Showing posts with label Killer Characters. Show all posts
Showing posts with label Killer Characters. Show all posts

Wednesday, August 21, 2024

Killer Questions - Who in Your Latest Book Surprised You Most ... Why?


Killer Questions – Who in Your Latest Book Surprised You Most ... Why?

Part of writing a book is creating characters. No matter what an author plans, there are times that the writers is surprised by a character. We thought it would be fun to tell you about which character in our latest book surprised each of us most – and why. 

Teresa Inge - How quickly my protagonist, Lainey Gentry defends herself against the killer in “Main of Murder.” I love creating strong, female characters.  

Korina Moss - In Case of the Bleus, how Detective Heath reacted to my protagonist, Willa, at the end of the book surprised me. He’s always begrudgingly accepted her doing things her own way, but as I was writing the outcome this time, I realized this wasn’t something he could brush off. This time, her choices would come with consequences for their relationship.

K.M. Rockwood - I’ve been writing mostly short stories lately. In the one on which I am working now I was pleasantly surprised that the “villain,” the nephew of an elderly woman who had used the barn on her rural property as a meth lab, was fond of her and brought her fresh fish back when he was out in a small fishing boat on the Atlantic picking up shipments of drugs brought up from South America. He knew she liked the fish, and had a limited income, so he took the opportunity to actually fish and bring her some.

Shari Randall - Brandon Terwilliger, teenage ice cream creator and aspiring rock guitarist, started out as a rather shy guy, but now he has a girlfriend, Lucretia. Let's just say she's not the typical teenager. (No spoilers here!)

Nancy Eady - Several of my characters have surprised me by being problem children that require me to keep working with them until we both are happy with the result! 

Kait Carson - Mallory. She’s Hayden’s best friend and Hayden’s change of career created surprising conflict between the two.

Lisa Malice - Lest She Forget is a psychological thriller, which also meant I had to get into the mind of Felix, my narcissistic hitman out to kill my heroine. Making him a real, multidimensional character with a not-so-evil past, a treacherous present borne out of past mistakes, and a future beyond working for a boss he hates was challenging and fun.

Martha Reed - In “Up Jumped the Devil,” a character suddenly appeared on the page when I thought they were imaginary. 

Susan Van Kirk - In Death in a Bygone Hue, Jill Madison’s mentor, a man she revered, has a secret, a dark one that concerns Jill’s deceased mother. I was shocked when I realized this, and so was Jill. Since this mentor dies in chapter one, she’s going to have a heck of a time finding out if she misplaced her trust.

Mary Dutta - My latest short story centered on a bridesmaid. I was surprised by the lengths she would go to to give her friend a perfect wedding.

Marilyn Levinson - A teenager who just graduated high school named Albi Valdez surprised me. Albi asks Carrie, my sleuth, to help his troubled brother Tino, who is suspected of having murdered his two friends. Though Albi is the younger brother, he has been doing his best to look after his older brother. His taking care of Tino almost at the expense of his own future was a surprise to me. 

Margaret S. Hamilton - The victim, Joe Pye. Joe left clues in his sketchbooks and garden mural identifying the campus predator.

Heather Weidner - I’m a plotter, so I had outlined the killer and all the motivations before I started. However, when I got going on this one, the characters took over, and another killer with a much stronger motive appeared.

Annette Dashofy - In my latest release, Keep Your Family Close, I would have to say Eric, Emma’s friend from back home. I never intended for him to take over and be so funny.

Grace Topping - In Upstaged by Murder, Laura Bishop, my main character, receives a visit from someone presumed to be dead.

Sarah Burr - The killer! In two of the books I wrote this past year, I ended up changing the killer at the end. That’s never happened to me before, so I was completely taken aback by how the story evolved away from my outline.

Molly MacRae - Even though I dreamed him up, Emrys the ghost surprised me the most. I had no idea what a full “life” he’d made for himself after he died back in 1750.

Lori Roberts Herbst - Monika Schiff, the young rookie reporter who starts work at the Rock Creek Gazette. When I started with her, I expected her to play a small role, but she moved in and made herself a vital character, so much so that she'll be back in subsequent books.

Connie Berry - The killer—because it wasn’t at all the person I’d planned to pin it on.

James M. Jackson - Seamus's half-sister Colleen Carpetti, who, I now realize, could be a stone-cold killer if she weren't such a nice person.

Debra H. Goldstein – In Five Belles Too Many, I was surprised that two characters, who had become estranged, tentatively found each other again.







Wednesday, July 17, 2024

Killer Characters - The Most Difficult Stage in Writing


The Most Difficult Stage in Writing

When it comes to writing, all authors are different. We thought you might like to know what we each find the most difficult stage in writing.

James M. Jackson - Writing a synopsis takes me for-flipping-ever. I hate every single second of it, and I count them all. The last one took 20,249 seconds.

Connie Berry - The initial draft—just getting words on the page. Once there, the fun begins. I love the quote (attributed to Dorothy Parker?): “I hate writing. I love having written.”

Lori Roberts Herbst - Writing the first draft. I love outlining and coming up with ideas, and editing is probably my favorite stage. But during the first draft, everything seems so big and knotty and senseless as it comes out of my head.

Korina Moss - Because I under-write my first draft, it’s very stilted language with bursts of dialogue—just to get through to the end and make sure the story holds together. The next stage is writing it with the proper prose, and that part is arduous for me. 

Molly MacRae - Possibly convincing myself that I can do it again. Will the feeling of doom and dread that I don’t know how to write ever go away?

Sarah Burr - Writing the first three chapters of a manuscript. If it’s Book One in a new series, you have to introduce the main players, yet keep things moving, and if it’s a subsequent novel in the series, you have to recap without giving too much away or making it boring.

Grace Topping - Getting started on a new project. Without a contract deadline, it gets harder and harder.

Annette Dashofy - The latest part of the muddle in the middle when I’m trying to figure out a smooth transition into the final act. That’s where I am as I answer this question. I might’ve responded differently if I was stuck at a different stage.

Heather Weidner - The editing and revising parts are the hardest for me. I really have to stay focused when I have edits to work on. (I sometimes have to bribe myself with tiny rewards to keep myself motivated. Okay, Heather, you can have ten minutes for an internet break after you finish one more chapter.) 

Margaret S. Hamilton - The first line.

Marilyn Levinson - The sitting down part and getting started each day.

Mary Dutta - Coming up with the plot. I love revising once that's done.

Susan Van Kirk - I’m afraid I’ll have to be boring and say it is the oft-cited muddle in the middle. I know how my mystery will start and end. What happens in between is often a total mystery to me.

Debra H. Goldstein – Coming up with the idea that I think is worth writing about.

Martha Reed - The middle muddle when I need to decide which story arcs need to be highlighted and how best to weave them together to keep the reader engaged. 

Lisa Malice - As a pantser, the hardest stage on the novel-writing process is that first draft, especially the opening scene. It needs to really grab the reader, so that first chapter gets rewritten quite a bit.

Kait Carson - All of it. Oh, sorry. The beginning. As a plotster I struggle with too much backstory while I tell myself the set-up. It all comes out in the end.

Nancy Eady - The first draft.  Once I have something down on paper, I can edit because I have something to work with.  But getting something down that first time is hard. 

Shari Randall - Writing the first scene. I adore rewrites and edits, but figuring out where to begin a story is the challenge.

K.M. Rockwood - Getting the first draft down completely before I give in to the urge to go “fix” things. I do make notes for myself, but if I went back & edited everything, I’d be like Ignatius J. Reilly, who spends years working on the first sentence of his manuscript.

E.B. Davis - Where to start. I often write the end before the beginning.