Some Thoughts on Naming My Fictional Characters by Marilyn Levinson

While deciding on the best names for your characters is not as critical as naming your children and your pets, it does require a considerable amount of thought. After all, you will be living with these characters for quite some time, especially if you write series. I spend the most time choosing my protagonist's name for obvious reasons. My sleuths are always female. I like to give them names I consider appealing and not very common, along with a nickname. In Giving Up the Ghost, my sleuth Gabriela Meyerson is called Gabbie. In Murder a la Christie, Lexie's official name is Alexa. My sleuth in Death on Dickens Island is Cordelia Dickens, though everyone calls her Delia.

However, not all my characters are happy with their given names. Carrie Singleton, in the Haunted Library series, officially changed her name to Carrie because she always hated Carolinda, which she was given at birth.

The names of my other characters usually come to mind as they're about to become  active members of the cast. I do my best to vary them, with regard to the starting letter and number of syllables. Masculine names tend to be shorter, and so I choose names with different vowel sounds. Readers are less likely to confuse two characters named Mike and Brett, while having characters named Fred and Ted in the same book might be a problem for some. But names can get mixed up even in an author's mind. I am grateful to the editor who noticed that I'd changed the murderer's name in the middle of the novel.

Recently, I've been having fun with names in a different way entirely. In the book I'm currently writing, Delia and her son Connor adopt two kittens that are littermates. I decided to call them Romeo and Juliet after my own kitties. And when Connor and his friend Trevor acquire girlfriends, I named them after my granddaughter and her "sister." Boy, was Livvie excited when I told her about that!

We authors have total control when it comes to naming our characters. What do you take into consideration when you name yours?

Who Will Live and Who Will Die? by Marilyn Levinson

 Until recently, I've never given much thought to how I select the murder victims in my mysteries. I don't usually go along with the popular cozy trope of killing off the character everyone loves to hate because part of maintaining suspense is keeping readers wondering who will be the first victim. But I will confess I couldn't wait to do away with my most recent murder victim because he has harmed so many innocent people.

There are many reasons why characters become homicide victims. In some of my books, the murder has occurred before page one. The first victim in Death Overdue, the first book in my Haunted Library series, died fifteen years ago, and the second victim is murdered to prevent him from announcing the killer's identity. In Giving Up the Ghost, my ghost Cameron Leeds wants Gabbie Meyerson to find out who murdered him in the previous year.

Very often a murder victim has no idea why she's been targeted. In Death on Dickens Island,  Missy Faraday's killer hears Missy asking questions about her family background and feels threatened enough to murder her. 

Jealousy is often a reason why a killer offs his or her victim. In A Murderer Among Us, Claire Weill has no idea that her killer's in love with her husband. 

Blackmailers sometimes fall prey to their victims. That's what happens to Ilana Reingold in Checked Out for Murder, the fourth Haunted Library book, when she sees the murderer kill someone and tries to blackmail her.

Lastly, some victims are simply unlucky and are murdered by accident. Which is what happens in Murder a la Christie when poor Sylvia Morris drinks the poisoned refreshment meant for someone else.

A final word: I have killed off a few characters I'd grown to love, but I never murder my sleuth or anyone close to her. 

How do you decide who will be murdered in your mysteries?

Why Ghosts Often Appear in My Novels by Marilyn Levinson

 Though I’ve never met a ghost, I’ve read enough about ghost sightings and hauntings to believe they exist. Experts in the field say some spirits remain earthbound because they’ve experienced a brutal or sudden death and don’t realize they’re dead. Others remain here because they have unfinished business or issues they need to resolve before passing on.

Ghosts, whether you believe in them or not, have a permanent place in our literary lore. Readers find their manifestations unnerving, thrilling and intriguing. George and Marion Kerby in Topper and the sea captain in The Ghost and Mrs. Muir are three of my favorite literary spirits.

Ghosts appear in my Haunted Library mystery series; my mystery, Giving Up the Ghost; and in my juvenile novel, Getting Back to Normal. They are fully-developed characters who have remained on the Earthly plane to be of assistance or to settle accounts. In Death Overdue, the first book in my Haunted Library series, Evelyn Havers is the sixty-something ghost that haunts the Clover Ridge Library, where she worked as an aide for many years. While invisible, she urges my sleuth Carrie Singleton not to turn down the position of Head of Programs and Events she is being offered. Carrie takes Evelyn’s advice and soon discovers she has made the right decision. When her first program presenter dies before her eyes and those of a roomful of library patrons, Carrie goes on to investigate his murder and that of the cold case he claimed to have solved. Evelyn helps Carrie in her investigation, but also holds back information for personal reasons. It isn’t until Buried in the Stacks, the third book in the series, that Carrie discovers Evelyn’s death was no accident. 

Cameron Leeds, the ghost in Giving Up the Ghost, is a charismatic scoundrel. In life he was a good-looking man with a generous heart, except when he was wheeling and dealing, often at his friends’ expense; a Romeo who flirted with every woman who crossed his path. Though his best friend, the town’s police chief, has declared his death an accident, Cam knows he was murdered. Trouble is, he doesn’t know who did it, and he can’t move on until he does. When Gabbie Meyerson rents his family’s cottage—the only place where he can manifest—Cam nags and cajoles until she agrees to investigate. Gabbie starts asking questions, and to her dismay discovers that several of Cam’s so-called friends and neighbors are glad he’s dead and are possible suspects. 

Twelve-year-old Vannie Taylor, the protagonist in Getting Back to Normal, has just lost her mother and her father is a basket case without her. Vannie meets Archie the ghost, hours after her father has moved her and her brother to live in a dingy cottage on the estate where he manages events. Archie appears to be carefree and funny. Dressed in a tuxedo, he performs cartwheels and handstands. He has overheard Vannie wondering aloud what to give her brother for dinner, and provides her with a simple recipe. He even tells her she can find the necessary ingredients in the mansion’s kitchen.

But Archie is far from carefree, as Vannie and her best friend discover when they research his life. He was twenty-five when he died chasing the thief who stole his wife’s necklace. Archie tells Vannie that before he can go to his rest, he must atone for having left his wife and their one-year-old son. She is astonished to learn that Mayda, her parents’ close friend and the last of the family athat once owned the estate, is Archie’s granddaughter. Archie implores Vannie to encourage the budding relationship between her father and Mayda—the one thing Vannie doesn’t want to happen. But it may be the only way her life can get back to normal.

Is it any wonder that I've included a ghost in my new Dickens Island series? Helena is my sleuth's grandmother. Like Evelyn Havers, she reappears to offer information about past events and to help restore peace and order in the town where she used to live.

Ghosts, real or imagined, always add a dimension to a novel.