45 Hours

45 Hours by Debra H. Goldstein

 45 hours.

That’s all my daughter and I had.

We landed at La Guardia at 11 on Friday night knowing we had to move fast – our departure time from New York City was at eight on Sunday. How much could we pack into forty-five hours?

Answer: A lot – 3 Broadway shows, 2 decent dinners, numerous snacks including pizza by the slice from a hole-in-the-wall pizzeria, touring St. Patrick’s, shopping at Uniglo, and strolling through Central Park paying special attention to the Strawberry Fields section where the IMAGINE tribute to John Lennon is.

Maybe the speed of our trip heightened my senses. Perhaps it was that delicious slice of pizza passed through a little window out of the tiniest shop I have ever set foot in. Customers crowded inside, glanced at stacked warming trays being kept filled with pizzas constantly pulled from the oven, ordered, paid and went outside to wait on the sidewalk of 46^th Street. Most likely, it is that I’ve finally become a more “aware” writer. That awareness led me to observe and remember what I saw to use in a future story or book.

I can easily see the pizza window in one of my new Sarah Blair cozy mystery books or a cleaned-up version of the waitress at another restaurant who complained because “they all want to hold the f*ing cheese as if that’s the fattening part of their order.” Future dialogue will probably be lifted from the language I heard on the street and in theaters, even when I couldn’t translate it. I was fascinated by the difference in the “Silence your Cell phone” messages at Kinky Boots and The Band’s Visit. The first had an English bloke talking on a cell phone so the audience could overhear his conversation requesting the bloody racket of even vibrate be done away with while the second presented the request through an elegant slide show.

In the past, sounds and surrounding activities made an impression on me, but I never converted them into literary scenes. Now, they play out like little Instagram moments or story boards in my mind. Rather than simply remember them, I will recreate my impressions and memories in a more lasting format.

Do you remember when your mind clicked, and your life became part of your writing?

The Phenomenon of Broadway’s Hamilton

by Paula Gail Benson

I’m a musical theater geek. I freely admit it. Last year, when The Wall Street Journal presented a video identifying all the snippets from musical shows contained in the number “A Musical” from Broadway’s Something Rotten (about two playwriting brothers who compete with William Shakespeare and happen to create the first musical), I was thrilled to check which of the twenty references I had recognized and which I had missed. (Thanks to that video, I could finally hear the opening notes from “Hello Dolly.”)

This year’s Broadway mega-hit is Hamilton, a rap, hip-hop, jazz, pop, and contemporary Broadway musical about the life of Alexander Hamilton based on the 832 page biography by Ron Chernow. Hamilton’s creator Lin-Manuel Miranda received a MacArthur “Genius” award and the Pulitzer Prize. The musical was nominated for 16 Antoinette Perry (Tony) Awards and won 11, including 2 for Miranda’s book and score. The Broadway production continues to have extremely limited tickets available. People pay $10 to enter a lottery in hopes of winning a front row seat. While they wait outside to hear if they won, they are entertained by #Ham4Ham performances featuring cast members and other artists. One popular #Ham4Ham appearance featured the three actors who had played King George (a comic relief role) taking on the women’s roles to sing “The Schuyler Sisters,” the joyous expression of three main female characters who find the Revolution on their doorstep in “the greatest city in the world,” New York.

"The Schuyler Sisters"

I haven’t had the opportunity to see a production yet, but I’ve heard glowing reports from those who have. And, thankfully, the videos on the website and YouTube let us out-of-towners live vicariously until we have the chance to see the show in its entirety.

#Ham4Ham Georges' version of "The Shuyler Sisters"

Hamilton’s journey into being is chronicled in a 288-page book titled Hamilton: The Revolution by Lin-Manuel Miranda and Jeremy McCarter. I splurged to get the audio version. McCarter’s narrative is read by Mariska Hargitay (Olivia Benson on NBC’s Law and Order: SVU). Her vocals are the perfect choice to convey the New York City atmosphere. Lin-Manuel Miranda reads his own notes that supplement the text and add additional background information.

True to my musical theater geekdom, I wish I had this book in high school when I dreamed of working in the musical theater and wondered how to break into that world. It describes the complete process of creation, how the collaboration began and continued. While being a fascinating backstage account, it also tells life stories of those involved in the production. Part of the charm is in seeing how the events happening in the present dovetailed with the past being portrayed to add to the poignancy of the show. Reading (or hearing) how the births or illness of the collaborators’ children influenced the lyrics provides a new level of understanding for the work.

Lin-Manuel Miranda and cast

I had little familiarity with rap or hip-hop when I began studying the lyrics for Hamilton. I have since developed a respect for the rhythms and the patois of the language.

According to Hamilton: The Revolution, the musical has a larger word count than some of Shakespeare’s plays. The lyrics to each song, along with an audio recording, are available on the website genius.com. Here’s a link to the opening number “Alexander Hamilton.” Included on genius.com are annotations and commentary, some by Lin-Manuel Miranda and other collaborators and some by fans. It’s fascinating to see how the music was developed and the effects it has had on its listeners.

The truly amazing aspect of Hamilton’s creative process is the collaborators seeking to present a historically accurate portrait that would resonate with young audiences. Ron Chernow became a trusted advisor for the show. Before the production came to Broadway, it was performed for many high school audiences, who studied both the history and the modern interpretation.

While becoming a phenomenal success, Hamilton also has invigorated people’s appreciation of both musicals and history. It’s opened eyes to information and presentation.

Have you ever watched a play or movie that captured your imagination so that you wanted to know more? Have you been amazed to discover what you can learn when you seek that additional information?