Showing posts with label Lesley Diehl. Show all posts
Showing posts with label Lesley Diehl. Show all posts

Wednesday, September 14, 2016

An Interview With Lesley A. Diehl By E. B. Davis



 Years ago, when I started reading Lesley Diehl’s books, her mystery series featured a commercial microbrewer. Now, several series later, Lesley writes the Eve Appel mystery series set in rural Florida. Her main character, Eve Appel, co-owns a consignment shop, which sets the stage for murder.

Although the characters and setting are quite different, Lesley’s series reminds me of books written by one of my favorite authors, Jana DeLeon, because readers can count on mud, swamps, and alligators to show up and play a part in the plots. Like Jana’s books, Lesley’s are fun reads with pure Americana flavored prose.

Camel Press released Lesley’s latest book in the Eva Appel series, Mud Bog Murder, last week. This is the fourth book in the series so start with the first book, A Secondhand Murder, and catch up.

Please welcome Lesley Diehl to WWK.      
                                                                                                                                                      E. B. Davis  

What is a mud bog and why are they significant to your story?

Mud bogs are created out of swampy ground and used to run big trucks through in a competition to determine which giant truck can go the farthest distance through the mud. Altering the swamp destroys wildlife habitat not only for feeding but for nesting and breeding species, and, yes, this includes alligators and other reptiles, the less than cuddly animals that make for a natural balance along with mammals such as raccoons and otters and wading birds. It also destroys vegetation and creates runoff filled with silt, oil and gasoline, impacting streams and canals nearby and eventually dumping this junk into coastal areas. It’s just one more insult to the already negatively impacted ecosystem in Florida. In my story, Eve and Madeleine understand these races are seen as good for the local economy, but they also worry about the environmental impact. Taking a public stand against the races puts the two at odds with many members of the community.

Eve Appel, your main character, owns a consignment shop along with business partner, Madeleine. In Mud Bog Murder, they are operating the shop out of an RV. What happened to their shop, and what advantage do they have with the RV?

They actually operate out of two shops, the RV and a shop they recently renovated in a small strip mall in Sabal Bay. They took over the second shop from a woman who tried to compete with Eve and Madeleine with a consignment business and failed. That’s an interesting story in itself and one you can read in A Sporting Murder.

Is Sabal Bay a real place or based on a real place?

Sabal Bay is based upon the city of Okeechobee, FL, the town that sits at the north end of Lake Okeechobee, sometimes called “The Big Lake.” It is the largest municipality in Okeechobee County, a county I like to point out that has more cattle than people, and probably more alligators than people, too. The town triples in number of residents when the winter visitors or snowbirds invade during the winter months. Most of these folks are there to fish the lake. My husband and I head there to escape the winters in the North and find it a quiet place to write. It does not have the traffic of the Florida coastal regions. The natives refer to it as “old Florida,” as it was before the interstates came and that large mouse complex took up residence in Orlando. I try to capture this atmosphere in Eve’s adventures. She’s an outsider finding her place in the community, and she may have ruined her chances for acceptance with her attitude toward mud bog racing.

How did a Connecticut gal end up in Sabal Bay?

Her best friend and now business partner, Madeleine Boudreaux Wilson, inherited a house from her aunt and decided to move to rural Florida. Madeleine and Eve have been close since they were children, and Madeleine convinces Eve they should set up a high-end consignment shop in the wilds of Florida to bring designer fashion at a bargain to the women in the area. This is an ideal move for Eve, who is trying to lose her philandering husband and get him out of her life. Unfortunately, he follows her there.

Young and insecure girls like Shelley, the victim’s daughter, always seem to attract dirtball men. Are they prey and predator?

What is it about the bad boys that seem to attract naïve young women? I had my share of attractions to these characters when I was a teen, but it was always at a distance. Shelley’s dirtball moves in on her insecurities, and they become a couple. Her mother’s death cements the relationship. We can only hope Shelley will come to her senses, and with Eve in her camp, it’s a certainty.

Why does Eve identify with Shelley?

If Eve has a character flaw, it is that she, too, has had poor taste in men. She married Jerry, a man everyone told her wasn’t right for her. Eve took action and divorced the guy. If she could free herself from Jerry, she feels Shelley can do the same with dirtball Darrel.

Eve always seems to encounter Florida’s wildlife and exotics, such as buffalo and alligators. What’s next—boa constrictors?

Take a look at Dead in the Water and you’ll find that Eve takes on a passel of reptiles with a little help from a friend. Constrictors are not indigenous to Florida, but more Burmese Pythons and other constrictors are appearing in the Everglades area because people buy them as pets (pets?) and then release them. A seventeen-foot constrictor was found in Okeechobee near the veterinary hospital. That’s a darn big pet!

My favorite character is Grandy. Can you guess why?

Well, I can only guess that Grandy has the spunk of Eve but it’s packaged in a chubbier and more warm and enveloping package, maybe like your grandmother…and one of mine. But don’t forget, Eve gets her snoopy, in-your-face nature from Grandy. It can soften with age and wisdom, but it’s part of Eve’s family tradition.

In one chapter, Eve is sexually assaulted. It shocked me. Why did you write the scene?

Eve is a tough cookie, but she’s also vulnerable, as vulnerable as all women are to sexual predators. That scene was written to show another side of spunky, nothing gets in her way, Eve. We don’t control the world. The violence out there that we sometimes think we’re immune to because we are cautious or, in Eve’s case, courageous, but it invades our lives. The scene also reinforces the suspicions Eve already has about her attacker and provides her with evidence of the kind of person he is.

Eve prays a lot. But her prayers aren’t typical. What are the topics of her prayers?

Eve is an impulsive gal. Sometimes she does foolish things and then hopes she can get out of a mess or formulate a plan to handle a situation. There’s a lot of hoping, finger crossing, wishing I’d done this in a different way internal dialogue going on in her life. And she also relies on the amulet Grandfather has given her to protect her in really tight spots.

Nappi Napolitani is a mob boss, but he also seems like Eve’s fairy godfather. Is the pun intentional? Is he a good or bad guy?

On the face of it, Nappi couldn’t be a badder bad guy. He is a mob boss. Or is he? He seems to have the right connections, and he has a mob boss reputation. However, we don’t have any information that he’s been accused of any crimes or spent time in prison. Maybe he’s an informant, a plant with the mob. Or maybe he is so slick that he’s flown under the radar all these years. I like to leave that up in the air, but regardless of his true position with the mob, he is a kind man, an admirer of Grandy and fatherly toward Eve, whose father died when she was nine. She’s drawn to him because he has the same irreverent attitude toward rules and regulations that she has. She skirts just this side of the law, and so, it appears, does he. What better a man to partner with than Nappi? Of course, her friends have reservations about him, but note that Grandy does not. That’s quite a recommendation.

Why does Eve drive a Mustang?

She did drive a little red Mitsubishi convertible, but someone blew it up outside her favorite Mexican restaurant. The Mustang convertible is more in keeping with Eve’s attempt to fit in with her adopted home in rural Florida, a muscle car for a gal whose hair looks like she stuck her finger in a light socket. Confession: I drive a Mustang convertible.

I’m thinking PI Crusty McNabb might play a big role in the next Eve Appel book. Am I right?

You’re right. Crusty will be back, and Eve will develop an interesting relationship with him.

As your publisher, what does Camel Press do to better your books?

I have the best editors at Camel Press, Jennifer and Catherine. They ask the tough questions about Eve and why she does what she does and who she is. They force me to really think about the development of Eve as the series evolves.

How do you like working with your agent Dawn Dowdle?

Dawn is a real go-getter, committed to doing the best for her clients. I knew her first as an editor when she worked on one of my early manuscripts about ten years ago. When she became an agent, I knew she was the person to represent my work. She edited the manuscript of A Secondhand Murder before sending it out to publishers to make it the best it could be. I think she was instrumental in obtaining a multiple book contract for me.

Would you give our readers the title and cover blurb for your next book?

The fifth book in the Eve Appel mysteries is entitled Old Bones Never Die. When bones are uncovered at a construction site, Sammy Egret, Eve’s Miccosukee Indian friend, thinks he has discovered the story behind his father’s disappearance over 30 years ago. While Eve and Sammy fight to uncover the facts behind the burial, another Miccosukee family is equally determined to make sure the secrets buried with the bones stay hidden.

Your preference: Cinnamon rolls, crusty French bread, or Saltines?

Absolutely not saltines. I’d have to say crusty French bread so I can dip it in the sauce surrounding my clams. But then I secretly love a good cinnamon roll, but don’t tell anyone.

Are you a beach or mountain gal, Lesley?

I used to go to the mountains and loved them. Now, because of my severe vertigo, I can only look at them from a distance. I’ve always loved beaches, so I’d say I’m a beach gal. I especially love the feel of wet sand on my bare feet.


Saturday, July 2, 2016

Changes for Your Protagonist By Lesley A. Diehl, author of the Eve Appel Mysteries



How radically can a writer change the protagonist in a mystery series? Short of killing off the protagonist—probably not recommended unless you intend to end the series—how much can a writer reasonably get away with in respect to events in the life of a main character? And is it possible to tinker with the personality of the character without betraying either the character or dismaying and disappointing the reader?

Here are five issues I considered when deciding to take my protagonist in new directions:

1 .   Have I built my protagonist into such an iconic character that she doesn’t need to change?
For most writers this isn’t an issue. Few of us have created characters that stand like impenetrable rocks not needing to reconsider their lives or their loves. Robert  Parker’s Spenser is one who we do not expect to alter his manner of dealing with the bad guys nor waver in his love for Susan and his friendship with Hawk. As readers, we’d probably be disappointed to see any other Spenser on the page. We know what to expect, and we haven’t been disappointed.

2.    How can I change my protagonist without undermining the character I’ve already built?
The groundwork for change needs to be laid so that it emerges organically from what we already know about our character. For example, has our amateur sleuth not only been chasing the bad guys, but has she also yearned for love and family life? Readers wouldn’t be disappointed if we wrote an enduring love interest into the book and then had her marry. Susan Wittig Albert’s China Bayles meets the love of her life, a Texas Ranger, they marry, and she becomes mother to his son. Later they become parents to a long lost brother’s child. All of these alterations in China’s life represent adjustments she must make to how she lives her life, but these adjustments seem to emerge quite naturally from the person we know, and readers are eager to see where this life now takes her.

3.    I’ve set my character on a path, now what?
If the path has been carefully considered, then I now have an arc of development for my protagonist for the next few chapters in her life. She has become a fuller, deeper more compassionate character, someone I know my reader will enjoy seeing in her new life. Since change usually involves the emergence of relationship complexity and often the development of another character who the protagonist now has a changed relationship with, the writer has the opportunity to develop a character not only integral to the protagonist’s life, but also one who may figure into plot and subplot issues. In the second book of Eve Appel Murder Mysteries, I introduced a wise, elderly Miccosukee Indian I refer to Grandfather. He becomes one of Eve’s best friends, someone she can go to for advice and someone who shares her passion for taking down the bad guys. In Dead in the Water, the two concoct a plan for outing some Russian thugs. I’ve accomplished two things with Grandfather: his inclusion in those Eve comes to trust shows her capacity for extending her love beyond people she already knows, and the reader sees impulsive Eve now reach out for help in her sleuthing schemes. Not only do I have a new character for readers to enjoy, but I have used him to broaden and change my protagonist. I can build future changes upon this.

4.   What shouldn’t I do with changes I’ve introduced?
One of my favorite writers married her protagonist several books back in the series. While her choice of the man to marry was unexpected, her decision to share her life with someone was not. In the subsequent book, the husband appears, but as a subordinate and not very important character. In the several books since then, the husband is missing and only a few lines of thought by the protagonist are given to him. I still enjoy the series, but now I wonder what I should think about the protagonist. Mostly, I wonder why the writer introduced this change if she had no intention of making it an integral part of the protagonist’s journey and development. Why leave on the table such a rich life change which could be used so effectively in revealing more of the protagonist and in creating new and interesting plot lines? Ironically, I keep reading the series in hopes I’ll find out the answer.
 
5.   Can I use shocking, unanticipated changes in my protagonist’s life?
By killing off Thomas Lynley’s wife, Helen, so unexpectedly, Elizabeth George certainly did. With this surprising death, she set herself up to write a novel about Helen’s killer, and she set Lynley off on a journey he would never have taken as he grieved for his wife and slowly came back to his work. It also allowed George to put more emphasis upon Barbara Havers, Lynley’s sometime a partner. I say surprising your readers with this kind of shock is courageous, but it may also be foolish if you lose your readers. It appears George didn’t suffer the loss of too many fans, although many were furious about the death. I don’t think I could pull this one off. Can you?

You probably can add other issue to consider when taking your series protagonist through new events in her life and relationships. I’d be interested to hear your thoughts.

Bio:
Lesley retired from her life as a professor of psychology and reclaimed her country roots by moving to a small cottage in the Butternut River Valley in Upstate New York.  In the winter she migrates to old Florida—cowboys, scrub palmetto, and open fields of grazing cattle, a place where spurs still jingle in the post office, and gators make golf a contact sport.  Back north, the shy ghost inhabiting the cottage serves as her literary muse.  When not writing, she gardens, cooks and renovates the 1874 cottage with the help of her husband, two cats and, of course, Fred the ghost, who gives artistic direction to their work.

She is the author of a number of mystery series and mysteries as well as short stories.  Mud Bog Murder follows the first three books in the Eve Appel mystery series, A Secondhand Murder, Dead in the Water and A Sporting Murder.      

Visit her on her website:  www.lesleyadiehl.com