Thursday, July 2, 2026

Mixing the Personal with Fiction by Susan Van Kirk

 

Have you ever wondered whether books you read have names, places, or happenings that are personal to the author? It’s like thinking about songs you loved and wondering how they came to be written and what they mean to the composer.

People who live in my town of Monmouth, Illinois, or in my hometown of Galesburg, only twelve miles east, often ask me if a particular place in my books is really based on a location in one of these towns. Oftentimes it is. That’s part of the fun of slipping in the personal.

Grace Kimball, the protagonist of my Endurance Mysteries, is a retired English teacher just like me. So, of course that’s personal. Her town is much larger than mine, but it shares many similarities. Like me, she is often running into adults she once had as students—sometimes two or three-generation families. Here’s a true—yes, it really happened—story Grace tells in the book Marry in Haste. She’s walking down the corridor of the Endurance Hospital when she sees a hospital aide pushing a patient in a wheelchair. She remembers: Andrew Weatherby. His locker was right outside my classroom his sophomore year. One day I heard a commotion and walked out to the hallway. It was a girl fight—the worst kind of fight. Andrew nonchalantly leaned against the wall and pointed out his twin sister Ally. “She’s the one on the top, beating the crap out of Lisa Watkins.” He leaned forward and shouted, “Hit her again, Ally!” Alphabetical propinquity. The following year, their lockers were moved to the lower junior hallway and all was quiet on my hallway again.



The town square in Endurance is more a circle than a square. No one ever knew how to drive around it because there were two lanes, and trying to change lanes to get off the square was forever difficult. Everyone taking driver’s education in our town knows what I mean. In Three May Keep a Secret, Grace explains, “No one knew the official rules for driving around the square, so defensive driving was the local custom. This was particularly true since Danny Walker, after a few beers at Patsy’s Pub, decided to cruise the square multiple times in the wrong direction and took out a fire hydrant and two signs for the Little People’s Daycare Center and Bert’s Collision Shop (‘You Scratch It, We Patch It’). The only thing Danny missed was the neon ‘Open’ sign for the Homestretch Funeral Home, but the hazy memory of seeing it go past several times undoubtedly contributed to his contrition once he sobered up.” Last summer, our square was totally renovated with lots of green space, flowers, and a new traffic pattern. It’s so much better and less dangerous, so the old square is simply immortalized in my mystery.




Finally, I should mention the huge old mansion that is in every one of the Endurance mysteries. I lived in it on the first floor when my husband and I first moved to Monmouth. It had been built right after the Civil War and was divided into five apartments by 1968 when we moved there. It has a very intriguing history, much of which I found out at the local courthouse. This scene is written almost exactly as I lived it in Death Takes No Bribes. Grace goes to the county clerk’s office and asks for the plat book for 402 W. Broadway (the actual address in real life.) The poor young girl explains that that book hasn’t been digitized yet. Grace still wants to see it. So the girl goes up to the attic and finds this gargantuan book, drags it down, drops it on the counter, and dust goes flying in every direction. Yes, that happened in my real life. The gorgeous handwriting of the various clerks from the late 1800s is beautiful to behold. 




That house is in every one of the Endurance mysteries. A diary from the 1800s is hidden there, and Grace finds it in Marry in Haste. It tells the scary story of a young woman who lived in the house a hundred years earlier. Grace’s future husband, Jeff Maitlin, buys the house and renovates it to use as a bed-and-breakfast. Now you’re up to date.

 

The town of Endurance, a small town on the edge of the Illinois prairie, built by Scotch Presbyterians, civilized by women, and containing a town square, a huge Victorian, and a local college, are not figments of my imagination. Well, okay. I did change some of the details, but that’s why we call my books fiction.


If you're a writer, do you add the fictional to the real life adventures of your past?


Susan Van Kirk, an Illinois author, was educated at Knox College and the University of Illinois. She is the author of six Endurance Mysteries beginning with Three May Keep a Secret. Her standalone mystery, A Death at Tippitt Pond, was followed by the Art Center Mysteries: Death in a Pale Hue, Death in a Bygone Hue, and Death in a Ghostly Hue from Level Best Books. Her latest is a memoir about teaching called Mr. Vonnegut and Me (And Other Incredible Tales from a Teaching Life.) Member of MWA and past president of the Guppy Chapter of SinC. Her website: susanvankirk.com


21 comments:

  1. I use real places in my mysteries. I think it definitely adds to the story.

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    1. I have noticed you don't have much snow in your books. Makes sense!

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  2. Fun reading about your fictional town and your real town. I set my series in a fictional version of my hometown in Pennsylvania. I haven’t lived there in over 50 years, but that’s really where my heart is.

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    1. I'm waiting for a book from you that involves sailing to England and Italy!

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  3. I use mostly real places in my novels, which people seem to enjoy. Many of the residences my protagonist lives in bear a strong resemblance to places I have lived. It makes it easier to remember the layout, and which stair squeaks.

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    1. Ha, you remind me of the clock that's always slow in "Mrs. Miniver" or the the stairway in "It's a Wonderful Life." The details are so important, and could be a clue. Squeaky stairs indeed!

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  4. I use some of my experiences intermixed with the fiction. I am especially inclined to include sensorial details--the smell of hot oil on a steel plating production line; the definitive clang of the prison gate slamming behind a new inmate; the slippery, beer-soaked surface of a roadhouse bar late at night as the bikers wind up their celebrations. To me, they speak volumes. And I hope they also resonate with my readers.

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  5. And now I'm laughing. Your life and mine have gone in very different directions. I'm more likely to write about the smell of sugar cookies in my aunt's kitchen from decades earlier, the nurses walking patients around the block at the hospital across the street from my house in the early 1950s, the sound of the car tires leaving the asphalt and crunching on the brick streets as I woke up in the backseat of my parent's car, finally home after my dad closed the drive-in.

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  6. I always make up the town that my sleuth lives in, though it's sometimes based on a real town. I also include actual sites.

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  7. I use fictional places based on real locations. Rock Creek Village is loosely based on Estes Park, CO. Seahorse Bay is patterned after Galveston. I fictionalize them mostly because I want the freedom to tweak size, businesses, etc. Plus, it's fun to have that kind of power...lol!

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    1. I so agree about the power to create whatever you want. I like the idea that they are still loosely based on real places.

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  8. Debra H. GoldsteinJuly 2, 2026 at 11:58 AM

    Most definitely. My first book, Maze in Blue, was set on the University of Michigan's campus in the 1970's. Most of the reviews were very positive, but one called me out for having a street go the wrong way because I would have ended up in the dental school. I was tempted to respond, but the next reviewer said she was the daughter of a professor and had lived on campus exactly when and how I wrote about it. She pointed out that the flow of the road and the building of the dental. school occurred after the book was set.

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    1. Well, thank goodness you have someone in your corner who remembers "how it was." Occasionally, I've had readers ask me if a particular place was a place they know in my town. Well, sometimes.

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  9. My fictional Jericho, Ohio, is based on a similar town where we lived in NE Ohio. I've taken liberties with physical features of the landscape. My fictional Beach Haven is based on South Chatham, Mass in several short stories.

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  10. I love this, Susan! We had a traffic circle in my town. Learning how to negotiate it was a rite of passage for every kid from Rutherford, but they were dangerous. Rutherford was a dry town in those days, East Rutherford across the tracks, was wet. Drinkers returning to Rutherford had to negotiate the traffic circle as soon as they crossed the tracks. Yep, that was always exciting to watch.

    My first indie novel (since removed from sale for revision) was based in the town I lived in at the time. I found that looking for settings made me see with different eyes.

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  11. I am a reader, not a writer. I like when real places are used. I have a sense of what the places look like if I have been there. It enhances the story because I can visualize the characters and location
    In some cases, I may even want to go to cities based on what I have read about them, especially if there are unique features in the area.
    I have actually visited a number of places because of pictures or descriptions of them.

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    1. Glad to hear you like to visualize the places. I think that's really important.

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  12. In my Angeline Porter thriller trilogy, I used real places I've been to because I love keeping journals of the sensory details that make scenes come alive--Paris, Portland OR, Kauai, Hollywood FL, New Hampshire. You can't get that on Google maps. I also keep all receipts. In the Paris one, I walked by a tourist kiosk and their bookbox was playing "Hotel California." Who could have made that up or believed it?

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    1. Oh, BTW, this is Valerie J. Brooks. I guess I didn't sign in!

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    2. You are so smart to keep journals about places. I do that sometimes too. Sensory details are so important. I can't imagine "Hotel California" in a kiosk in Paris. You're right. Might want to keep that for another day.

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