Showing posts with label WWK Blogger. Show all posts
Showing posts with label WWK Blogger. Show all posts

Monday, November 7, 2022

COZY DOESN’T MEAN WEAK by V. M. Burns

Cozy mysteries may not feature a tough as nails, hard-nosed, pistol wielding, foul-mouthed detective, but that doesn’t mean that they can’t still pack a punch or be impactful. If you stroll down the aisles of your favorite bookstores, you won’t have any difficulty separating the darker noir, true crime, or gritty police procedurals from the cozy mysteries. The titles and the covers are a dead giveaway. But just because cozy mystery titles are full of puns or the covers are overflowing with cuddly kittens, adorable puppies, or trays of delectable baked goods, that doesn’t mean that the books are light-weights that shy away from tough issues.

There are some dos and don’ts for cozy mysteries that contribute to the misconception that cozy equates to cream puff. Cozy mysteries almost always feature an amateur sleuth rather than a hardcore alcoholic cop like Jesse Stone or a shoot first and ask questions later, Dirty Harry. I have an active imagination and even I can’t imagine Miss Marple or Jessica Fletcher pointing a gun and shouting, “Go ahead. Make my day.” Cozy mysteries don’t have gratuitous sex (well, any sex), no graphic violence, and no swearing. Plus, it’s not uncommon that in addition to a murder that must be solved, cozies will often include a knitting pattern, a tip for decluttering your home, or a recipe for chocolate chip cookies. Nevertheless, cozy mysteries can still address important issues…in their own way. I’m a big fan of Victoria Thompson’s Gaslight Mystery Series, about a widowed midwife, Sarah Brandt. Over the course of the twenty plus books in the series, Thompson sheds light on issues of class, race, sexual orientation, and police corruption at the turn of the century in New York City. Thompson doesn’t beat audiences over the head, nor does she forget that the ultimate point is the mystery. However, she does manage to enlighten while she entertains.

In my Mystery Bookshop series, my protagonist, Samantha Washington is writing a British historic cozy mystery that is set between WWI and WWII. This was an incredibly turbulent time in our history, and I’ve managed to weave in things like the kindertransport, which was an organized rescue effort that brought over 10,000 children from Nazi occupied territories to the United Kingdom prior to the outbreak of World War II. Also, despite the cute puppies on the covers of my Dog Club Mystery series, I’ve attempted to include some weightier topics. In, Sit, Stay, Slay! the soon-to-be-released fifth book in the series, I shed light on the practice of dog racing and the plight of these (thankfully) now retired greyhounds.

Mystery/Crime fiction is a segment of genre fiction which is often looked down upon as “escapist,” and not taken seriously by literary fiction enthusiast. Within the mystery genre, cozies are even further down the ladder. Nevertheless, cozies are able to broach subjects in a way that is subtle yet relatable. I’m not deluding myself to believe that cozies will have the same law changing power as books like Uncle Tom’s Cabin, but they definitely have the potential to make an impact. If honey can attract more flies than vinegar, then who knows what a great chocolate chip cookie recipe is capable of accomplishing.

Sit, Stay, Slay!

When her best friend Dixie is suspected of killing a dog show judge, Lilly must bring one sick puppy to heel . . .
 
Tennessee transplant Lilly Echosby has two great loves: dogs and mysteries. So naturally she's named her poodles Aggie, after Agatha Christie, and Rex, for Rex Stout. Now that she has two dogs to manage, it makes sense to enter Aggie in an obedience competition—especially since her instructor is Lilly's gal pal, Scarlet "Dixie" Jefferson.
 
But when one of the judges for the competition turns out to be Dixie's high school rival, the dog trainer gets hot under the collar. When the woman is found strangled, Dixie becomes the number one suspect. With the help of the other dog club members, Lilly must find the real killer—before the next judge Dixie tangles with throws the book at her . . .

Buy Link---- Amazon, Apple, Google Play, Kobo, Nook

 

About the author

V.M. (Valerie) Burns was born and raised in South Bend, Indiana. She received a Bachelor's degree from Northwestern University, a Master's degree from the University of Notre Dame and a Master of Fine Arts degree from Seton Hill University. She is a member of Mystery Writers of America, Dog Writers Association of America, Thriller Writers International and a lifetime member of Sisters in Crime. In addition to the RJ Franklin Mystery series, V.M. Burns is also the Agatha Award nominated author of The Plot is Murder, the first book in the Mystery Bookshop Mystery series; and the RJ Franklin Mystery series.

She currently resides East Tennessee with her two poodles. Readers can keep up with new releases by following her on social media.

Bookbub: https://www.bookbub.com/authors/v-m-burns

Facebook: https://www.facebook.com/vmburnsbooks/

Twitter: https://twitter.com/vmburns

Website: vmburns.com

Tuesday, March 29, 2022

What We’re Reading Now by WWK Bloggers

Martha Reed

The Marsh King’s Daughter by Karen Dionne

I missed reading The Marsh King’s Daughter by Karen Dionne when it was released in 2017. Word of mouth and a movie deal starring Daisy Ridley kept this psychological thriller on my TBR radar. During a trip to Tombolo Books in St. Petersburg, FL, the paperback caught my eye, so I quickly added it to my checkout double armful. I’m glad I did because I can’t put this book down. Written in first person, it tells the tale of Helena Pelletier, a woman living in Michigan’s Upper Peninsula who is hiding a dreadful secret. Karen Dionne skillfully immerses the reader into the story and Helena’s narrative voice rings clear and true. I’m halfway through reading this now and I’m holding my breath hoping it holds up because the storytelling is simply that good.

 

Annette Dashofy

Run, Rose, Run by Dolly Parton and James Patterson

I’m currently reading—technically, I’m listening to on audio—Run, Rose, Run by Dolly Parton and James Patterson. Dolly also narrates part of it, which is sheer joy. The story follows young, ambitious, and broke (in more ways than one) AnnieLee Keys, who is determined to take her guitar and her voice to Nashville and make it big, no matter what. When retired country legend Ruthanna Ryder tells her to go home, get out of Nashville before it destroys her, immediately after telling the young woman what an incredible talent she is, does AnnieLee listen? Of course not. I can’t wait to see where this “A Star Is Born meets The Country Music Awards” tale takes me.

 

Grace Topping

Hollywood Homicide and Hollywood Ending by Kellye Garrett

Given the depressing news, I needed something to lift my spirits. I'd heard good things about Kellye Garrett's award-winning Detective by Day series and was curious as to what all the hype had been about. Kellye's first book, Hollywood Homicide, had garnered an Agatha, Lefty, Anthony, and IPPY, and been nominated for a Macavity and Barry. Definitely impressive, but would it lift me out of the morose I'd found myself in? I downloaded the audiobook version of Hollywood Homicide, and found it so entertaining that I immediately downloaded the second book in the series, Hollywood Ending. I loved them, a term I don't use all that often to describe a book. 

 

Agents and editors often talk about an author's voice. Kellye's voice is not only distinctive, it is also hilarious. She weaves an intriguing plot, populates her story with winning characters, and left me laughing with her witty dialogue and imaginative analogies and similes. With the audiobook, you get Kellye's terrific story and brilliant narration by Bahni Turpin, a winning combination. Definitely add Hollywood Homicide and Hollywood Ending to your to be read pile or listen to list. They will definitely lift your spirits. Now I'm off to order Kellye's latest book, Like a Sister. 

 

Molly MacRae

Like a Sister by Kellye Garrett

I’m five chapters into Like a Sister, Kellye Garrett’s new book about a woman’s refusal to believe the official story of how her estranged half-sister died. The book is described in blurbs as “smart,” “whip-smart,” “twisty,” “twisting,” “tight,” “surprising,” “suspenseful,” “utterly convincing,” “wholly captivating,” a “domestic suspense for the Instagram gen.,” and “a marvel.” And that’s only a smattering of the praise on the back cover.

After five chapters (59 pages), do I believe the hype? Yes. The writing, the voice, the pace—they’re clear and driving. I’ve caught glimpses of the twists ahead and tightened my seatbelt. Sparks of humor lighten the mood, especially in Garrett’s similes—as an example: “I can remember the single stall bathroom. All stark and silver, like the latest model Terminator had morphed into a sink.” The chapter endings, rather than cliffhangers, are quick jabs to my sternum. My eyes go wide, my brain says “yow!” and my hand turns the page. Good book.

 

Margaret S. Hamilton

Shakespeare’s Landlord, by Charlaine Harris

Jane Cleland recommended Harris’s Lily Bard mystery series to me. Lily is a survivor of a brutal sexual assault who settles in the small Arkansas town of Shakespeare. She lives alone, studies martial arts, and supports herself as a domestic cleaner.

Lily’s past creates her present self. In Shakespeare’s Landlord, after witnessing a body dump, Lily investigates the landlord’s suspicious death. She soon focuses on her cleaning clients in the landlord’s small apartment building.

Harris’s book is a “skinny mystery” of two hundred pages, in which she deftly inserts memorable small-town Arkansas characters and local politics. It’s a cozy, though the main character is laden with psychological trauma. First published in 1996, the series shares many attributes with Kathy Hogan Trocheck’s Callahan Garrity house cleaner series, set in Atlanta and published during the same time period.

Saturday, May 22, 2021

Do You Believe It By Kait Carson

Fiction writers in general and mystery writers in particular ask their readers to suspend disbelief and enter into the story world of their characters. Why mystery writers in particular? Well, unless you’re writing true crime, chances are those body drops are unlikely to happen in the real world. Craig Johnson, who writes the Longmire series, has confessed that he sets every other book away from fictional Absaroka County because, ‘what are the odds that in the least populated county in the least populated state’, the sheriff is tripping over enough bodies to populate a long-running series?[1]

 

Cozy and traditional mystery writers face the same dilemma. At least Longmire is a sheriff. His job is to trip over bodies. But what about your average pastry chef, restauranteur, or librarian? There’s not much chance realistically they will cross paths with the deceased on a regular basis, much less successfully pursue the killer without the help of the police. What’s a writer to do? Make a pact with the reader, of course. If the reader will suspend disbelief long enough to buy into the premise, the writer will deliver a fun and suspenseful story within the parameters of an altered reality. Everyone benefits.

 

This is a double-edged sword when the writer is successfully writing a long-term series. Authors solve it differently. Readers expect body drops in mysteries and kindly overlook the death toll in small towns. Although it’s uncertain if they would consider moving to say, Cabot Cove, ME, where newcomers have a better than even chance of ending up dead. Amateur sleuths give readers an opportunity to exercise their own powers of observation, deduction, and induction. What should be unbelievable, in the hands of a skilled writer who deftly plants clues, becomes logical and believable as the reader and the sleuth partner throughout the book.

 

Character lifespan is the second, sharp side of a long-running successful series. People age. Protagonist’s age. Sue Grafton handled this by having her character, Kinsey Millhone age by weeks rather than years. Over the course of 25 books, Kinsey aged very little. This required the author to dial back technology, but it worked because it was true to the story. Tie something in your character’s life to a date certain event, and, if you are lucky enough to find success, you may have created a problem.

 

P.D. James aged Adam Dalgleish realistically. He advanced in his profession and in his external wealth trappings on pace with the span of years the books cover. Other novelists, whom I will not name here were not so prescient. One introduced a character with memories that began in WWII during the blitz. Based on the storyline, he would be 85 now. A bit long in the tooth for his job. Likewise, another character is identified by service in Viet Nam. Those of us old enough to have been around during that war recognize by the battle dates that the character would be 77 in story years. What are the odds this character is continuing to believably put himself in the path of speeding bullets?

What’s the solution? Frankly, I hope I have the problem someday. As I currently don’t, perhaps I can hazard two suggestions as a reader. First and always, write well enough that readers want to participate in the story and suspend disbelief. Second, hedge your bets. Be nebulous. Don’t tie characters to a specific, easily datable, timeline. That way they can grow in story time and not require any suspension of disbelief.

 

Readers, do you mentally age characters based on events in the books?

Writers, how do you handle character aging?



[1] Conversation with Craig Johnson in Depth of Winter – statement paraphrased for brevity.

Saturday, September 26, 2020

The Story of My Life by Kait Carson

Have you ever written a book? When my first novel was released my heart was warmed by those who came to author events and praised it. These people were largely strangers. All had nice things to say about the story and the characters and several made valid critical suggestions that I appreciated.

The praise from my friends was a bit different. These were people who know me well. They cheered me though the writing and the editing. Some served as beta readers, but following release, more than one had this advice. “Loved the book, but if you really want to write a great one, let me tell you about my life.”

The comment took me a bit to puzzle out. Were they saying the story was okay, but could be better? Did it lack suspense? Was there something unsatisfying that could have been remedied? I simply didn’t know. I opted to smile and nod encouragingly while suggesting that perhaps they were best suited to tell their own story.

As I wrote more novels, I found myself confronted with similar comments. After a while, I realized the comment isn’t about the book. It’s a comment about us as individuals. We are all author of the story of our lives. It’s a saga that begins the day we are born and continues until the end. There is conflict, joy, resolution, red herrings, regrets, and pain. Each of us perceives our story to be the most interesting. It’s ours after all. It’s the tale that shapes us and those closest to us.

We’ve all heard the quotation “write what you know.” Some attribute it to Twain, others to Faulkner. The author isn’t important, the spirit of the quote is. It’s this spirit that ignites the belief that ours is the best story. We tend to view every story through a personal prism. Far from criticism, the remark is praise. Someone saw themselves in your book and wants to trust you with their experience.

Unfortunately, write what you know, in fiction, does not mean tell your own story. If it did, most books would be pretty dull. Instead, it means to write what you don’t know and make it part of your experience. I’ve never murdered anyone. The story that I tell is informed by my quest to explore the motives of the murderer. What drives someone to murder? With few exceptions, I don’t have an answer to that question. I write to find out, and to explore how to restore equilibrium to society after the offence.

Does this mean that a life well-lived would fail to make good copy? Not at all. While there is no debate that some people live their life on a grand scale, and others on the world stage, it’s the everyday person who makes history. In fact, it’s the everyday person who finds themselves in an extraordinary situation who serves as the protagonist for most novels. Most of us can relate to one heart-stopping moment where what we do is greater than who we are. That’s the moment we all want to share. The one that would make the best-selling book.

Have you found yourself in a situation that would make a best seller? Are you sharing it with your favorite author or writing about it yourself?

Saturday, September 5, 2020

WRITING WHAT YOU KNOW by V. M. Burns


When I first started writing, I must have bought every book I could find on writing mysteries (at least it felt that way). My bookshelves are full of books with titles like How to Write A Good Mystery, How to Write a Damn Good Mystery, How to Write Killer Fiction, and on and on. Regardless of the author, each book shared a common piece of advice, Write What You Know. Great advice, and easy to do if you’re a cop, a lawyer, or a serial killer. However, if you’re none of those, then what’s an aspiring mystery writer to do?
That’s the question I asked myself. My answer, write what you know. Confused? Let me explain. Mysteries are more than simply relaying facts about weapons, forensic evidence, and police procedures. Mysteries are fiction. In all forms of crime fiction except true crime, the author weaves a fictional story with fictional characters who commit crimes. The story is where the author can write what they know. Dick Francis was a former steeplechase jockey, so he crafted a series of mysteries which centered around horse racing. Ian Fleming, creator of the James Bond spy novels, was a naval intelligence officer. John Grisham was a lawyer who is known for legal thrillers. All of these authors drew on what they knew to craft crime fiction, without actually committing murder (at least I hope not).
When I was looking for an idea for a cozy mystery series, I decided to write what I know. My Dog Club Mystery Series draws on my experience owning and competing with my dogs. Many years ago, I belonged to a dog club in Buchanan, Michigan, Echo Dog Club, Inc. At that time, I had two toy poodles, Coco and Cash (aka Snickers and Oreo in my Mystery Bookshop series). I trained and competed with my dogs in canine obedience and agility. 
I met some wonderful people and have many great memories from that time in my life. I think the only times I thought of murder while competing involved the times I wanted to throttle my dog (Coco had a mind of her own). However, my involvement in dog shows provided a great backdrop for a murder. By setting a murder in an environment where I was very familiar, I was able to write what I love (murder mysteries) by writing what I know (dogs). 
In my Dog Club Mystery Series, I can share my love of poodles, but also, my love for all things canine. The protagonist, Lilly Echosby, has a toy poodle, Aggie. While Lilly’s best friend, “Dixie” owns two standard poodles (Leia and Chyna). However, each book in the series also features a different dog breed. Paw and Order is the 4th book in the series, and the featured breed are Border Collies. If you’re interested in learning more about dogs, dog clubs or, if you just want to read a pet-themed cozy mystery, pick up a copy of Paw and Order.
Lilly's best pal Scarlett “Dixie” Jefferson has done it again! She’s convinced eccentric poodle-loving billionaire Archibald Lowry to sponsor a grand fundraiser for the Eastern Tennessee Poodle Rescue. Tragically, it’s too late to rescue Lowry, who is murdered at the event. His pet poodle is now orphaned, so Dixie begs Lilly to foster the adorable pup. Of course, she already has a poodle—her beloved Aggie, named after Agatha Christie. Fortunately, Aggie seems to like the new addition to the family, whom Lilly renames Rex, after her second favorite mystery author, Rex Stout.

But she’s barely welcomed Rex into her home when there’s an attempted poodle-nabbing, foiled with Aggie’s help. As desperate characters try to get their hands on the canine cutie, Lilly turns to Dixie’s dog training class to help her sort through a litter of suspects. Ultimately, she may have to unleash Rex as bait to collar the killer . . .
Buy Link---- Amazon, Apple, Google Play, Kobo, Nook

About the author
V.M. (Valerie) Burns was born and raised in South Bend, Indiana. She received a Bachelor's degree from Northwestern University, a Master's degree from the University of Notre Dame and a Master of Fine Arts degree from Seton Hill University. She is a member of Mystery Writers of America, Dog Writers Association of America, Thriller Writers International and a lifetime member of Sisters in Crime. In addition to the RJ Franklin Mystery series, V.M. Burns is also the Agatha Award nominated author of The Plot is Murder, the first book in the Mystery Bookshop Mystery series; and the RJ Franklin Mystery series.
She currently resides East Tennessee with her three poodles. Readers can keep up with new releases by following her on social media. 
Website: vmburns.com

Saturday, May 30, 2020

Secret Book Stashes by E. B. Davis

 
When I read too much of any genre, I must counteract it with another genre. I usually read mystery, but then, every fourth book or so, I have to read chick lit, like Mary Kay Andrews, or romance, like Richard Amooi. Similarly, if I read too much of any mystery subgenre, I switch to another.

When paranormal mystery first became a subgenre, the focus was on the dark side, vampires and shapeshifters, popularized in 2001 by Charlaine Harris’s Sookie Stackhouse series and again in 2010 by Anne Rice’s Vampire Chronicles. Although I liked paranormal, I was stymied because the term became synonymous with the darker side of fantasy, vampire and shape-shifter
sex/violence. I started using the term spirit fiction because I liked ghost and angel stories. But that was never an accepted term.

In the past few years, some enlightened publishers have established the subgenre of paranormal cozy mystery, which encompasses most of the ghost, angel, witch, and yes, even vampire stories, those lacking the bloody gristle epitomized in the paranormal mystery subgenre. Thank goodness! I’ve fallen in love with these books, in fact, they comprise most of my TBR pile, but I view them like secret stash of pornography and am thankful that on Kindle no one can see the covers.  
Why the secret? They are fluffy. They’re entertaining. They are fantasy. There may be a heaven and hell, but good is always stronger than evil—without question. They don’t make Oprah’s lists. They aren’t erudite books you’d discuss at a book club. They might win a Lefty, but other than that, few win awards or make the bestseller list. Although there are discussions of social issues, questions of morality, and the searches for justice, the subgenre is not serious literature or fact-based mystery full of legal acumen, medical knowledge, and police procedure. The authors need only use their imagination without having advanced degrees in any academic subject. There are life-threatening suspenseful moments, but a child isn’t missing or a serial killer usually isn’t on the loose. Some would argue this subgenre is a waste of time. To them, I say—go read the NY Times bestsellers.  

Here are some of the subgenres of paranormal cozy mysteries:

In ghost stories, the series starts when the main character discovers her/his newly found talent of being able to communicate to ghosts. A move to a new residence or business building in which the ghost resides, precipitates the main character’s sixth-sense perception. The ghost needs the MC’s help to solve his death and get to the other side. Except for Jana DeLeon’s Ghost -In-Law series in which the MC’s mother-in-law decides to haunt her daughter-in-law because she likes it, and subsequently her desire results in subsequent books. The usual commonality in ghost stories is that ghosts are unreliable.

In angel series, like Mignon Ballard’s Angel series, the spiritual heavy hitters from above lend an angel to help those in need of help or justice.  Mary Stanton’
s Defending Angel series is a bit darker, but we know that the main character, who is a spirit defense lawyer, will prove the true guilty party and exonerate the innocent spirit enabling the journey to heaven.  

Then there are the unique situations—Ellery Adams presents two situations. In the first,
a bookseller has the rare ability to match readers to books, those needed to
help and comfort, while the Book Society tries to solve the problem. In the second, a pie maker helps solve crimes and comforts the pie-eating public with her charmed pies. In Sofie Kelly’s Cat series, her magical cats help the main character solve murders.
 
In the Witch category of cozy paranormal, there are commonalities, which I suppose are part of the rules that readers have come to expect.
The first is the great relocation, which usually involves getting an inheritance from an older relative and/or running from a bad relationship, killing two birds with one stone—a safe harbor even if there are surprises and uncertainties on the way. The second is the main characters have no idea of their witchy powers. Raised as normals (humans), they experience, at first, disbelief, but after (third) meeting their familiars (often black cats) who encourage them to embrace their heritage, they move onto acceptance. And fourth, learning how to be witches, which often is via trial and error with either scary or funny results, but (fifth) they also learn their powers are strong and can give the local coven hierarchy a shakeup. They are
formula books, but then many are, and like most books, it’s the characters and the author’s writing skill that make them good reads.  

I wish I wasn’t so attracted by these books, but I am. They are fantasies in which the main character, like Spiderman or Superman, have an extra talent. The mysteries solved can compete with any other in the mystery genre, but with the added security of knowing the main character can protect herself. But then, because of that extra talent, the adversary can be equally devious.  

Do you have a secret book stash? Are they your go-to books during trouble or when reality just needs to take a backseat?

Saturday, May 23, 2020

A Time to Move by Kait Carson

Things at Casa Carson are up in the air. At least those things that aren’t already in boxes. My husband and I had been talking about permanently moving from Florida to our Maine home for a long time. Somehow the time never seemed right. Or something came up. We were all set to go three years ago. Then Irma blew through. Dealing with insurance and repairs took two years. While we were making repairs, we decided to turn the house into the one we always wanted. 


All well and good, except once all the renovations were done, we realized we simply didn’t want to stay in the Sunshine State. Maine was exerting its siren call, and we were more than ready to trade beaches for woods. 

We were deep in planning when COVID-19 threw a major spanner in the works.

Oddly enough, COVID-19 also became the deciding factor. My husband and I realized how uncertain life can be. A simple trip to the grocery store can result in terminal illness. If that happened, we wanted to be in Maine. The time had come. We put the house on the market and made our plans to go.

The current plan is to be in Maine by late July – whether or not our Florida house has sold. We decided not to move in the winter, and that can start in mid-August some years. We wanted to pick our time and acclimate. 



There is one catch. We’ve always sold the incumbent house before the move and then had packers from the moving company do the boxing-up honors. In this time of a pandemic, we can’t count on a fast sale, so we are packing ourselves this time. Okay, my husband is packing. I committed to starting with my books. With the exception of writing craft, autographed series collections, and some books with sentimental attachments, I figured the majority would go into the donate pile. Easy peasy.

Here’s a tip. Never let a writer pack the books. I have rediscovered so many volumes I had forgotten I owned. Naturally, finding a forgotten book means opening it and maybe reading, well just the dust cover. NOT. It means sitting on the floor, starting at page one and promising yourself a fifteen-minute visit with this old friend to decide if it goes in the box or on the donate pile. FAIL. With the exception of the books already on my donate pile, I’ve learned to simply put all the books on my shelves into the boxes. There’s plenty of places in Maine to donate, including the St. Agatha Library funded a few years ago by the Stephen and Tabatha King Foundation.



It’s always best to travel with friends.

How about you. Are you able to read a few pages of books you loved enough to shelve and then put it in the donate pile? What’s your secret?

Wednesday, May 20, 2020

An Interview with James M. Jackson by E. B. Davis


With hidden money and connections to reach past his prison walls, the Happy Reaper threatens to avenge his capture and eliminate the entire McCree clan. Seamus must neutralize him, but how?

DNA can answer the question of who’s included in the McCree clan. Every family has secrets. Who has the right to know?

 
After reading too many cozy mysteries, James M. Jackson’s books are the antidote. His main character, Seamus McCree, doesn’t cook or even taste his food, drinks Diet Dr Pepper for breakfast, not lattes, stares down a hit man while trying to bribe him, and he’s polite to women but thinks ungentlemanly thoughts sometimes. Nope, no cozy mysteries.

The women in Seamus’s life are typical. His dart-throwing mother has many secrets, so many that for a time she didn’t speak—literally. His ex roils hot and cold as do her thoughts on Seamus. His granddaughter is sweet even though Seamus is considered a bad influence on her. We’ll see how sweet she becomes as the series progresses. I doubt she’ll have a spinoff cozy series.   

But even with all those un-cozy elements, I still am glued to the page due to the action, discovery, and plot switch-backs. Furthermore, a novella, is number 6.5 in the Seamus McCree mystery series.

Please welcome former WWK blogger, Jim Jackson, back to WWK.                                                                                               E. B. Davis   


You wrote Furthermore in response to readers input. Readers wanted questions left unanswered in False Bottom answered. Is the reader always right?

Of course, readers are always right. That doesn’t mean you have to listen to them.

Fans of False Bottom (Seamus McCree #6) wrote to ask who the parents of Colleen Carpetti, a minor character, were. That answer requires a Boston-area setting. My intention for the seventh Seamus McCree novel is to bring Seamus back to his home in Michigan’s Upper Peninsula, where Cabin Fever and Empty Promises took place. Rather than make readers wait until book eight, I developed an idea for this novella that addresses their question in a subplot.

But if I was going to write this story, I wanted to maintain the standards I set for the series: intricate plot with twists and turns, complex characters, and it had to stand on its own without requiring prior series knowledge. In this case, doing it all in fewer that 20,000 words, I chose the confrontation with the Happy Reaper for the central story, allowing family relations—including Colleen’s parentage—to occupy the subplot. Based on the reviews, I succeeded on all accounts.

Will we find out how Colleen Carpetti, who was adopted by an Italian family, still ended up with an Irish first name?

I think it’s fair to say the adoption was not blind.

Since Colleen had contact with Uncle Mike, she also subscribes to his three rules. Remind readers of they were, please.

Uncle Mike was a hard-nosed Irish cop who never had kids of his own, but acted as Seamus’s surrogate father after his real father’s death. His rules were.
1. Honor your mother and father.
2. Stand up for what you believe in, no matter the cost.
3. Never drink alone.

Why does Lizzie, Seamus’s ex and Paddy’s mom, think Seamus is The Bad Influence on Megan, their granddaughter?

Seamus relishes his grandfather role, part of which he sees as allowing Megan to have experiences her parents might not condone. For example, he’s probably the one to teach her to read under the covers when she’s supposed to be sleeping and to show her how to balance a teaspoon on her nose at the dinner table. He’s already taught her the joys of peeing in the woods. When she’s older, he’ll teach her how to ride an ATV and to drive a car as soon as her feet can reach the pedals.

In what decade was Seamus born? (which may explain why he is a “leg” man)

Seamus was born in the early 1960s.

Seamus must make a bargain with the devil (aka The Happy Reaper). What are his objectives in doing so?

As revenge, the Happy Reaper wants to kill Seamus and his family, leaving Seamus for last. The Happy Reaper has correctly assessed that at each death, Seamus will suffer from the loss of a loved one and by knowing he has failed to protect his family. Seamus hopes to redirect that revenge into a mano a mano contest and spare his family.

Colleen, an accountant with a firm specializing in audits, suspects her client of fraud and one of the accounting firm’s partners of covering up the fraud. Why does she seek out Seamus’s advice?

Based on the stories she’s heard from “Uncle Mike,” she believes Seamus is a financial crimes expert.

Why are sexual harassment law suits difficult to prove or disprove?

I answer as a layman, not a lawyer. Sexual harassment often occurs with no corroborating witnesses, making proof difficult. Rarely does a paper trail exist. Often, because of economic or psychological fear, victims do not report the crime until long after the event. By that time, memories are sometimes less of the actual event(s) and more of the stories the individuals have told themselves about the event(s). That can result in the defense being able to disprove a minor aspect of a claim, casting doubt on the entire event.

Why do endorphins beat logic?

Endorphins are internal chemicals we produce that affect our feelings of pleasure and reward: little boosts of positive reinforcement. Most of us prefer to experience pleasure even when we know what we are doing isn’t good for us. Seamus delivers that line because he feels good when helping others and knows he chases those good feelings even when logic suggests the end result will be a problem for himself.

What is “sniffer” software? Why is it used?

As the term is used in Furthermore, it means a computer program residing on the company’s network that scans documents (emails, memos, reports, downloads, etc.) for specific terms. Management at an accounting firm might be interested in learning of any use by any employee of the words fraud, scam, illegal, etc. When you direct message a Facebook friend to ask what kind of riding boots a character you are writing about might wear and are deluged by Facebook ads for riding boots, it’s because Facebook’s software sniffed out your riding boots interest and hopes to entice you to click the ads and make them money.

What are the possible scenarios that Seamus mulls over as far as Colleen’s heritage?

Colleen was adopted by Bruno Carpetti, who worked with Uncle Mike and Seamus’s father when they were all Boston cops before Bruno moved to the state police force. Those connections, plus her physical appearance, makes Seamus wonder if she is a relation and, if so, whose child. In False Bottom readers learned that the timing of Colleen’s birth coincided with a McCree family crisis (whose details could be spoilers for False Bottom and aren’t necessary for enjoying Furthermore). That makes him wonder if she is his sister’s love child or maybe his mother’s. Others wonder if Seamus is the father.

What does fear smell like?

When we are afraid, we generate a raft of chemicals that flood our bloodstream. We excrete some of these in sweat and others can sense those chemicals. Subjects in scientific studies have not put descriptors to the smell, or often even noticed there is one. However, brain scans light up when subjects are presented the scent[i]. How about that for TMI and not answering the question?

What is the “whistled Morse Code W” that trains make?

Well, this is embarrassing. I blame my father, who was a railroad fan, for sticking me with the wrong information. When a train in the U.S. or Canada approaches a crossing, they whistle a long-long-short-long pattern as a warning. The final long continues until the train has entered the crossing.

So engineers know when to begin the whistle sequence, railroads often place a sign with a W along the rails. W for whistle, right? So far so good. I thought (and since Dad is gone now, he can’t refute that he told me) that the long-long-short-long was Morse code for W. Turns out it belongs to Q! By the time you read this, the electronic versions of Furthermore will be corrected. <Sigh>

Beef and barley stew! Does only Seamus’s mom make it anymore? Does anyone other than her drink Old Fashions?

I love beef and barley stew. Older generations will remember it as a stove-top preparation; younger folks use a slow cooker or instant pot. Drinking styles also follow generational lines. Younger people switched from hard liquor to wines and beers as their alcohol of choice. Seamus’s Mom comes from the generation of hard Irish drinkers, and she isn’t alone.

Why does Seamus need visual aids? He places a blank piece of paper to remind himself to have no preconceived notions. Does it work?

We don’t all learn the same way. Some learn better by listening; some by doing, using their hands; some, like Seamus, by seeing and visualizing. Over time, we learn tricks to help us accomplish different tasks. Seamus picked up the blank page technique because it forces him to create relationships rather than analyze what someone else has presented.

Why does Seamus’s encounter with overtures from Lizzie, his ex, parallel to Ravel’s Bolero? 

Ravel’s Bolero starts with a single snare drum and builds slowly to include more and more instruments and develops greater intensity ending in a climax. Here’s a fun flash mob performance (8:26) if you are not familiar with the piece.

Even when both are in wheelchairs, Seamus and the Happy Reaper are formidable opponents. Will it always be quid pro quo with them?
   
I’ve found I am most intolerant of traits in others that are the things I like least about myself. Perhaps that is why neither Seamus nor the Happy Reaper can walk away from their confrontation. They see much of themselves in the other: a massive competitive drive, a focus on task, an obsessive sense of honor, extremely resourceful. A little shading here, a different decision there, and each could see himself as the other—an abhorrent thought.

Unless one of them dies, I don’t see this changing.

Thanks for the interview, Elaine. As always, your questions are interesting—even if I must admit I screwed up. I look forward to WWK comments and questions.

James M. Jackson authors the prize-winning Seamus McCree series consisting of six novels, two novellas, and several short stories. Full of mystery and suspense, these thrillers explore financial crimes, abuse of power, family relationships, and what happens when they mix. A lifetime member of Sisters in Crime and prior president of the 900+ member Guppy Chapter, Jim splits his time between the deep woods of Michigan’s Upper Peninsula and the city delights of Madison, Wisconsin. You can find out more about Jim and his books at https://jamesmjackson.com.



[i] https://www.mentalfloss.com/article/32113/can-people-really-smell-fear