Last
week, I served as Guest Reader for SmokeLong Quarterly. I had this
opportunity after interviewing my friends, the wonderful writers and spouses
Art Taylor and Tara Laskowski, for Writers Who Kill, message posted Wednesday, March 26, 2014.
Tara, a Senior Editor for SmokeLong, told me that the online journal had a different Guest Reader each week and asked if I would consider being one. Art mentioned that he had been a previous Guest Reader and enjoyed the experience very much. I said, “Absolutely. Sign me up!”
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| Tara Laskowski |
Tara, a Senior Editor for SmokeLong, told me that the online journal had a different Guest Reader each week and asked if I would consider being one. Art mentioned that he had been a previous Guest Reader and enjoyed the experience very much. I said, “Absolutely. Sign me up!”
What
does being a Guest Reader require? The first duty was to submit some
information about myself—a brief biography, a link to one of my published
stories, a link to a flash fiction story I admired, and a “deal breaker.”
My
bio and story I had ready. After reading a number of stories from SmokeLong, I found I particularly liked
Tara Laskowski’s domestic drama about a missing pet, “The Hamster.” I was amazed at
the detail Tara was able to weave into the story, the characterizations she
created with very few words, and the hopeful and suspenseful ending.
Next,
I had to figure out my “deal breaker.” What would make me turn down a story?
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| Art by Brandon Wicks to Illustrate "The Hamster" in SLQ |
Wow,
talk about being quickly placed into an editor’s shoes. After thinking about it, I sent in this
phrase: “A story with a noticeable disconnect that is not somehow resolved in
the end.” How does that rate as a “deal breaker”? What would your “deal
breaker” have been?
My
additional duties were: that I read all the submissions to SmokeLong for the week, select the one I felt most publishable,
and, if desired, interview the story’s author. Yes, I decided I definitely wanted
to interview the author of the story I selected. After having read Carla Damron’s
February 19, 2013 post on WWK about her experience judging stories for a
contest, I decided that might help me to make a challenging decision. So, one
of my criteria became not just which story, but also with which author would I
like to discuss the story.
SmokeLong publishes flash
fiction of 1000 words or less. The name SmokeLong
comes from a Chinese saying about a story being as long as a good smoke.
The SmokeLong Guidelines set the
following parameters for submissions:
“The
SLQ aesthetic remains an ever-changing, ever-elusive set of principles, but it
most likely has to do with these kinds of things:
* language that surprises
* narratives that strive toward something other than a final punch line or twist
* pieces that add up to something, oftentimes (but not necessarily always) meaning or emotional resonance
* honest work that feels as if it has far more purpose than a writer wanting to write a story.”
* language that surprises
* narratives that strive toward something other than a final punch line or twist
* pieces that add up to something, oftentimes (but not necessarily always) meaning or emotional resonance
* honest work that feels as if it has far more purpose than a writer wanting to write a story.”
At
midnight on Sunday, June 8, I became the Guest Reader. I wondered how many submissions
to expect. I did send a BSP notice out on Facebook, Twitter, and my usual
social media connections, hoping it would attract some attention and encourage
writers to send in their stories.
 |
| Nancy Stebbins |
Nancy
Stebbins, another Senior Editor at SmokeLong,
sent me information that helped me to focus on my task. She explained how to
access the stories and provided a suggested method for reviewing. The selection
should be blind, but seeing an author’s name didn’t automatically disqualify a
story if I felt I could make an unbiased decision. I was delighted to learn
that stories would still be reviewed by the editors to consider for the
quarterly publication. Writers were cautioned to submit a single story at a
time. Within four weeks, they would receive notice of whether or not it had
been accepted.
I
learned so much from my Guest Reader experience. I read fifty-three stories and found
something to admire in each, whether it was story structure, dialogue,
characterization, concept, setting, or description. I knew that stories of 1000
words or less had to be written tightly, but I was surprised how much
information could be packed into so few words by careful crafting. Some of the
several-hundred-word-stories were extremely effective. I noticed that most of
the relationship-based stories focused on a single character’s viewpoint.
However, I was delighted to find both romance and suspense submissions, since I
enjoy reading the mini-romances and mysteries in Woman’s World weekly magazine.
 |
| Kendel Lynn |
During
the week, I noticed a message Kendel Lynn (of Henery Press) posted on Facebook:
“Read subs yesterday and loved two of them! On one,
after about 5 pp, I knew it wasn’t right for Henery: language, content, style.
But I couldn’t stop reading this delightfully compelling page-turner of a
manuscript. I may be an editor and a writer, but I’m also a reader. And I read
that sucker until the final page. The good news: it’ll get sold and published
and you can read it, too, in about three years…”
What
a great message for an editor to send out to those who submit and
wait hopefully for acceptances!
One
of the best things about being SmokeLong’s
Guest Reader was having the chance to see so many diverse stories by talented authors.
I want to thank Tara, Nancy, and SmokeLong
for this opportunity and to encourage authors to submit to this wonderful
forum.
Which
would you rather do? Write or select a flash fiction submission? What would
your “deal breaker” be?
