If you are interested in blogging or want to promote your book next year, please contact E. B. Davis at email@example.com
WWK welcomes Welcome Wednesday author interview guests--Edith Maxwell (writing as Maddie Day) 11/4, Elizabeth Duncan 11/11, and J. A. Hennrickus (writing as Julianne Holmes) 11/25, to our blog. Polly Iyer is filling in for us on 11/18 due to a delayed publication. Thanks, Polly! Our guest bloggers this month are--Sam Bohrman (11/7) and Pat Gulley (11/14) in addition to our steadfast Saturday bloggers, Sam Morton (11/21), and Kait Carson (11/28).
Kait's blog will be our last in 2015. Warren Bull will introduce the holiday season on 11/29. Gloria Alden, KM Rockwood, Shari Randall, E. B. Davis, and Paula Gail Benson will present holiday shorts among the holidays. Please look at our 2015 Guest Calendar for December dates. We will resume blogging on 1/3/16.
Maria Barbo at HarperCollins's Katherine Tegen Books has bought a debut YA fantasy by Sarah Henning, tentatively titled Heartless and pitched as the never-before-told origin story of the sea witch from Hans Christian Andersen's "The Little Mermaid" told in the vein of Wicked – from the villainess's point of view. Publication is set for fall 2017; Rachel Ekstrom at the Irene Goodman Literary Agency did the deal for world rights. Congratulations, Sarah! --Publishers Weekly 11/9/15
Gloria Alden released the sixth book in her Catherine Jewell mystery series. Carnations for Cornelia is available at Amazon. Congratulations, Gloria.
Congratulations to WWK's Carla Damron. Carla's book, The Stone Necklace, will be released on February 2, 2016. Pat Conroy served as Carla's editor on this project. For further information, look on Facebook or Amazon.
Warren Bull's "When Stinking Aliens Take Over Your Planet" appears in the new Whortleberry Press anthology, Strange Mysteries 6. "The Interview" was chosen to appear in the Flash Bang Mysteries anthology. The anthologies are available on Amazon in paper or Kindle formats.
"A Matter of Honor" by Robert Dugoni and Paula Gail Benson will be published in the first Killer Nashville anthology, KILLER NASHVILLE NOIR: COLD BLOODED, released on October 27, 2015.
Saturday, April 9, 2011
Gazing Into My Occluded Ball
I wrote a couple of posts last year that touch on this subject: The Harsh Economics of Agent Love and Career Risk and Self-Publishing, but since then Borders entered Chapter 11 Bankruptcy and Barry Eisler turned down a half-million bucks from St. Martin’s Press for a two-book deal in order to self-publish. He and Joe Konrath talked about it on Joe’s Blog.
Since I’m an author, I am most interested in how to take the content I produce, get it to the consumer (i.e. reader) and be paid. Others in the business have different concerns. To foresee the future we need to understand the past, so let’s start with the traditional publishing model.
Before online shopping the only way you could buy a book was at a bookstore or by mail order (usually through book clubs). After online shopping, each bookstore needed to figure out how to induce customers to shop in person for something they could buy less expensively online. That pushed most bookstores toward a value-added business model. Indie bookstores tried to earn their keep by knowing their customers or successfully developing a particular niche. Big box bookstores developed a proposition based on massive inventory, and (perhaps) lower prices. Walmart, etc. chose high volume on a few titles and everyday low low prices. Grocery stores, airport kiosks, etc. base their value proposition on convenience.
Publishers were the venture capitalists for an authorial business. They funded a lot of authors with advances that never paid out. Sometimes they struck a gusher and made huge profits. Occasionally they nurtured an author into a self-sustaining business whereby repeat sales were guaranteed.
In addition to being the venture capitalist for authors, publishers are in the manufacturing business, producing bound copies of ink on paper. Because of the multitudinous distribution channels, publishers printed lots of copies of a book, got them into stores (using distributors) and took them back if they didn’t sell (which they sold for pennies on the dollar to remainder companies who then stocked them on the bargain shelves in the same bookstores who had just returned them).
Before the internet, the system worked (albeit not the most efficiently). Along the product chain from author’s scribblings to the book in the reader’s hands all the tasks were divvied up in a fairly stable manner with little overlap. Many publishers had readers go through the slush piles of proffered manuscripts to find candidates for publication. Publishers also provided editors, copy editors, cover designers, marketing strategy, placement fees for bookstores, etc.
Online retailers, led by Amazon, provided readers with a mechanism to purchase books at a discount and have delivery in a few days. Bookstores still provided immediate gratification, and physical browsing, but the pressure on their model increased exponentially.
That in turn caused pressures on the publishers. Many people blame the “bean-counters” and “corporate raiders” for turning publishers from benign entities who nurtured authors to profit-driven mega corporations. While finance staffs implemented the changes, we need to look into the mirror for the real change agents. Yes, folks, we—the purchasers of books—caused the changes. What we buy and how we choose to buy it drives the whole business, not the other way around. For example, big box bookstores did not drive out the independent bookstores. We who purchased books from big mall bookstores drove out the independent bookstores.
All of which brings me to my occluded ball. Even though I personally prefer having a book in my hand, I have concluded that consumers’ preference for their Kindles, Nooks and other electronic readers over printed material are driving and will drive massive changes in the publishing industry.
Next week’s post contains my sense of the future of publishing and what that means for authors.