By Lisa Malice
Like most debut authors, I am
most comfortable with the written word, so, when I’m called upon to talk about my book in a short, succinct manner, I often get flustered.
I returned from Bouchercon Sunday, buoyed by the knowledge that I had conquered this fear of the verbal pitch. How? By facing the dragon head-on and slaying it during the conference’s Author Speed Dating party.
The night before the event, however,
I still hadn’t figured out my approach—and invariably, I was nervous of needing
to be not just short and succinct, but most importantly, not boring. When I
asked for advice on what to say, a friend (that’s you, Martha Reed) said to
mention big name authors whose names and books would resonate with readers.
That suggestion hit the nail on the head, as one industry review did compare Lest
She Forget to the books of two internationally bestselling authors. The
challenge was to write up a pitch that included this and other key elements,
including the book’s storyline, in an engaging manner.
In a moment of inspiration, I saw myself delivering a sales pitch, putting forth reasons my book was a must-read. It was fun exercise to write and practice—I felt like one of those celebrity spokeswomen hawking some wonderful new beauty product in a TV ad.
“Hello,” I said, after the
starting bell rang. “Are you looking for a suspenseful mystery/thriller,
something filled with twists and turns that will keep you turning pages into
the wee hours of the night? “If so,” I continued, holding up my book for all to
see. “Then Lest She Forget is the book for you.”
My back cover story teaser is the
best two-paragraph synopsis of my tale, so I simply flipped over the book and
read. “After surviving a car crash, Kay Smith wakes from a coma with amnesia, a
battered face, and no one to vouch for her identity. Her psychiatrist is
convinced that her memory loss is connected to the horrific nightmares and
flashbacks haunting her. As she digs for clues to her past, Kay uncovers a
shady character following her every inquiry. Who is he? What does he want from
her?
“As her probe deepens, Kay
realizes that everyone around her has deadly secrets to hide—even her. Emerging
memories, guilty suspicions, and headlines-screaming murders push Kay to come
out of the shadows and choose: Will she perpetuate a horrendous lie or risk her
life to uncover the truth?”
“Intrigued? Need more convincing?”
I pointed to one of the blurbs on the front of my four-page marketing brochure.
“The Library Journal’s starred review said readers would be hooked by Lest
She Forget from the very beginning, especially if they were fans of Paula
Hawkins' Girl on the Train and Alex Michaelides' The Silent Patient.
“Wait there’s more—Lest She Forget won the 2023 Benjamin Franklin Gold Medal for Best New Voice in Fiction from the Independent Book Publishers Association.”
“But I am convinced that if you
read my first chapter,” I said, opening up my brochure to reveal two pages of text,
“that you will be hooked.”
“The Whopper candies you have in hand,” I said, referring to my version of swag, passed out by my speed dating partner, Sharon, “are a simple reminder of my story, that other people may tell us lies, but often the biggest whoppers are those we tell ourselves.”
How I pitched was important to
me, too. As I spoke, I leaned forward, made eye contact, and moderated my voice
to the words being spoken for specific effects (e.g., a low, slow voice to
portray mystery, a more fast-paced, higher pitched voice to portray the
excitement of blurbs and awards). It didn’t take long for me to get the pitch
down. Somewhere around the fourth or fifth recitation, I could deliver my spiel
without even glancing at my script.
My approach to pitching Lest
She Forget worked on at least one reader. When it was my partner’s turn to pitch, I
walked around the table passing out her bookmarks and spotted a big word on one
woman’s notepad next to my title— “BUY.”
Author Speed Dating was a great learning
experience for me. Pitching my story, as I noted earlier, was always hard for
me. I would sputter and stutter and not come across well. By the end of this
two-hour event, I had it down pat. Moreover, I felt like I had connected with
readers, engaged them in listening and learning about my book and what it
offered them as readers.
This newfound ability to verbally
sell my book came in handy afterwards in various situations, such as standing in
line with readers as we waited for the doors to open to the evening events, or hanging
out in the hospitality room to meet my target audience--avid readers, book club
members, crime fiction bloggers and podcasters.
But the biggest benefit came
Saturday morning, when my newfound confidence allowed me to jump at the chance
to record a podcast with Terry Shepherd, a member of the Outliers University
faculty and the host of multiple podcasts targeted to fans of crime fiction—an
amazing opportunity to reach a wide audience.
Terry and I had a fun, engaging chat about me, my writing journey, the genesis of my story, then he asked me for a quick summary of Lest She Forget. My back cover teaser rolled off my tongue beautifully. I celebrated with a big smile inside and out. Terry smiled back and told me I did great. D.P. Lyle thought so, too. This co-founder of Outliers University invited me to join him for an upcoming episode of the group’s podcast, Get To Know: Interviews with the Authors You Love.
Although I came home with a stack
of unsold books, I do believe I pitched myself proud, selling both me and my
book. Attendees can carry only so many books home in their luggage, and usually
that space is reserved for signed copies of NY Times bestselling authors
appearing at Bouchercon. The proof of my assertion is the Amazon rankings for Lest
She Forget’s eBooks and paperbacks, which jumped almost two thousand points
each over the conference weekend into the low 1000’s--not too far off from the
rankings I had early on after the launch of Lest She Forget.
Let’s hear from the gallery. Authors,
as a debut author, what difficulties or fears did you have to conquer to fully
sell your book to readers? Readers, what are you looking to hear from authors when they are pitching their book to you?
I hated public speaking, but it's a huge part of my day-gig and the writing life. Toastmasters helped me feel more comfortable with presenting (and extemporaneous speaking). Congratulations on an awesome event and great swag!
ReplyDeleteThanks! I came up with the swag idea just by walking around Sam's Club to see what candy I could give away. It was inspired!
DeleteI like to see the author's personality come out in their talk -- that can happen when authors consider they are having a conversation rather than conducting a sales event.
ReplyDeleteYes, generally, a conversation is better, but with only 2 minutes to make an impression, I had to have a pitch. The same with everyone else. We did have 30 seconds to chat before the start bell rang, so that was helpful.
ReplyDeleteGlad you conquered your fear as I am sure once you relaxed, you were a natural. I have always found speed dating exhausting and exhilarating, but a great way for me to truly interact with would be fans (readers).
ReplyDeleteYou are correct, exhausting but fun. My interactions with would-be readers more often come from hanging out in the hospitality room and standing in line. So much more time to talk.
DeleteI’ve heard it said that people fear speaking in public more than they fear death. So it sounds like you really challenged yourself and succeeding. Congratulations.
ReplyDeleteIt's getting easier every time and every situation, whether it's a TV interview, keynote, or a 1-minute pitch.
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