Showing posts with label Karen Pullen. Show all posts
Showing posts with label Karen Pullen. Show all posts

Wednesday, March 1, 2017

Karen Pullen Interview By E. B. Davis


I had the pleasure of meeting Karen Pullen at the Malice Domestic Conference when we promoted Carolina Crimes: 19 Tales Of Lust, Love, and Longing, in which I had a short story published. Although I’m a member of North Carolina’s Triangle Chapter of SinC, it would take me over four hours travel time to get to the meetings, which I never attend and for which I apologize.

I also had interviewed Karen about the first Stella Lavender series book, Cold Feet. When the second book in the series wasn’t forthcoming, I wondered if Karen was trying to find a new publisher because I’d heard Five Star Cengage was pulling out of the mystery market. But they released her second book Cold Heart (finally) in January.

The series is traditional. There are police-procedural, romantic, and cozy elements, but there is also action-adventure with touches of violence. Poor Stella keeps getting in the line of fire. Karen portrays strong women leading their lives with courage. And her characters’ pets have the best names!

I liked Cold Feet, but I loved Cold Heart. Karen seems to be hitting her stride with this book. Her metaphors are wonderful, for example: “Never far from my mind was the sensation a bullet causes as it flies by, that firm push of air, as fresh a memory as the taste of strawberries.” (Loc. 1992) As I get to know Stella Lavender more, I realize Karen has barely touched on her backstory, compelling me to prompt Karen to write faster. Her books are the type I enjoy reading.

Please welcome Karen Pullen back to WWK.                                                                         E. B. Davis

Here’s the jacket blurb:

Cold Heart, a traditional mystery.  Motivated by her mother’s long-ago
unsolved abduction, Stella Lavender has joined the North Carolina State
Bureau of Investigation only to be severely challenged by her first assignment:
undercover drug agent. Stella works nights, buying drugs from paranoid drug
dealers, gathering evidence to send them to prison or turn them into informants.
She’s great at the job because, as her boss says, “you don’t look like a cop.”
But the physical danger and the necessary betrayals are getting to her.
When she sees a chance to work homicide, she’ll always take it.

One afternoon Stella gives a hitchhiking teenager a ride to her babysitting
job in a wealthy neighborhood. Horror awaits them—the father lies dead in a
pool of blood, and his toddler is missing. Stella joins the murder investigation
as the puzzle quickly grows. Most importantly, where is the toddler? A dizzying
array of plausible suspects provides more questions than answers.

At the same time, Stella’s personal life offers plenty of distractions.
Her grandmother Fern, a free-spirited artist with male admirers wrapped
around every one of her paint-stained fingers, needs Stella’s help with
expensive house repairs. And Stella’s attraction to three very different men
means her romantic life is, well, complicated.

Cold Heart draws the reader into a darkly
delightful page-turner as Stella rummages  through every strata of
society in her relentless and sometimes unconventional pursuit of a
cold-hearted murderer who won’t stop at just one victim.

Tell readers about your North Carolina setting?

Small town in a rural county, near Chapel Hill and Raleigh. Wait… that describes Pittsboro, my hometown! In these books, the town is called Verwood, in Essex County. Law enforcement departments are small and will call on the SBI to assist with murder cases.

As a State Bureau of Investigation Special Agent, Stella doesn’t have room in her life for babies, but you revealed her maternal instinct in this book. Why do the Lavender ladies favor babies over husbands?

Fern has always proselytized against marriage, feeling it’s a bad deal for women. She arrived at this belief watching her mother nurse an ill husband for many years. Grace, Fern’s daughter, disappeared when she was 25, so who knows, she might have married eventually!

Stella cons the victim’s stepbrother, Bryce, without misgivings. Why does she feel that doing undercover drug buys is betrayal? In both circumstances she does good.

Stella’s undercover work is by definition deceptive. It requires lying about her identity, her history, her involvement with the police. Stella is a moral person. Sometimes it’s difficult to reconcile the deception with the fact that’s it’s difficult to catch narcotics dealers any other way.

There are a lot of guns and rifles in Cold Heart. As an author, what determines your choice of weapons—popularity, function? Do you get advice?

Google is my friend. And gun-owner blogs. I run my choices past a real friend who knows a lot about guns.

Young adults, Bryce and Nikki, have much in common and show a lot of resentment. Are they acting out? In one instance, the reason isn’t teenage angst but real. In the other, you’ve left the reader wondering. Is that an intentional loose end or does Stella look the other way?

Stella gives them a break, I think, because they are young. Bryce’s mother spoiled him; she died, leaving him adrift and unloved. Nikki’s had a hard time; her parents divorced and her mother’s second husband was emotionally cruel to the child.

Richard, Stella’s boss, irks me. She’s more sympathetic to him than I would be, even after constantly reminding her about her ex, Hogan. Why?

Haha! Richard is modeled on a boss I had once, insensitive and clueless, who tried to connect on a personal level but always missed the mark. I felt sorry for him. Very well-dressed, though.

One of your characters is the town’s beloved and retired Pro football star, Lincoln Teller. He’s a decent man, but lousy at business. Is he also lousy at picking employees? Does he think his success on the field will enable him to be successful in any field? Is he loyal to a fault?

You’re right! Lincoln’s manager is ripping him off. Lincoln is too trusting, I think. Let’s hope he uses a recruiter to find his next manager, who will be ethical.

Temple, the victim’s wife, has more pluck than I gave her credit for. But then, you weren’t very nice to her. She suffers the loss of her husband, her first child is kidnapped, and shortly after her husband’s murder—births her second child. Is she normal, or does she have post-partum depression or PTSD? Has she just had enough or is her upbringing by her father, an ex military man, Wesley, the source of her strength?  

As you say, poor Temple is put through an emotional wringer until she collapses with post-partum depression. I always saw her as a tough mama, though, capable of acting decisively and bravely. And she does.

I wanted to slap June Devon. Is she passive-aggressive or what?

She is bitter at her lot of life, and not particularly interested in helping the police, especially since she’s far from innocent.

What’s going on with mysteries and Five Star Cengage?

Five Star will not publish any more mysteries. Instead, they’ll focus on westerns. Maybe Stella should meet a cowboy and move to Montana?

Why so long between books? Chapter anthologies? Business?

A busy life:  my B&B and family responsibilities. I edited a Sisters in Crime chapter anthology in 2014, Carolina Crimes: 19 Tales of Lust, Love and Longing, which was nominated for an Anthony award in 2015. There’s great stories in there, right, Elaine?

What’s next for Stella Lavender?

I’m working on Cold Fury, in which Stella investigates murders that happened at three different points in time.

At the end of the book, the following exchange takes place between Stella and Fern, Stella’s grandmother (Loc. 3919):

“You can think ‘what if’ all you want. Things happen for a reason.” [Fern says]
“What’s the reason for murder?”
Over her coffee cup, she blinked at me with true-blue eyes. “To teach us a lesson.”
“And…the lesson is?”
“You have to figure it out. That’s your purpose in life, to learn your lessons.”

Do you agree with Fern?

Fern says the reason for murder is to “teach us a lesson” but she leaves it up to Stella to figure out what that lesson is. I think Fern is saying, cryptically, that we each walk our own path. Some paths are smooth; others have ruts and snakes; a few, sinkholes and quicksand. She and Stella have had to walk strong.
             

                                                                

Wednesday, February 13, 2013

An Interview with Karen Pullen

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 I first read Karen Pullen’s work last year when I served as a judge in the Derringer Awards. Her writing impressed me. When Cold Feet was released January 2013, I wanted to read it. It’s a traditional mystery with a few cozy elements, yet other parts are anything but cozy. Join undercover drug cop Stella Lavender, Special Agent in the NC State Bureau of Investigation, and her grandma while they hunt for a killer.  E. B. Davis

1. You won a Derringer for your short story, “Brea’s Tale,” last year. What are the differences between writing a short story and a novel?

Roller-coaster vs. theme park; chocolate bar vs. four-course meal; sprint vs. marathon. Short stories require no outline; they usually contain a few scenes, a single plot thread, few characters, short timeframe. (“Brea’s Tale” is an exception, covering six years, even longer if you count her backstory.) 

In a short story, you have to go deep quickly with your character, right from the start.  A novel can start more slowly, wander about  into complex plot threads featuring many characters. A novel takes more patience and “butt-glue;” short stories are easier to revise. Of course writing techniques are no different: original language, credible dialogue, creating images in the reader’s mind. 

2. How did you make contacts to obtain the research you needed?

I needed to talk to real agents of the North Carolina State Bureau of Investigation but those people don’t write blogs spilling details about their work life.  One day I read a newspaper article about a woman who’d recently retired from the SBI after 30 years.  She was in the Raleigh phone book so I called her up. She was happy to answer my many naïve questions and steer me away from gross stupidity.  Also, wasn’t it Robert Parker who advised crime writers to leave out what you don’t know? I followed that advice. For the rest, Google was my best friend.

3. Could you provide a plot summary of Cold Feet so our readers get the gist of your plot?

Special Agent Stella Lavender has a stressful, adrenaline-fueled job: buying drugs undercover from paranoid drug dealers. So one afternoon she’s grateful to be relaxing at an elegant outdoor wedding. But as the guests wait, then grow restive, the satin-clad bride is dying most horribly. Who would kill a bride—an “angel” according to the groom—just minutes before her nuptials? Joining the investigation, Stella discovers the bride’s surprising history, a complex knot of secrets and flawed relationships she must untangle before the murderer claims another victim.

4. Your novel is balanced between being character and plot driven. How did you decide on the structure of your novel?

The best thing about the mystery genre is that the author can hang almost anything on its framework. I wrote the kind of book that I like to read: fiction with strong women characters who encounter and work through challenges. I’m glad you say “balanced,” because I aimed for that.

5. Career-wise, your main character, Stella Lavender, is wedged between a career path that her boss has plotted for her and what she would prefer—a common problem for many people. She also has to work with her ex, which she uses to her advantage when she can, but is still a sticky situation. Some writers chose unique problems for their characters, but yours are more common. Was there a reason?

Stella’s problems – job dissatisfaction and failed romance – are common but another word is universal. Nearly every reader will identify with one or the other.

6. The murder is set at a Bed & Breakfast. What is your experience with this industry?

I own a bed & breakfast! Rosemary House in the small historic town of Pittsboro NC, south of Chapel Hill.  Occasionally I've been inspired (not in a good way) by the rare painful guest. Innkeepers will know what I mean. Nice people don’t make good fiction; conflict does.

There are two fictional B&Bs in Cold Feet; an upscale faux Scottish castle and a peeling-paint Victorian. Since I know how B&Bs operate, it was easy to create scenes in them, and to understand one innkeeper’s anguish when someone begins to sabotage his business.

7. Although Stella has common problems, she also has unique problems: an inquisitive grandma and a mother who disappeared during Stella’s childhood. Will you pursue these problems in future books?

Yes, definitely. Stella’s grandmother Fern will be in all the Stella books; people tell me she is their favorite character. The mystery of Stella’s abducted mother will be solved.

8. Cold Feet’s title traditionally means someone is having second thoughts about a decision, like marriage. Many of your characters are dubious about the institution.

The topic of marriage is fascinating in a novel – so much potential for conflict! Not only interpersonal conflict, but financial, cultural, legal. And weddings provide a perfect situation for a murder mystery.  Lots of potential suspects because family, friends, and perhaps enemies are gathered in one place for a day or more.  Feelings are heightened by memories, old secrets, newer struggles, and possibly unhappiness with this particular couple’s marriage. All the ingredients for a colorful emotional stew.

9. What was the biggest obstacle you faced when writing Cold Feet?

Finishing the first draft.  It was, at times, a real slog. I don’t write fast; my internal editor is always perched on one shoulder.  After the first draft, it was easier.  I knew where I needed to add, rewrite, and cut.

10. What was the process you used to obtain a contract with Five Star Cengage? Do you have a literary agent?

It’s not a business for the impatient.

I had an agent in 2008-2009 but she  gave up when none of the Big Six? Or is it Five now? nibbled.  So I identified publishers who would look at un-agented work, and started submitting myself.  Five Star was on my radar – so many mystery writers have gotten a start with them – but they wanted an exclusive, so I collected more rejections.  Then, when I sent it to Five Star it was too late; they’d filled their slots for 2011. The editor recommended that I re-send it in the fall, when they’d be acquiring again; I did, and they took it, for publication in January 2013.  Over four years, from novel completion to publication.

11. Do you have any advice for unpublished writers?

I kind of like Dorothy Parker’s advice: “If you have any young friends who aspire to become writers, the second greatest favor you can do them is to present them with copies of The Elements of Style. The first greatest, of course, is to shoot them now, while they’re happy.”   

Seriously – read widely, take classes, join a critique group, write daily, enter contests, submit. Your writing will improve, you’ll get new ideas, you’ll take risks, you’ll get published. Persistence is key since giving up guarantees failure.

Bonus: Beach or Mountains?  

Beach. 
Karen Pullen left a perfectly good job at an engineering consulting firm to make her fortune - (er, maybe not) - as an innkeeper and a fiction writer. Her B&B has been open for 12 years, and her fiction is finally ready for prime time. She's published short stories in Every Day Fiction, Ellery Queen Mystery Magazine, and Spinetingler. Her first novel, a mystery called Cold Feet, was released by Five Star in January 2013. She lives in Pittsboro NC with her husband, father, and four spoiled cats. Her website is www.karenpullen.com.