's short story, will also be published. Her short story "Goldie" will be published in the Busted anthology, which will be released by Level Best Books on April 25th.
In addition, our prolific KM will have the following shorts published as well: "Sight Unseen" in Fish Out of Water, Guppie (SinC) anthology, just released, and "Making Tracks" in Passport to Murder, Bouchercon anthology, October 2017.
Margaret S. Hamilton's short story, "Once a Kappa" was published as a finalist in the Southern Writer's Magazine annual short story contest issue. Mysterical-E published her "Double Crust Corpse" in the Fall 2016 issue. "Baby Killer" will appear in the 2017 solar eclipse anthology Day of the Dark to be published this summer prior to the eclipse in August.
Tuesday, June 8, 2010
Supply, Demand and the Short Story
Duotrope lists 107 short story markets that at least sometimes pay pro rates. Five of those (Alfred Hitchcock Mystery Magazine, Boy’s Life, Cicada, Cricket and Ellery Queen Mystery Magazine) accept Mystery/Crime stories. Science Fiction has 31 markets listed. General wins with 68, and a good story that happens to have a mystery involved could score in many of those markets.
Q: Why aren’t there more, and why haven’t rates increased at the same pace as inflation?
A: Supply and Demand.
1. To pay authors money, the print or online magazine must make money, which means people must be willing to pay to read, or advertisers must pay the freight. The internet has done a wonderful job of convincing people that much information in life should be available for free. Why pay for Encyclopedia Britannica when you can have Wikipedia for free? The quality may not be the same, but if all you need is a general answer, Wikipedia works.
To receive your free content, maybe you have to put up with a few advertisements and give up a bit of privacy as providers keep track of your clicks around the web. Surely there is no reason to pay for anything out-of-pocket.
Newspapers took the route of providing free content on the web; many magazines are following this business model. Some, however, like the Wall Street Journal are trying to reclaim paying customers. We’ll see how that goes. My sense is they are trying to close the barn door after the horse has escaped to the meadow of clover.
2. The number of authors willing to give their short stories to anyone willing to publish them is astronomical. Some write short stories for pleasure and are delighted if anyone reads them. Others believe that adding writing credits to their résumé will enhance finding an agent for their novel, from which they hope to make the “big” bucks. As far as I can tell, the overall trend of authors willing to sell their work for much less than minimum wage shows no signs of abating.
3. If Alfred Hitchcock Mystery Magazine and their peers already get more quality submissions than they can accept, why should they increase what they pay authors? No reason I can see. Only if the supply decreased below the level they need to sustain the quality of their magazine would they need to increase their payments.
So the demand from readers for quality short stories for which they are willing to pay money is low. The supply of short stories, even really good ones, is high. Classic economics says the price paid for short stories should stay low.
Will e-Readers change either supply or demand? They won’t diminish supply, and we are already at such a large surfeit that people are giving their work away, so I don’t expect any major changes from the supply side of the equation.
For now, unless you are or become famous (and it’s unlikely short stories alone are going to provide that fame) make sure you have well-grounded reasons for writing short stories. For most of us, money won’t make it worthwhile.