Today WWK is welcoming KM Rockwood as a guest
blogger. KM is the author of the Jesse Damon series. After nearly twenty years
in prison on a murder conviction picked up when he was sixteen, Jesse Damon has
been released on parole with a home detention monitor strapped to his ankle. He
finds a basement apartment and a job at a steel fabrication plant. Jesse is not
your normal sympathetic main character, but in the book, one finds oneself
rooting for Jesse when he is accused of murdering someone in the plant where he
is working.
KM has a diverse background including working as a
laborer in a steel fabrications plant and other manufacturing businesses. She also
supervised an inmate work crew in a large medium security state prison. These
jobs as well as work as a special education teacher in an alternative high
school and a GED teacher in county detention facilities are the reason she can
write the Jesse Damon series with such realism, understanding and compassion
for her main character. Her first book is Steeled
for Murder, the second now out is Fostering
Death, and the next three in her five book contract are: The Buried Biker, Sendoff for a Snitch and
Brothers in Crime.
Whose
story is it?
How do you choose the main character and point of
view (POV) for your story?
Sometimes it’s obvious, as when you realize you’re
thinking about a story from one particular character’s POV. It’s particularly
easy to make the decision if you realize your thinking runs to “I” narrations.
Then chances are you need the first person POV. That happened to me
when I first started writing my Jesse Damon Crime Novel series. I started
writing in close third person POV, but noticed I was identifying so
closely with the character that I was thinking in terms of “I.” A bit scary
when the character in question has been paroled after spending 20 years in
prison on a murder conviction. Although I wasn’t at all sure I would be able to
carry it off effectively, I tried it, and it felt so comfortable that I
continued.
Other times it’s trickier, or you may need multiple
characters’ POV in different sections. I have a character, Miss Greyling, a
very proper elderly spinster whose solution to many problems is to murder the
person she feels is responsible. She definitely won’t let me in enough to use a first person POV, and in fact the close third person POV
feels a little distant. She has appeared in a few short stories, but when I
finish the contracted 5 Jesse Damon novels (4th is almost ready for
editing) I’d like to try to work with her.
Omniscient POV, where you take the God-like role of
seeing all, knowing all, isn’t as popular as it was years ago, although it’s
often used to begin a story in a technique borrowed from video. The camera
first scans the street scene, with its bustling shoppers and jostling taxis,
then moves to men in hoodies with the hoods pulled up and wearing dark glasses,
then watches as they enter a store. One pulls a gun as the others smash cases.
The camera hones in on the shopkeeper as he is hit, then onto his face as he
lies writhing on the floor gasping for breath. The POV has moved from
omniscient to that of the shopkeeper. This can effectively give a sense of time
and place. Because of the distance and sense of oversight, it
can be hard to present your characters in a way that the reader feels connected
to them. A reader has to care!
Once in a while, second person POV is used
in fiction, but it’s hard to sustain, both for the writer and the reader. This
piece has a second person POV that I think would be very awkward in
fiction.
Each POV has advantages and disadvantages. In first person, your reader has an opportunity to connect quickly and closely with the
character. If it’s a good fit, it works. If it isn’t, chances are your reader
will stop reading. Since all you can present is the one character’s POV—quirks,
flaws, misconceptions, prejudices and all—it can be difficult to offer other
character’s perspectives. Back story and setting can be a problem, since large
blocks of your character either reminiscing or describing things can be tedious
and not particularly believable.
Most common is the third person POV. You
can switch back and forth among several characters if you’d like, although you
do have to be careful to avoid “head hopping,” where you switch within one
section. That can get confusing to the reader. Successful romances are often
written in alternating sections, presenting first one partner’s POV, then the
other’s POV.
Using third person POV, you can tell us
what is happening and what that character feels, but you have to limit your
observations to the perspective of the one character. It’s a nice compromise
between the distance created by omniscience and the limitations of first person POV. It can range from so close to the character that you’re practically
inside him or her to a more distant observing alongside the character.
Most fiction today is written in some form of third person POV, and readers are very accepting of it and tolerant of its
limitations.
As a writer, you have to first decide whose story
this is, and then what POV works for that character or characters.
What POV do you use, and why did you decide to use
it?
It depends on the story, KM. I've used first person and third person. The story dictates which POV I use. In most of my work I've used third person because events happen outside of the main character's view. Having to show that necessitates writing through several character's POVs.
ReplyDeleteI once tried to use both (and I've read books that use both) but it isn't recommended. Against recommendation, I used that technique in a short story once--it worked well, but for a novel, I'm not sure I could do it.
In my current WIP, I wanted the reader to have a close up affinity to my main character so I chose first person.
In my novels, the protagonist POV has been first person and any other POVs are third person.
ReplyDeleteFor short stories I have used whichever I thought more effective for the story.
I have not and do not foresee using second person.
I have tended toward using a limited POV even when writing in third person so the reader only knows what that person knows - and has to rely on a perhaps unreliable POV character.
I have not written in third person omniscient because when I do I tend to insert a bit too much of "the author" into the writing. I know some writers do it well, but I am not yet one of them.
~ Jim
EB, the first person does invite a very close affinity with the character. Works in which the author uses several POVs can be very interesting, and it can work quite well, but I haven't hit the right combination to do it.
ReplyDeleteBut Jim has! I've read a few things in which the protagonist in 1st person and others in third create a tension and a very different "us vs. them" feeling.
KM, most of my writing is in third. I like the freedom it gives me to bring in other POVs. I used first POV in one short story, and it turned out very well and was published. I also used third person omniscient in the first short story I had published. It was in the first Guppy anthology. So like you say, the story and characters tell you what works best.
ReplyDeleteIf you have a protagonist who is hard to like, first person brings the reader closer to that character and readers find it easier to root for the character.
ReplyDeleteGloria, I've read some of your work and you do make very effective use of the 3rd person.
ReplyDeleteWarren, you're right that it 1st person can bring the reader closer to the character. That's a good reason to use it when your protagonist is a flawed character (although aren't they all?) who needs to resonate with the reader immediately.
The one time I used first person was when it was the murderer. The reader got into her brain and knew why she was doing what she did.
ReplyDelete