My agent would like me to write a memoir. Lately, I’ve been
considering it—how I would go about it, what I would start with, which
narrative elements I would emphasize, what theme(s) I would use to guide me
into and out of the story. It can be exciting to think about the materials of
my life from outside as the materials from which to build a narrative.
Soon, however, I have a fascinating character approach me
seductively or an unusual situation or background catches my interest, and I’m
adding notes to the long, long list of the stories and novels I want to write.
As I read it over, I realize I’m unlikely to ever live long enough to write all
of these, and I find my interest in the memoir withering.
Fiction wins out again. Because it is a superb thrill to
successfully bring to life a character who’s never existed before. Because I
want to explore certain backgrounds and themes. Because I love to inhabit a
world that lives only in my imagination until I magically make it real on the
page. Because life is short and the stories I want to tell are neverending.
I understand that good memoirs are in great demand right
now. I understand that, if I wrote a memoir, it would receive more serious
critical attention than a mystery or fantasy or historical novel or any mashup
of those three genres would. I understand that I can probably command more
money for a memoir, sell more of them, and make more money in royalties. These
are all good reasons for writing one.
Still, the ideas for people and places and situations well
up, and I add them to that lengthy list. I realize that, if I want to try to
write even the majority of these ideas for books, I’d better begin now and work
like a stevedore. So I set aside the memoir and look at my list and see two
ideas/characters/situations that could be combined, and enthusiasm and
excitement sweep over me.
What is this lure of fiction? Do you also find yourself
seduced by your own desire to create people and a world for them to live in?


