If you are interested in blogging or want to promote your book, please contact E. B. Davis at writerswhokill@gmail.com.


Our reason for creating WWK originated as an outlet for our love of reading and writing mystery fiction. We hope you love it, too, and will enjoy our holiday gifts to our readers with original short stories to celebrate the season. Starting on 11/16 stories by Warren Bull, Margaret S. Hamilton, Paula Gail Benson, Linda Rodriguez, KM Rockwood, Gloria Alden, and E. B. Davis will appear every Thursday into the New Year.


Our November Author Interviews: 11/8--Ellen Byron, and 11/15--Sujata Massey. Please join us in welcoming these authors to WWK.


November Saturday Bloggers: 11/4 Margaret S. Hamilton and 11/11 Cheryl Hollon.


Congratulations to our writers for the following publications:

Shari Randall's "Pets" will be included in Chesapeake Crimes: Fur, Feathers, and Felonies anthology, which will be published in 2018. In the same anthology "Rasputin," KM Rockwood's short story, will also be published. Her short story "Goldie" will be published in the Busted anthology, which will be released by Level Best Books on April 25th.


In addition, our prolific KM will have the following shorts published as well: "Making Tracks" in Passport to Murder, Bouchercon anthology, October 2017 and "Turkey Underfoot," just published, will appear in the anthology The Killer Wore Cranberry: a Fifth Course of Chaos.


James M. Jackson's 4th book in the Seamus McCree series, Doubtful Relations, is now available. His novella "Low Tide at Tybee" appears February 7 as part of Lowcountry Crimes: Four Novellas, which is available for order.

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Tuesday, April 12, 2011

Pantster or Plotter?



I’m a pantster. I can’t help it. I want to be a plotter, but it doesn’t work for me. I like surprises. If I already know what’s going to happen in my book, then I’m bored. I have tried being a plotter several times—at many people’s suggestions, but it doesn’t work for me. I don’t know if it has something to do with that left brain/right brain thing or what.

I have to have scenes running through my head. But then I decide it doesn’t work. So then another scene plows through my brain. Like my WIP, Ellagrace is a widow of a scandalous man who died in the arms of the town madam. He left her in disgrace, penniless, house in foreclosure and she suspects his girlfriend forged her name on many documents. 

She finds a job working at a small newspaper taking obituaries and farm news. When she learns she’s the owner of a house the madam had done business out of before high tailing it out of town, she figures she can sell the house, or rent it out. No way would she ever live there. But then someone torches the house.

One of my co-workers told me about a student who told her about her mother’s deceased husband and a bunch of Viagra bottles left behind in a barn or somewhere. I’m thinking those are good items to leave notes in.

While I don’t know anyone who has gone through this, I have known women whose husbands have left them for other women, spent all their money and left them with the bills, and gave them good reasons for wanting to murder the men. But they didn’t.

In a mystery, we have to kill someone off. And then we have to discover the way and how of the murders. It must be so much easier if you’re a plotter. I wish my brain would turn into a plotter, but it refuses to cooperate no matter how much I beg.

How do you handle this? Are you a plotter

4 comments:

Polly said...

I'm a pantster, so I'm with you, Dee. I haven't even made an effort to plot because part of the fun in writing is finding out what happens to my characters as I write their story. I have a general idea where I want to wind up, but the road traveled is more fun if you don't know the directions.

Warren Bull said...

Don't worry so much about it. Two of my favorite authors, Nancy Pickard and Carolyn Hart do not plan either. For that matter, neither do I. In my longer work I use a timeline of major events just for sequence but I never know who's going to do what until they let me in on it.

E. B. Davis said...

I start out by knowing my beginning and ending. From there I do both approaches to get from Point A to Point Z. I'll make up a loose storyboard for a chapter and then start writing. A lot of things can happen, but I aim to include the points I outlined. Anything extra is a bonus that I can build on and may change the path I take to get to Point Z.

Pauline Alldred said...

I know the main crime and who did it and then I start writing with the characters that are going to be most involved. The main character, the main crime and who did it can all change. I do a sketchy plot for parts that are confused or where I'm not sure how to get from there to here.